"Let him talk," said Dupin, who had not thought it necessary to reply. "Let him discourse; it will ease his conscience. I am satisfied with having defeated him in his own castle. Nevertheless, that he failed in the solution of this mystery, is by no means that matter for wonder which he supposes it; for, in truth, our friend the Prefect is somewhat too cunning to be profound. In his wisdom is no «stamen.» It is all head and no body, like the pictures of the Goddess Laverna,-or, at best, all head and shoulders, like a codfish. But he is a good creature after all. I like him especially for one master stroke of cant, by which he has attained his reputation for ingenuity. I mean the way he has «'de nier ce qui est, et d'expliquer ce qui n'est pas.'" «*
* Rousseau, «Nouvelle Heloise».
BRET HARTE (1836-1902)
It may at first seem surprising that the writer best known for putting the California of Gold Rush days on the literary map also produced «The Stolen Cigar Case,» a story widely regarded as the quintessential Sherlockian parody. But Bret Harte, who also did a great deal to establish the formula used in Westerns to this day, was a master of generic conventions and a skilled editor and literary critic. This story, and others collected in two volumes of Condensed Novels, were written to indulge Harte's passion for critiquing the very conventions that were the mainstays of his and other writers' popular success.
Born Francis Bret Harte in Albany, New York, in 1836, he was a precocious child who at the age of five burlesqued his school primers. He was raised in the eastern United States, where he moved from school to school according to his father's varying ability to pay tuition. His father changed the family name to Harte a year before he died. Soon afterward, the teenage Harte began to support himself, establishing a lifelong pattern of moving from job to job while pursuing his writing.
At the age of eighteen, Harte joined his remarried mother in California, where he was to spend the next sixteen years of his life. His first six years out west were not successful in terms of either literary or ordinary employment. But in drifting from job to job and dabbling in experiences like riding shotgun on a stagecoach and tutoring ranchers' children, he gathered a wealth of material that he would mine for years as he put 'Bret Harte Country' on the literary map.
Harte's connections with literary journals and newspapers ranged from writing for them to physically printing them. He simultaneously lost his job and made a name for himself when, in February 1860, he strongly editorialised about a massacre of Indians perpetrated by whites. Left in charge of the «Northern Californian» while the editor was away, he printed such bold statements about a rival paper and the local sheriff that he was fired within the month.
In his non-fiction and lectures, Harte revealed that he despised the corruption and lawlessness of the very world in which he chose to set his fiction. In his literary criticism, he disdained the use of formula and stock characters while unabashedly using both to his advantage in his highly popular fiction.
If «The Stolen Cigar Case» is one of Harte's most lasting gems, it may be because in it he could dissect and use to his advantage both formula and someone else's stock characters. And at the same time he could indulge a bad boy's sense of play.
The Stolen Cigar Case
I found Hemlock Jones in the old Brook Street lodgings, musing before the fire. With the freedom of an old friend I at once threw myself in my usual familiar attitude at his feet, and gently caressed his boot. I was induced to do this for two reasons: one, that it enabled me to get a good look at his bent, concentrated face, and the other, that it seemed to indicate my reverence for his superhuman insight. So absorbed was he even then, in tracking some mysterious clue, that he did not seem to notice me. But therein I was wrong-as I always was in my attempt to understand that powerful intellect.
"It is raining," he said, without lifting his head.
"You have been out, then?" I said quickly.
"No. But I see that your umbrella is wet, and that your overcoat has drops of water on it."
I sat aghast at his penetration. After a pause he said carelessly, as if dismissing the subject: "Besides, I hear the rain on the window. Listen."
I listened. I could scarcely credit my ears, but there was the soft pattering of drops on the panes. It was evident there was no deceiving this man!
"Have you been busy lately?" I asked, changing the subject. "What new problem-given up by Scotland Yard as inscrutable-has occupied that gigantic intellect?"
He drew back his foot slightly, and seemed to hesitate ere he returned it to its original position. Then he answered wearily: "Mere trifles-nothing to speak of. The Prince Kupoli has been here to get my advice regarding the disappearance of certain rubies from the Kremlin; the Rajah of Pootibad, after vainly beheading his entire bodyguard, has been obliged to seek my assistance to recover a jewelled sword. The Grand Duchess of Pretzel-Brauntswig is desirous of discovering where her husband was on the night of February 14; and last night"-he lowered his voice slightly-"a lodger in this very house, meeting me on the stairs, wanted to know why they didn't answer his bell."
I could not help smiling-until I saw a frown gathering on his inscrutable forehead.
"Pray remember," he said coldly, "that it was through such an apparently trivial question that I found out Why Paul Ferroll Killed His Wife, and What Happened to Jones!"
I became dumb at once. He paused for a moment, and then suddenly changing back to his usual pitiless, analytical style, he said: "When I say these are trifles, they are so in comparison to an affair that is now before me. A crime has been committed,-and, singularly enough, against myself. You start," he said. "You wonder who would have dared to attempt it. So did I; nevertheless, it has been done. «I» have been «robbed!"«
«"You» robbed! You, Hemlock Jones, the Terror of Peculators!" I gasped in amazement, arising and gripping the table as I faced him.
"Yes! Listen. I would confess it to no other. But «you» who have followed my career, who know my methods; you, for whom I have partly lifted the veil that conceals my plans from ordinary humanity,-you, who have for years rapturously accepted my confidences, passionately admired my inductions and inferences, placed yourself at my beck and call, become my slave, grovelled at my feet, given up your practice except those few unremunerative and rapidly decreasing patients to whom, in moments of abstraction over «my» problems, you have administered strychnine for quinine and arsenic for Epsom salts; you, who have sacrificed anything and everybody to me,-»you» I make my confidant!"
I arose and embraced him warmly, yet he was already so engrossed in thought that at the same moment he mechanically placed his hand upon his watch chain as if to consult the time. "Sit down," he said. "Have a cigar?"
"I have given up cigar smoking," I said.
"Why?" he asked.
I hesitated, and perhaps coloured. I had really given it up because, with my diminished practice, it was too expensive. I could afford only a pipe. "I prefer a pipe," I said laughingly. "But tell me of this robbery. What have you lost?"
He arose, and planting himself before the fire with his hands under his coattails, looked down upon me reflectively for a moment. "Do you remember the cigar case presented to me by the Turkish Ambassador for discovering the missing favourite of the Grand Vizier in the fifth chorus girl at the Hilarity Theatre? It was that one. I mean the cigar case. It was incrusted with diamonds."