"Avert!" he said aloud and made the gesture to turn away misfortune that he had learned when he was ten years old. His gaze went to the open doorway of the house, the corner behind the door, where he thought to see darkness taking shape, clotting together and rising up.
But his gesture, though it had no power, woke him. The shadows behind the door were only shadows. The stars out the window were the stars of Earthsea, paling in the first reflection of the dawn.
He sat holding his sheepskin up round his shoulders, watching those stars fade as they dropped west, watching the growing brightness, the colors of light, the play and change of coming day. There was a grief in him, he did not know why, a pain and yearning as for something dear and lost, forever lost. He was used to that; he had held much dear, and lost much; but this sadness was so great it did not seem to be his own. He felt a sadness at the very heart of things, a grief even in the coming of the light. It clung to him from his dream, and stayed with him when he got up.
He lit a little fire in the big hearth and went to the peach trees and the henhouse to gather breakfast. Alder came in from the path that ran north along the cliff top; he had gone for a walk at first light, he said. He looked jaded, and Sparrowhawk was struck again by the sadness in his face, which echoed the deep aftermood of his own dream.
They had a cup of the warmed barley gruel the country people of Gont drink, a boiled egg, a peach; they ate by the hearth, for the morning air in the shadow of the mountain was too cold for sitting outdoors. Sparrowhawk looked after his livestock: fed the chickens, scattered grain for doves, let the goats into the pasture. When he came back they sat again on the bench in the dooryard. The sun was not over the mountain yet, but the air had grown dry and warm.
"Now tell me what brings you here, Alder. But since you came by Roke, tell me first if things are well in the Great House."
"I did not enter it, my lord."
"Ah." A neutral tone but a sharp glance.
"I was only in the Immanent Grove."
"Ah." A neutral tone, a neutral glance. "Is the Patterner well?"
"He told me, 'Carry my love and honor to my lord and say to him: I wish we walked in the Grove together as we used to do. "
Sparrowhawk smiled a little sadly. After a while he said, "So. But he sent you to me with more to say than that, I think."
"I will try to be brief."
"Man, we have all day before us. And I like a story told from the beginning."
So Alder told him his story from the beginning.
He was a witch's son, born in the town of Elini on Taon, the Isle of the Harpers.
Taon is at the southern end of the Sea of Ea, not far from where Solea lay before the sea whelmed it. That was the ancient heart of Earthsea. All those islands had states and cities, kings and wizards, when Havnor was a land of feuding tribesmen and Gont a wilderness ruled by bears. People born on Ea or Ebea, Enlad or Taon, though they may be a ditchdigger's daughter or a witch's son, consider themselves to be descendants of the Elder Mages, sharing the lineage of the warriors who died in the dark years for Queen Elfarran. Therefore they often have a fine courtesy of manner, though sometimes an undue haughtiness, and a generous, uncalculating turn of mind and speech, a way of soaring above mere fact and prose, which those whose minds stay close to merchandise distrust. "Kites without strings," say the rich men of Havnor of such people. But they do not say it in the hearing of the king, Lebannen of the House of Enlad.
The best harps in Earthsea are made on Taon, and there are schools of music there, and many famous singers of the Lays and Deeds were born or learned their art there. Elini, however, is just a market town in the hills, with no music about it, Alder said; and his mother was a poor woman, though not, as he put it, hungry poor. She had a birthmark, a red stain from the right eyebrow and ear clear down over her shoulder. Many women and men with such a blemish or difference about them become witches or sorcerers perforce, "marked for it," people say. Blackberry learned spells and could do the most ordinary kind of witchery; she had no real gift for it, but she had a way about her that was almost as good as the gift itself. She made a living, and trained her son as well as she could, and saved enough to prentice him to the sorcerer who gave him his true name.
Of his father Alder said nothing. He knew nothing. Blackberry had never spoken of him. Though seldom celibate, witches seldom kept company more than a night or two with any man, and it was a rare thing for a witch to marry a man. Far more often two of them lived their lives together, and that was called witch marriage or she-troth. A witch's child, then, had a mother or two mothers, but no father. That went without saying, and Sparrowhawk asked nothing on that score; but he asked about Alder's training.
The sorcerer Gannet had taught Alder the few words he knew of the True Speech, and some spells of finding and illusion, at which Alder had shown, he said, no talent at all. But Gannet took enough interest in the boy to discover his true gift. Alder was a mender. He could rejoin. He could make whole. A broken tool, a knife blade or an axle snapped, a pottery bowl shattered: he could bring the fragments back together without joint or seam or weakness. So his master sent him about seeking various spells of mending, which he found mostly among witches of the island, and he worked with them and by himself to learn to mend.
"That is a kind of healing," Sparrowhawk said. "No small gift, nor easy craft."
"It was a joy to me," Alder said, with a shadow of a smile in his face. "Working out the spells, and finding sometimes how to use one of the True Words in the work… To put back together a barrel that's dried, the staves all fallen in from the hoops—that's a real pleasure, seeing it build up again, and swell out in the right curve, and stand there on its bottom ready for the wine…There was a harper from Meoni, a great harper, oh, he played like a storm on the high hills, like a tempest on the sea. He was hard on the harp strings, twanging and pulling them in the passion of his art, so they'd break at the very height and flight of the music. And so he hired me to be there near him when he played, and when he broke a string I'd mend it quick as the note itself, and he'd play on."
Sparrowhawk nodded with the warmth of a fellow professional talking shop. "Have you mended glass?" he asked.
"I have, but it's a long, nasty job," Alder said, "with all the tiny little bits and speckles glass goes to."
"But a big hole in the heel of a stocking can be worse," Sparrowhawk said, and they discussed mending for a while longer, before Alder returned to his story.
He had become a mender, then, a sorcerer with a modest practice and a local reputation for his gift. When he was about thirty, he went to the principal city of the island, Meoni, with the harper, who was playing for a wedding there. A woman sought him out in their lodging, a young woman, not trained as a witch; but she had a gift, she said, the same as his, and wanted him to teach her. And indeed she had a greater gift than his. Though she knew not a word of the Old Speech, she could put a smashed jug back together or mend a frayed-out rope just with the movements of her hands and a wordless song she sang under her breath, and she had healed broken limbs of animals and people, which Alder had never dared try to do.
So rather than his teaching her, they put their skills together and taught each other more than either had ever known. She came back to Elini and lived with Alder's mother Blackberry, who taught her various useful appearances and effects and ways of impressing customers, if not much actual witch knowledge. Lily was her name; and Lily and Alder worked together there and in all the hill towns nearby, as their reputation grew.