I spread the calipers wide and once again approached the subject. For the first time since beginning, I saw the face devoid of geometric and numeralogical inference. Instead of angles and radii, I saw that he wore a sly, close-lipped smile, and that from the shape and position of his lidded eyes, he had been a man of great wisdom and humor. Then I looked up to see the candles flickering all around the dim cavern that was the church. The Master's voice ran through my head. "Cley," he said, "you are buried alive." I began to feel trapped and claustrophobic. I forced myself to hide my fear and placed one tip of the instrument at the direct center of his forehead and the other at the end of his long chin where grew a small pointed beard. I tried to take the reading, and then instantly realized I had no idea what I was doing. The Physiognomy, with its granite foundation in the history of culture, suddenly dissolved like a sugar cube in water. I stood between my love and that slab of living Death and felt Garland's blizzard of sin sweeping over me.
"Aha," I said, a bit too theatrically, "here is what I was looking for."
"What is it?" Aria asked.
'Well, if you take into consideration the meager nostril slits and divide them into the center forehead to center chin measurement, as I have just done, this activates the Flock vector, which in turn conclusively proves our subject is little more than an animal with an upright stance."
'The Flock vector?" said Aria. "I'm unaware of it."
As was I, but I created a history for it and talked at great length about the brilliance of my professor.
A look of disappointment crept across her face, and I was unsure if it was for me or for her own desire to be witness to a grand discovery. At that point, though, all I wanted was the beauty and to sleep for a very long time.
As I put away my instruments, Aria asked if I would like her to get Garland. I brought my finger to my lips and waved for her to follow me. She looked surprised, but she helped me on with my topcoat and then put on her own. I took one more glance at the Traveler before fleeing. His expression seemed somewhat different now. The mouth was slightly open, as if satiated after having devoured the Physiognomy right out of me.
I couldn't, for the life of me, recall the most basic theories, and the geometery of things had all become circles. The sudden nature of the loss made me dizzy, leaving me sick to my stomach. I no longer had an angle on the world, an anchor in myself. Aria helped me across the swaying bridge, through the doors, and down the steps. When she did not let go of me out amid the swirling snow, I knew she knew there was something wrong.
After a few deep breaths I insisted she unhand me and then, by force of will, trod along in my normal, determined gait. My eyes, devoid of the ability to measure, saw no meaning. Everything was just inexplicably there and brimming with uncertainty. "Structure determines existence in the physical world," I said to myself. At least I had remembered this much, but the meaning of it melted down to the base of my spine and froze.
I left her in the street outside the Hotel de Skree. "Tomorrow, ten sharp," I said. "Don't be late."
Up in my room, I pushed a vial and a half of the beauty into my favorite vein. I was perilously skimming the edge of overdose, but I needed strong medicine to tolerate my fear. I could feel the violet liquid almost immediately begin to perk in my head and chest, but before she had me fully in her grasp, I went over to my valise and took out the derringer I carried as insurance against hostile subjects. Placing a chair, back to the wall, I sat with my feet pulled up and listened hard for a lurking danger I could not put my finger on.
Cursed Anamasobia had become the hell of physiognomists, and I prayed to everything— Gronus, Aria, the Weil-Built City—that my amnesia was not permanent. If it were, my life would be lost, and I knew I would eventually have to turn the derringer on myself.
"The Flock vector, I like it," said the professor who now stood before me, laughing. He was dressed all in white and as young as on the first day of class I had had with him.
"That damn Traveler has erased everything," I said, unable to see the humor.
"Perhaps you'll be joining me soon," he said.
"Be gone!" I yelled. He evaporated instantly, but the sound of his mirth lingered like the smoke of an extinguished cigarette.
In the wind outside, I heard low voices, passing on gossip. The lights flickered. The Mantakises were either groaning or singing, and the floor began to move like water. I bobbed in the tide, trying to think of numbers and rules, but all I was capable of seeing in my eye's mind was a parade of meaningless faces. The harder I thought, the faster they sped by, disappearing into the wall above the bed. During my career, I had read each of them, each revealing to my instruments and well-trained eye a certain measure of guilt, but now they might as well have been lumps of cremat for all the meaning they bestowed. I couldn't find the sum, and, when I tried to divide, my brain went haywire, emitting showers of green sparks. If I even attempted to think of the mathematical formula for figuring surface-to-depth ratios, I would immediately picture Mayor Ba-taldo, leaning on his balcony, saying, "A first-rate beating," and smiling like a classic moron.
I was, though, able to read a message of doom written on my own countenance as it peered back at me from Arden's mirror across the room. My hands shook from the beauty chills, those tremors of the nervous system that occasionally rack the long-time user, and the paranoia was exquisite. For a moment, I thought I saw the face of a demon at the window, staring in through the falling snow. To calm myself, I got up, grabbed my instrument bag off the dresser, and brought it to the bed. Still holding the derringer in my left hand, I opened the bag with my right and took the chrome instruments out one by one. I laid them on the bed in a straight line and then stood and stared. The sight of each of them brought back to me the damnable face of the Traveler. I was reaching for the calipers when I heard someone begin climbing the stairs to my room, one heavy step at a time.
Even as I spun to face the door, bringing the derringer up for better aim, the question struck me, Why do they call this man-thing the Traveler? It seemed to me he hadn't gone anywhere for centuries. But like an enormous dry cornstalk rattling in the autumn wind, I saw him in my eye's-mind now coming to me, wearily mounting the stairs, his very skin creaking, his exhalations, heaves of dust. I wondered if he was using the banister. "Mantakis," I yelled at the top of my voice, yet only the slightest murmur escaped me.
The sound of steps ceased at the landing and I cocked the trigger. I had never fired the gun before, and I wondered if it was, in fact, loaded. Three methodical raps sounded upon my door and in the silence that followed I detected the faint wheeze of labored breathing. "Come in," I said.
The door opened, and it was a good thing I did not give in to the urge to pull the trigger, because standing before me was the pig-faced driver of the coach and four. The miserable wretch stared, glassy-eyed, as if he were walking in his sleep.
'The Master requested that I fetch you," he said without the slightest trace of his misbegotten humor.
"Drachton Below is here?" I asked, unable to hide my astonishment.
'You must accompany me," he said.
"Very well," I mumbled. I put on my overcoat and gathered up my instruments. Hastily I put them in the bag and snapped it shut. When the driver turned to begin his descent, I slipped the derringer into the pocket of my coat. Shaking like a leaf, my mind swimming through rough seas of beauty, I staggered toward the door. I knew that whatever came of this, it would be no good.