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There was silence for several minutes. Dr. Ransome was first to speak.

"Wonderful!" he exclaimed. "Perfectly amazing."

"How did Mr. Hatch happen to come with the electricians?" asked Mr. Fielding.

"His father is manager of the company," replied The Thinking Machine.

"But what if there had been no Mr. Hatch outside to help?"

"Every prisoner has one friend outside who would help him escape if he could."

"Suppose-just suppose-there had been no old plumbing system there?" asked the warden, curiously.

"There were two other ways out," said The Thinking Machine, enigmatically.

Ten minutes later the telephone bell rang. It was a request for the warden.

"Light all right, eh?" the warden asked, through the 'phone. "Good. Wire cut beside Cell 13? Yes, I know. One electrician too many? What's that? Two came out?"

The warden turned to the others with a puzzled expression.

"He only let in four electricians, he has let out two and says there are three left."

"I was the odd one," said The Thinking Machine.

"Oh," said the warden. "I see." Then through the 'phone: "Let the fifth man go. He's all right."

MELVILLE DAVISSON POST (1869-1930)

Melville Davisson Post's two series characters, who earned their author wide popular acclaim in his day, are a study in contrasts. The antihero in his first book of crime stories and two later anthologies is Randolph Mason, an unscrupulous lawyer who expertly levers his criminal clients through legal loopholes. Mason's opposite is the scrupulous, Bible-quoting moralist Uncle Abner, whose efforts at uncovering crime in the hearts and actions of backwoods Virginians establish not only man's justice but God's.

Both of Post's characters are larger-than-life figures who use their different expertise to amaze their clients and Post's readers alike. Mason's legal expertise comes from his creator's own experience of the law. Post practiced criminal and corporate law for eleven years before becoming involved in Democratic politics. Criticised for allowing Mason to use the law to help criminals, Post wrote, "Nothing but good can come of exposing the law's defects." Some changes in criminal codes were actually made in response to Mason stories.

Abner was Post's answer to the lawlessness of the mountain men whom he knew intimately. Born in Romines Mills, West Virginia, Post was raised in the wild hills that he depicted in the Abner stories. His highly successful regional writing is considered to be an early influence leading to the blossoming of regionalism in American detective fiction.

Even critics who have not been enthusiastic about the literary quality of his work acknowledge Post's skill at plotting. They concede, along with Chris Steinbrunner and Otto Penzler in their «Encyclopedia of Mystery and Detection,» that he did much to speed up the pace of the detective story "by developing the mystery and its solution simultaneously."

A great commercial success as a magazine writer, the versatile and confident Post also dared to create a British sleuth, Sir Henry Marquis, chief of the Criminal Investigation Department of Scotland Yard, whose work takes him to international locales, including Asia and the United States. Another character, Walker of the Secret Service, had robbed trains until he reformed and became a federal agent. Post ventured into Paris with Monsieur Jonquelle, Prefect of Police of Paris, and returned to the Virginia hills with his gentleman lawyer, Colonel Braxton.

Loaded with biblical allusions and quotations, «The Doomdorf Mystery» exemplifies the Abner stories. The final line is an Abner classic.

The Doomdorf Mystery

The pioneer was not the only man in the great mountains behind Virginia. Strange aliens drifted in after the Colonial wars. All foreign armies are sprinkled with a cockle of adventurers that take root and remain. They were with Braddock and La Salle, and they rode north out of Mexico after her many empires went to pieces.

I think Doomdorf crossed the seas with Iturbide when that ill-starred adventurer returned to be shot against a wall; but there was no Southern blood in him. He came from some European race remote and barbaric. The evidences were all about him. He was a huge figure of a man, with a black spade beard, broad, thick hands, and square, flat fingers.

He had found a wedge of land between the Crown's grant to Daniel Davisson and a Washington survey. It was an uncovered triangle not worth the running of the lines; and so, no doubt, was left out, a sheer rock standing up out of the river for a base, and a peak of the mountain rising northward behind it for an apex.

Doomdorf squatted on the rock. He must have brought a belt of gold pieces when he took to his horse, for he hired old Robert Steuart's slaves and built a stone house on the rock, and he brought the furnishings overland from a frigate in the Chesapeake; and then in the handfuls of earth, wherever a root would hold, he planted the mountain behind his house with peach trees. The gold gave out; but the devil is fertile in resources. Doomdorf built a log still and turned the first fruits of the garden into a hell-brew. The idle and the vicious came with their stone jugs, and violence and riot flowed out.

The government of Virginia was remote and its arm short and feeble; but the men who held the lands west of the mountains against the savages under grants from George, and after that held them against George himself, were efficient and expeditious. They had long patience, but when that failed they went up from their fields and drove the thing before them out of the land, like a scourge of God.

There came a day, then, when my Uncle Abner and Squire Randolph rode through the gap of the mountains to have the thing out with Doomdorf. The work of this brew, which had the odours of Eden and the impulses of the devil in it, could be borne no longer. The drunken negroes had shot old Duncan's cattle and burned his haystacks, and the land was on its feet.

They rode alone, but they were worth an army of little men. Randolph was vain and pompous and given over to extravagance of words, but he was a gentleman beneath it, and fear was an alien and a stranger to him. And Abner was the right hand of the land.

It was a day in early summer and the sun lay hot. They crossed through the broken spine of the mountains and trailed along the river in the shade of the great chestnut trees. The road was only a path and the horses went one before the other. It left the river when the rock began to rise and, making a detour through the grove of peach trees, reached the house on the mountain side. Randolph and Abner got down, unsaddled their horses and turned them out to graze, for their business with Doomdorf would not be over in an hour. Then they took a steep path that brought them out on the mountain side of the house.

A man sat on a big red-roan horse in the paved court before the door. He was a gaunt old man. He sat bare-headed, the palms of his hands resting on the pommel of his saddle, his chin sunk in his black stock, his face in retrospection, the wind moving gently his great shock of voluminous white hair. Under him the huge red horse stood with his legs spread out like a horse of stone.

There was no sound. The door to the house was closed; insects moved in the sun; a shadow crept out from the motionless figure, and swarms of yellow butterflies manoeuvred like an army.

Abner and Randolph stopped. They knew the tragic figure-a circuit rider of the hills who preached the invective of Isaiah as though he were the mouthpiece of a militant and avenging overlord; as though the government of Virginia were the awful theocracy of the Book of Kings. The horse was dripping with sweat and the man bore the dust and the evidences of a journey on him.

"Bronson," said Abner, "where is Doomdorf?"

The old man lifted his head and looked down at Abner over the pommel of the saddle.

"'Surely,'" he said, "'he covereth his feet in his summer chamber.'"

Abner went over and knocked on the closed door, and presently the white, frightened face of a woman looked out at him. She was a little, faded woman, with fair hair, a broad foreign face, but with the delicate evidences of gentle blood.