After I had entered he locked the doors, fastened the windows, and even placed a chair before the chimney. As I watched these significant precautions with absorbing interest, he suddenly drew a revolver and, presenting it to my temple, said in low, icy tones: "Hand over that cigar case!"
Even in my bewilderment my reply was truthful, spontaneous, and involuntary.
"I haven't got it," I said.
He smiled bitterly, and threw down his revolver. "I expected that reply! Then let me now confront you with something more awful, more deadly, more relentless and convincing than that mere lethal weapon,-the damning inductive and deductive proofs of your guilt!" He drew from his pocket a roll of paper and a note-book.
"But surely," I gasped, "you are joking! You could not for a moment believe-"
"Silence! Sit down!" I obeyed.
"You have condemned yourself," he went on pitilessly. "Condemned yourself on my processes,-processes familiar to you, applauded by you, accepted by you for years! We will go back to the time when you first saw the cigar case. Your expressions," he said in cold, deliberate tones, consulting his paper, were, 'How beautiful! I wish it were mine.' This was your first step in crime-and my first indication. From 'I «wish» it were mine' to 'I «will» have it mine,' and the mere detail, «'How can» I make it mine?' the advance was obvious. Silence! But as in my methods it was necessary that there should be an overwhelming inducement to the crime, that unholy admiration of yours for the mere trinket itself was not enough. You are a smoker of cigars."
"But," I burst out passionately, "I told you I had given up smoking cigars."
"Fool!" he said coldly, "that is the «second» time you have committed yourself. Of course you told me! What more natural than for you to blazon forth that prepared and unsolicited statement to prevent accusation. Yet, as I said before, even that wretched attempt to cover up your tracks was not enough. I still had to find that overwhelming, impelling motive necessary to affect a man like you. That motive I found in the strongest of all impulses-Love, I suppose you would call it," he added bitterly, "that night you called! You had brought the most conclusive proofs of it on your sleeve."
"But-" I almost screamed.
"Silence!" he thundered. "I know what you would say. You would say that even if you had embraced some Young Person in a sealskin coat, what had that to do with the robbery? Let me tell you, then, that that sealskin coat represented the quality and character of your fatal entanglement! You bartered your honour for it-that stolen cigar case was the purchaser of the sealskin coat!
"Silence! Having thoroughly established your motive, I now proceed to the commission of the crime itself. Ordinary people would have begun with that-with an attempt to discover the whereabouts of the missing object. These are not» my» methods."
So overpowering was his penetration that, although I knew myself innocent, I licked my lips with avidity to hear the further details of this lucid exposition of my crime.
"You committed that theft the night I showed you the cigar case, and after I had carelessly thrown it in that drawer. You were sitting in that chair, and I had arisen to take something from that shelf. In that instant you secured your booty without rising. Silence! Do you remember when I helped you on with your overcoat the other night? I was particular about fitting your arm in. While doing so I measured your arm with a spring tape measure, from the shoulder to the cuff. A later visit to your tailor confirmed that measurement. It proved to be «the exact distance between your chair and that drawer!"«
I sat stunned.
"The rest are mere corroborative details! You were again tampering with the drawer when I discovered you doing so! Do not start! The stranger that blundered into the room with a muffler on-was myself! More, I had placed a little soap on the drawer handles when I purposely left you alone. The soap was on your hand when I shook it at parting. I softly felt your pockets, when you were asleep, for further developments. I embraced you when you left-that I might feel if you had the cigar case or any other articles hidden on your body. This confirmed me in the belief that you had already disposed of it in the manner and for the purpose I have shown you. As I still believed you capable of remorse and confession, I twice allowed you to see I was on your track: once in the garb of an itinerant negro minstrel, and the second time as a workman looking in the window of the pawnshop where you pledged your booty."
"But," I burst out, "if you had asked the pawnbroker, you would have seen how unjust-"
"Fool!" he hissed, "that was one of «your» suggestions-to search the pawnshops! Do you suppose I followed any of your suggestions, the suggestions of the thief? On the contrary, they told me what to avoid."
"And I suppose," I said bitterly, "you have not even searched your drawer?"
"No," he said calmly.
I was for the first time really vexed. I went to the nearest drawer and pulled it out sharply. It stuck as it had before, leaving a part of the drawer unopened. By working it, however, I discovered that it was impeded by some obstacle that had slipped to the upper part of the drawer, and held it firmly fast. Inserting my hand, I pulled out the impeding object. It was the missing cigar case! I turned to him with a cry of joy.
But I was appalled at his expression. A look of contempt was now added to his acute, penetrating gaze. "I have been mistaken," he said slowly; "I had not allowed for your weakness and cowardice! I thought too highly of you even in your guilt! But I see now why you tampered with that drawer the other night. By some inexplicable means-possibly another theft-you took the cigar case out of pawn and, like a whipped hound, restored it to me in this feeble, clumsy fashion. You thought to deceive me, Hemlock Jones! More, you thought to destroy my infallibility. Go! I give you your liberty. I shall not summon the three policemen who wait in the adjoining room-but out of my sight forever!"
As I stood once more dazed and petrified, he took me firmly by the ear and led me into the hall, closing the door behind him. This reopened presently, wide enough to permit him to thrust out my hat, overcoat, umbrella, and overshoes, and then closed against me forever!
I never saw him again. I am bound to say, however, that thereafter my business increased, I recovered much of my old practice, and a few of my patients recovered also. I became rich. I had a brougham and a house in the West End. But I often wondered, pondering on that wonderful man's penetration and insight, if, in some lapse of consciousness, I had not really stolen his cigar case!
JACQUES FUTRELLE (1875-1912)
Critics agree that when Boston journalist Jacques Futrelle went down with the «Titanic» at the age of thirty-seven, the world lost an innovative master of the short story. The Georgia-born author also penned novels that have not stood the test of time. But his short stories gave us his great achievement: the American prototype of the scientific sleuth.
There is no doubt that Futrelle was building on the creations of Eugene Francois Vidocq, Edgar Allan Poe, and Sir Arthur Conan Doyle, when he invented Professor S. F. X. Van Dusen, Ph. D., LL. D., F. R. S., and M. D. However, no reader is likely to mistake Van Dusen for Sherlock Holmes, despite their cerebral similarities. With his outsize cranium, his mane of yellow hair, his petite body, and his arrogant freakishness, Van Dusen can't be imagined as welcome among the upper-crust British. And Van Dusen's character fits the American mould. His superlative reasoning powers are accompanied by a 'can-do' attitude that leads him to declare, "Nothing is impossible."
"How about an airship?" his friend challenges him.
"That's not impossible at all," Van Dusen asserts. "It will be invented sometime. I'd do it myself, but I'm busy.
Dubbed 'The Thinking Machine' by the press after 'a remarkable exhibition at chess,' the professor is aided by newspaper reporter Hutchinson Hatch, who runs the research and rescue operations while Van Dusen does the thinking. Setting the stage for sidekicks like Archie Goodwin in Rex Stout's later Nero Wolfe stories and Paul Drake in Erie Stanley Gardner's Perry Mason mysteries, Hatch is the more physically active partner.