The writer also recognized another car in the lot, a dark blue '41 Cadillac convertible. He'd seen this distinctive vehicle at the Niumalu many times: it belonged to Otto Kuhn.
The wide entryway of the teahouse had horizontal wooden spindlework on either side, a motif repeated in the vestibule, a strong, stark design that again recalled Oak Park's Frank Lloyd Wright-and Wright's own Japanese inspiration. A host in a black suit and tie asked if Burroughs had a reservation, which he did, having called ahead; after leaving his shoes at the door, Burroughs was shown by a teahouse girl in a pate blue kimono to a low table for one, where he sat on a tatami mat.
The sparsely decorated, oak-trimmed, cream-colored dining room seemed about evenly divided between Japanese-Americans and tourists, all of whom-like Burroughs-were rather informally dressed, in anticipation of the teahouse's sit-on-the-floor service. He did not see Morimura or Kuhn among the diners here on the first floor.
He drank a cup of tea, and when the geisha returned for his order, he said, "I was hoping to link up with two friends of mine, who told me they'd be dining here, this evening-Otto Kuhn and Tadashi Mori-mura?"
She nodded. "The gentlemen are upstairs, sir."
"Wonderful! Which room?"
"Ichigo room-sign on door. It is private. May I announce you?"
Smiling, Burroughs got up. "No, that's all right-I'd rather surprise them. Can you direct me?"
The geisha was obliging-these girls were paid to be-and Burroughs was about to go up a stairway when he glimpsed somebody starting down. Ducking back around, tucking into the recess of the restroom hallway, Burroughs allowed Otto Kuhn to exit the stairwell and head out the entryway to the parking lot.
Then the writer slipped his shoes back on and followed after.
Kuhn moved quickly, his white linen suit flashing in the night, like a ghost on the run; but Burroughs trotted after him and caught up with the German near the parked Caddy.
"Well, Otto," Burroughs said, "we just keep bumping into each other."
Startled, Kuhn wheeled, blue eyes wide in the bland oval of his face. "Burroughs … Edgar. I didn't know you frequented the Shuncho-ro."
"My first time."
"You, uh, simply must try the ogana tonight… superb. Well, if you'll excuse me-"
Burroughs stopped him with a hand on an elbow.
"You're always in such a rash, Otto. I'm a driven, intense sort of fella myself… but I've learned to relax in Oahu."
Kuhn drew away from Burroughs's grasp. "Edgar, please, my wife is waiting."
"Really? You didn't take her along to the restaurant, on a Saturday night? I hope you two kids aren't having trouble."
Irritated, Kuhn frowned saying, "She doesn't care for Japanese cuisine. If you'll excuse me …"
"Or maybe you were still doing business? I know you had business downtown, earlier-maybe this is an extension of that."
Kuhn's eyes hardened. "If it is business-it's my business… and, frankly, none of yours."
"Funny that you would be dining with Mr. Mori-mura, tonight, when you almost went out of your way, at the luau last night, to avoid him."
Mention of the vice consul's name had widened the blue eyes again; Kuhn had the look of a startled deer. "Who says I was dining with… what was the name?"
"Morimura, and the waitress in there said you and he had a private room upstairs."
Kuhn lifted his chin. "What are you implying?"
"Not romance. You see, Otto, I think somebody… maybe your Jap pal in there… called you last night, woke you and your lovely wife up."
"I don't know what you're talking about."
"I'm talking about you pinning a murder on that poor bastard Harry Kamana."
Kuhn's bland features contorted fiercely. "You're out of your mind! I saw that musician bludgeon that girl with a rock-he bashed her damn skull in!"
"Did he? Or did you?"
The German drew back, sucking in a breath. Then, as if hurt, even offended, he said, "I don't have to put up with this."
"Maybe not from me… but my friend Detective Jardine, him you'll have to talk to. Last night you added to some already damning evidence to help make Kamana the obvious, and only, suspect. Today, though, things are looking different."
"What are you talking about?"
"I'm talking about that late-night phone call. I'm talking about your vice-consul pal in there bawling out that girl in public, just hours before her murder."
Kuhn shoved Burroughs, roughly, and the writer knocked into the next parked car with a metallic whump. Kuhn was opening his car door, getting in, when Burroughs latched onto his shoulder, spun him around and slammed a fist into his face.
His mouth bloody, Kuhn shoved Burroughs again, then went clawing inside his white jacket; the German's fingers were on a small black Liiger, snugged away in a shoulder holster, when Burroughs doubled him over with a hard fist to the belly.
Dazed, Kuhn tumbled to the crushed coral, sitting between his Caddy and the parked car next door, lean-ing on both hands, while Burroughs reached down and inside the man's jacket and plucked the L?ger like a hard little flower.
Then the writer pressed the automatic's barrel to the German's forehead, and released the safety, a tiny click that echoed in the stillness of the night.
Eyes glittering with alarm, Kuhn said, "What do you want?"
"The truth. Did you see Kamana kill that girl?"
Swallowing thickly, the German shook his head, and the pressed-to-his-flesh pistol went along. "Morimura called me. Told me what to say."
"Did Morimura kill her?"
"I don't know. Maybe. I only know he wanted the musician identified. As far as I know, Kamana really could be the killer… I just… I just didn't see him do it."
"Why was Pearl Harada killed?"
"I don't know, I don't know. She flitted around-she was a pretty girl. Jealousy makes men crazy."
"Did you have an affair with her?"
"No! No. Of course not."
Burroughs pushed harder against the German's forehead. "What about Morimura?"
"I don't know! I don't know….I'm not his goddamn chaperon."
"No, you're his stooge, though. Or should I say his understudy?"
Now the blue eyes tightened-alarm dissolving into fear. "Wh… what do you mean?"
"The Consulate's been busy burning its papers; coded messages to Japan have been flying. You're a good Nazi, aren't you, Otto? Waiting to help your ally, after we're at war, and diplomats like Morimura are suddenly prisoners…."
Stiffly, Kuhn said, "I am not a Nazi."
"Should I pass that news along to your uncle Himmler?"
"Why are you … what are you … You're just a writer!"
"I'm just an American. Otto-did that girl's murder have anything to do with espionage?"
"What? No! How should I know?"
Burroughs pressed harder with the gun barrel. 'Try again."
Trembling now, sweat pearling down his forehead, Kuhn said, "I swear to sweet Jesus I don't know….I told you what you wanted! I admitted Morimura called me… that alone could get me killed."
Burroughs thought about that-then removed the gun from the German's forehead; it had left an impression, in several ways.
"Get the hell out of here," Burroughs told him, disgustedly.
Kuhn swallowed again. "What about my gun?"
"Spoils of war," Burroughs said, and dropped it into his pocket.
Kuhn didn't argue the point; he scrambled to his feet, climbed into his car and-as Burroughs headed back toward the Shuncho-ro-roared out, throwing crushed coral, finally waking up the Japanese chauffeur … for a few moments.
The word Ichigo appeared in both English and Japanese on a small oak plaque by an upstairs door. Burroughs knocked.