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Some of the Indians came around at odd intervals. Their behavior was almost aggressively chauvinistic. They stayed dressed at all times in their Levis and boots. But it was evident that they had a respect for the people, though they thought them strange. They had business dealings with the commune. It was the Navahos who trucked away the produce that was taken to the gate every day, sold it, and took a percentage. They would sit and powwow in sign language spelled into hands. Pink said they were scrupulously honest in their dealings.

And about once a week all the parents went out in the field and ***ed.

* * *

I got better and better at shorthand and bodytaik. I had been breezing along for about five months and- winter was in the offing. I had not examined my desires as yet, not really thought about what it was I wanted to do with the rest of my life. I guess the habit of letting myself drift was too ingrained. I was there, and constitutionally unable to decide whether to go or to face up to the problem if I wanted to stay for a long, long time.

Then I got a push.

For a long time I thought it had something to do with the economic situation outside. They were aware of the outside world at Keller. They knew that isolation and ignoring problems that could easily be dismissed as not relevant to them was a dangerous course, so they subscribed to the Braille New York Times and most of them read it. They had a television set that got plugged in about once a month. The kids would watch it and translate for their parents.

So I was aware that the non-depression was moving slowly into a more normal inflationary spiral. Jobs were opening up, money was flowing again. When I found myself on the outside again shortly afterward, I thought that was the reason.

The real reason was more complex. It had to do with peeling off the onion layer of shorthand and discovering another layer beneath it.

I had learned handtalk in a few easy lessons. Then I became aware of shorthand and bodytalk, and of how much harder they would be to learn. Through five months of constant immersion, which is the only way to learn a language, I had attained the equivalent level of a five- or six-year-old in shorthand. I knew I could master it, given time. Bodytalk was another matter. You couldn't measure progress as easily in bodytalk. It was a variable and highly interpersonal language that evolved according to the person, the time, the mood. But I was learning.

Then I became aware of Touch. That's the best I can describe it in a single, unforced English noun. What they called this fourth-stage language varied from day to day, as I will try to explain.

I first became aware of it when I tried to meet Janet Reilly. I now knew the history of Keller, and she figured very prominently in all the stories. I knew everyone at Keller, and I could find her nowhere. I knew everyone by names like Scar, and She-with-the-missing-front-tooth, and Man-withwiry-hair. These were shorthand names that I had given them myself, and they all accepted them without question. They had abolished their outside names within the commune. They meant nothing to them; they told nothing and described nothing.

At first I assumed that it was my imperfect command of shorthand that made me unable to clearly ask the right question about Janet Reilly. Then I saw that they were not telling me on purpose. I saw why, and I approved, and thought no more about it. The name Janet Reilly described what she had been on the outside, and one of her conditions for pushing the whole thing through in the first place had been that she be no one special on the inside. She melted into the group and disappeared. She didn't want to be found. All right.

But in the course of pursuing the question I became aware that each of the members of the commune had no specific name at all. That is, Pink, for instance, had no less than one hundred and fifteen names, one from each of the commune members. Each was a contextual name that told the story of Pink's relationship to a particular person. My simple names, based on physical descriptions, were accepted as the names a child would apply to people. The children had not yet learned to go beneath the outer layers and use names that told of themselves, their lives, and their relationships to others.

What is even more confusing, the names evolved from day to day. It was my first glimpse of Touch, and it frightened me. It was a question of permutations. Just the first simple expansion of the problem meant there were no less than thirteen thousand names in use, and they wouldn't stay still so I could memorize them. If Pink spoke to me of Baldy, for instance, she would use her Touch name for him, modified by the fact that she was speaking to me and not Shortchubby-man.

Then the depths of what I had been missing opened beneath me and I was suddenly breathless with fear of heights.

Touch was what they spoke to each other. It was an incredible blend of all three other modes I had learned, and the essence of it was that it never stayed the same. I could

listen to them speak to me in shorthand, which was the real basis for Touch, and be aware of the currents of Touch flowing just beneath the surface.

It was a language of inventing languages. Everyone spoke their own dialect because everyone spoke with a different instrument: a different body and set of life experiences. It was modified by everything. It would not stand still.

They would sit at the Together and invent an entire body of Touch responses in a night; idiomatic, personal, totally naked in its honesty. And they used it only as a building block for the next night's language.

I didn't know if I wanted to be that naked. I had looked into myself a little recently and had not been satisfied with what I found. The realization that every' one' of them knew more about it than I, because my honest body had told what my frightened mind had not wanted to reveal, was shattering. I was naked under a spotlight in Carnegie Hall, and all the no-pants nightmares I had ever had came out to haunt me. The fact that they ail loved me with all my warts was suddenly not enough. I wanted to curl up in a dark closet with my ingrown ego and let it fester.

I might have come through this fear. Pink was certainly trying to help me. She told me that it would only hurt for a while, that I would quickly adjust to living my life with my darkest emotions written in fire across my forehead. She said Touch was not as hard as it looked at first, either. Once I learned shorthand and bodytalk, Touch would flow naturally from it like sap rising in a tree. It would be unavoidable, something that would happen to me without much effort at all.

I almost believed her. But she betrayed herself. No, no, no. Not that, but the things in her concerning ***ing convinced me that if I went through this I would only. bang my head hard against the next step up the ladder.

* * *

I had a little better definition now. Not one that I can easily translate into English, and even that attempt will only convey my hazy concept of what it was.

"It is the mode of touching without touching," Pink said, her body going like crazy in an attempt to reach me with her own imperfect concept of what it was, handicapped by my illiteracy. Her body denied the truth of her shorthand definition, and at the same time admitted to me that she did not know what it wee herself.

"It is the gift whereby one can expand oneself from the eternal quiet and dark into something else." And again her body denied it. She beat on the floor in exasperation.