There was a tug at his arm and he moved the beam back in front of them. Before he knew it they were right in front of the wall, staring up at the great caduceus, with those snakes now appearing to eye him with quiet indignation. Caleb took a deep breath, and when he exhaled, his breath sparkled in the dusty air. He counted seven symbols surrounding the staff, each carved deeply into the limestone and bounded by a raised circle.
He figured someone could grip the symbols by their outside edges and turn them one way or the other, like wheels. “Should have brought floodlights,” he whispered, fumbling in his bag. “Hold the flashlights steady.”
“Why?” Waxman asked.
Caleb took out his camera, aimed and pressed the button. The room lit up. His eyes dazzled, and he suddenly remembered a night years ago on the hill overlooking Sodus Bay as the first bright fireworks rocked the night. He snapped another picture, then a third. Each time moving the aim a little more to the right until he was sure he had captured the whole wall. Strange symbols and images filled his vision until he could barely see even with the pitiful flashlight beams.
Waxman looked over his shoulder, and with the light blinding off the limestone wall, his face was draped in shadow, but pinpoints glittered in his pupils. He looked like an Egyptian demon ready to plunder the ancient treasures of the gods. “Guess we should have consulted Caleb from the beginning. Apples don’t fall far from the tree, do they, Helen?”
Caleb swallowed and glanced at the two of them as Waxman reached out and traced the path of the snakes on the wall. He had found a crack in the wall, a vertical split right down the center of the staff.
Nina moved closer to whisper something in Waxman’s ear and pointed at one of the signs on the wall. More footsteps approached, and more beams of light roamed the wall. The others gathered in a semicircle behind Waxman. “Give me a minute,” he said, after whispering something back to Nina. He traced some of the symbols.
Again Caleb was struck with the certainty that Sostratus had designed this tower and its antecedent, the “below” extension, according to the matching principle. If the visible and familiar were above, then this was the occult — the hidden and mysterious. Yet, according to the mystical tradition, it should still consist of the same basic elements. He would then expect this door to lead to the second level, the octagon-shaped section, and once inside, another stairwell would take the visitor down to the final level, ending in a small pillared chamber.
As Waxman viewed the symbols, Caleb had the notion that he was looking for one in particular; and once more, he sensed that George hadn’t been completely honest with his mother, or with the rest of the group — with anyone except for Nina Osseni. Seeing them talk, whispering together, hit him with a feeling of something stronger than mere jealousy.
Waxman pointed to the inscription ten feet up, above the caduceus. “It says, in Ancient Greek, something like, ‘Only the golden ones may pass through.’”
“‘Golden ones’?” Helen stepped past Caleb and shone her light across the lettering. Caleb’s beam joined hers, and he saw a peculiar symbol at the end of the Greek inscription.
I’ve seen that before, he thought, recalling treatises on alchemy, illustrations and symbols in his father’s study. Reluctantly, as if its importance demanded he figure this out now, he lowered the flashlight beam from that character down to the caduceus and made a slow clockwise circle around it, highlighting one symbol after another. “Seven symbols,” he said.
“So?” Victor asked.
Caleb shrugged. “Mystical number and all. But I think… looking at those signs, they’re representations of the planets. Some double as symbols for elements. I see the sun and the moon, then… Venus, Mars, Jupiter, Saturn and Mercury.”
Helen frowned, scrunching up her face as she tried to look closer. “How does that help us?”
“Alchemy,” Caleb said, thinking back on bits and pieces of things he’d read, ideas tying back to Ancient Egyptian magic, methods of controlling the material world and preparing for the afterlife.
“Alchemy? Turning lead into gold?”
“Something like that.”
“So what are the golden ones?” someone asked as Caleb tried to see into the gloom. It might have been the heavier one, Dennis.
Waxman tapped his flashlight against the wall and listened to the echoes.
Caleb cleared his throat. “It could just mean, ‘those who are pure, those who are worthy.’ In its earliest form, alchemy was the study of spiritual transition. Isaac Newton, Francis Bacon, and all their predecessors, when they discussed turning things into gold, they weren’t necessarily talking about a physical, elemental transformation, but about obtaining spiritual perfection.”
“Hokey, kid,” said Waxman. “Even for you.” He regarded the door again, and then Nina said something inaudible, to which Waxman nodded, and then said, louder, “No, I’m thinking this is just another typical Egyptian curse, the usual scare with no teeth. They loved to put curses all over their tombs, especially the valuable ones. Threaten looters with a curse, and maybe you’ll get to rest in peace.”
He aimed his light at one symbol, about knee-high on his left, and Caleb had the sudden certainty that this was the one he had been searching for, the one Nina had pointed out. Jupiter. The planet associated with Water.
Nina tentatively backed away, but Waxman told her to keep the light still, to illuminate the symbol while he tucked away his own flashlight. He reached out, grasping the outer edges of the sign.
“What are you doing?” Caleb asked. “Nina, George, wait! You’re not seriously going to try this.”
When Waxman glared over his shoulder his face was a mask of annoyance and anger — such anger that Caleb took an involuntary step back.
Waxman grunted and started to turn the symbol clockwise.
“I don’t know about this,” Helen said. “Maybe we should wait.”
Retreating another step and bumping into Dennis, Caleb said, “Egyptians were known to back up their curses with actual defenses.”
Waxman laughed. “No one else saw any traps in their visions.”
“You didn’t see the way in, either,” Caleb countered. “Which only means you weren’t asking the right questions — again.” A blinding light stabbed into his eyes as Nina turned the beam on him.
Waxman hissed through his teeth. “Enough, Caleb. You can go back up.”
The light pulled away, leaving painful flashes in Caleb’s vision. He couldn’t make anything out. He heard a scraping of the small wheel within its granite setting. Rubbing his eyes, he took another step back and completely lost his bearings. “Nina?” He started to call to her, but a heavy clang drowned out his voice. Fuzzy shapes appeared out of the glare. He looked up and saw two giants looming over him. One appeared compassionate and sad; the other’s bird-like expression had darkened into something like rage.
Caleb turned away from the stairs, back to the chamber, and there was his mother, to the right of Waxman, and Nina, standing directly in front of the caduceus.
Another clang, and Caleb blinked. Then, in an unfocused haze, he saw five figures gathering around the seal. The crack down the middle expanded into a dark, widening line the width of a pillar.
“We did it!” Waxman shouted.
Nina stopped and looked back, but her look of triumph melted when she saw Caleb’s face. He seemed to want to say something witty, something to make them all pause and regroup. But he couldn’t find his voice. He squinted and tried to see beyond the parting doors, but so much shifting sand and dust were drizzling down on the intruders. Then a horrible grating reverberated off the walls of the chamber. The walls, the floor, the ceiling, groaned as though the harbor was pressing down upon them — millions of gallons of water compressing their little chamber all at once.