And then, at last, he came upon the magician.
This was in a tower room, far above the body of the palace. The walls were polished crystal, yet black as death, and the stairs that he climbed to reach the chamber were lit from within, yet seemed as opaque as coal.
It was at the top of these stairs that he entered the wizard's laboratory, cluttered with ghastly talismans and dusty books. Amid the clutter stood a tall, thin old man-very tall, with white hair that flowed to his waist, and a silvery beard almost as long. He wore an absolutely plain black robe that shimmered eerily, and he was bent over one of the larger and dustier of the tomes.
Remembering the King's instructions, and seeing his intended victim thus absorbed, Abu crept up behind him, the heavy hilt of his broken dagger in his hand.
All strength abruptly ebbed from his limbs, and he collapsed helplessly, to lie unmoving on the floor.
The wizard finished reading the page, closed the book, and put it atop a pile nearby; then came and stood looking down at the paralyzed thief.
"You have disturbed me," the Most Profound Tir said. "This is not to be permitted. Further, I see in your eyes that all of Tahrir now wishes me ill, and that others will be sent after you. I will not have it." The dry, ancient voice seemed to fill everything, although Abu knew it wasn't really very loud. He tried to speak, but could not.
"What will I do with you, you ask?" Al-Tir al-Abtan stroked his beard. "I don't know. You do bear examination, having gotten this far into my palace, don't you? But I'm too busy to bother with you just now; you'll have to wait." He waved a hand, and Abu felt himself lifted by unseen hands. Then he was dropped roughly into a small trunk, and the lid fell closed. It was a very small trunk, and very cramped, but Abu al-Din had nothing to say about the accommodations, or anything else. He could not move, could not speak, and soon realized that he was not even breathing anymore-yet still he lived. He waited, unwillingly, for al-Tir al-Abtan to find the time to deal with him. Within a matter of hours, he felt certain that even death could be no worse than continued imprisonment. As he lay there, events went on without him. Outside the palace, in the city of Tahrir, Abu al-Din had been given up as lost, and as the Most Profound Tir had said, another was to be sent; but then, word came to the beggar King of strange stirring of the sea at the docks. Curious, he put off other matters to investigate and made his way to the waterfront, so that he was the first man in all Tahrir to be engulfed by the first great wave that washed over the city. In quick succession, a dozen immense waves broke across the stinking mass of Tahrir, washing it into the sea. The land itself sank, and by the time peace had returned to the churning ocean the city of Tahrir was utterly gone, lost forever, save for a single building, the Palace of al-Tir al-Abtan, which through all the tempest and flood remained untouched, as though a great glass wall encircled it. And when the seas stilled, the palace stood alone on a sheer-sided island, half beneath waves that broke harmlessly against that same invisible barrier, while inside, al-Tir al-Abtan worked on, paying scant attention to his handiwork. In his many long years of life and study he had gained knowledge and power of an incomprehensible order; the destruction of Tahrir had been no more to him than squashing a bug. Thus did the Island of al-Tir al-Abtan come into being, and thus it remained, for many, many years, until at last, one quiet night, al-Tir al-Abtan went away and took his palace with him. Now the seas wash lightly over the island when the tides are high, and gulls perch there calmly when the waves withdraw. All of Tahrir is long dead-save for Abu al-Din, who is still in that trunk, waiting for al-Tir al-Abtan to remember him.
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About Lawrence Watt-Evans "The Palace of al-Tir and al-Abtan"
Lawrence Watt-Evans had-at the time of this story-a novel in print, and when this story appeared he had dropped out of college to concentrate on his writing, while his wife retained her job at IBM. He was unwilling to give his advice to young writers when asked-rare for writers, who are usually, words being their business, ready to give all sorts of unsolicited advice to anybody at the drop of a subordinate clause. When convinced that we meant it-our slant has always been almost as much to writers as to readers-he suggested that a beginning writer "write novels; first because they are easier to sell-" which is certainly true, the market for short stones being very tight. Second, he says, in a novel a few flaws won't show; not the case with a short-short." And this from the winner of a Hugo for a short story! That may be why he won it; in a very short story, every word counts, while in a novel you can waste a few.
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