"Do you need a break?" I asked flatly.
She sat down and looked at me as if she were about to cry. Seeing her in this state melted my anger at her somewhat. "She has seen her error," I thought, "and is about to apologize to me for last night."
"Is there something you wanted to tell me?" I asked, speaking like a schoolmaster to a favorite pupil who has done some minor wrong.
"It's him," she said.
"What are you talking about?" I asked, confused by her response.
"Father Garland. He is the one." Tears began to roll down her face.
"Are you sure?" I asked.
"I tell you, it's all there. It's as clear as was your face in my window last night," she said.
I remained silent. My guilt at being found out was canceled by my excitement at the thought that I might survive this nightmare. She then launched into a detailed explanation, using the logic of Physiognomy, which of course meant nothing to me but sounded mightily convincing.
"I wish it weren't so, but I can't deny what I read in his face." She wiped the tears from her eyes. "I hate you and this damn system," she said.
"Good work," I whispered. Then I bellowed for Calloo. When he appeared, I told him to get the mayor and to have him gather the citizens into the church.
The people of Anamasobia began filing into the church, filling the pews and then taking up positions in the shadows along the walls beneath the torches where the gallery of hardened heroes stood. There was a great hubbub of hushed conjecture punctuated occasionally by laughter or a loud proclamation of innocence uttered by those who naturally assumed guilt for everything.
The mayor came up onto the altar and shook my hand. He looked genuinely relieved that we had discovered the thief. To offer my congratulations to your honor," he said. 'T do not understand your methods, but they are obviously amazing."
I gratefully acknowledged his adulation and asked him to place one of his people at the door in case the suspect tried to escape. He motioned to Calloo to come to him, and then he whispered something in the big man's ear. Calloo made his way through the crowd to take up a position at the entrance to the altar chamber.
As Aria took down the screen and began putting my instruments neatly into my bag, I scanned the room in order to find Garland. I knew he must have been at least somewhat suspicious that we had called no one in after him. I found him easily enough, sitting in the front row, glaring up at me. I smiled at him and stared into his eyes for a good long time. When he did not avert his glance, I did, in order to look out at the crowd and call for silence. I clapped my hands as if calling a pet dog and the talking turned to whispers and then to silence.
Now that it was time for me to speak, I paced back and forth gathering my thoughts and turning them into the raw material of oration. The crowd watched my every move, and I felt powerful again for the first time in days. In a dramatic flare, designed to heighten the tension, I turned my back on them and stared up at the droll portrait of the miner god that hung behind the altar and for the past two days had born witness to the entire investigation. The idea came to me that I would start by relating my run-in with the demon, so that they might see me as a man of action as well as a superior intellect.
All the time I was strutting and posing, Aria had continued putting away the chrome tools. I wanted to wait until she was finished and had left the "stage" so that all attention could be focused on the revelation I was about to proclaim. She was almost done but for the callipers. When she went to lift them, they slipped out of her grasp and hit the floor with a sound that ricocheted off the cavernlike walls of the chamber. As she bent over to pick them up, her gray work dress hiked up an inch or two, and my eyes automatically traced the shapely lines of her legs from ankle to thigh. That is when I saw it.
There, on her left leg on the back of her thigh was a prominent mole with what appeared to be an inordinately long black hair growing from it. I blinked my eyes and took a step closer, forgetting that there was a crowd of people awaiting my determination. She must have heard me move, or perhaps she felt my eyes upon her—I was staring so intently—for she turned before straightening and looked up at me. In that very instant, with an audible popping sound in my mind like a cork being pulled from a bottle of champagne the knowledge of the Physiognomy returned to me completely. My eyes again teeming with their old intelligence, I saw immediately that she was no Star Five, as I had been somehow duped into believing by her youthful, feminine beauty, but that those features seen anew brought back Professor Flock's original profile of the criminaclass="underline" a tendency toward larceny and a religiopsychotic reliance on the miraculous. I remembered why the child the woman had begged me to read in the street that day had later on seemed so familiar. He had many of the same facial features as I now perceived Aria to have. The woman had, in fact, been her.
I turned to the crowd and said, "Ladies and gentlemen of Anamasobia. We have in our midst a thief." I stepped back and pointed at Aria, who was now closing the clasp on my bag. "It is Aria Beaton who has stolen the miraculous fruit of paradise."
She turned and stared at me dumbfounded. Garland sprang from his seat and made a move toward the altar with his claws out. With all my regained confidence, I stepped gracefully forward and kicked him in the head before he could jump me. As he landed on the bottom step leading to the altar, I took the derringer out of my pocket and fired a warning shot into the ceiling. Splinters of wood fell on those in the first row of pews, and the near riot subsided back to near silence.
Aria sat down slowly in the chair I had used for the past two days and stared, as if in shock, out over the heaving sea of physiognomies.
The mayor stood up and begged everyone to be quiet. Then he turned to me and said, "This is a serious offense, your honor. Can you please explain for those of us who do not comprehend the intricacies of your science. If I may say so, this comes as a great shock to us all." For once, he wasn't smiling.
I wanted nothing better than to explain. "It is accepted among the learned," I began, "as certainly as the sun comes up in the morning or that Drachton Below is our munificent Master, that the visible structure of our physical features, when analyzed by the well-trained eye, reveals one's moral aptitude in general and specifically exhibits the details of one's personal foibles and virtues. If you take a look at the subject ..."
Here I approached Aria, who did not move a muscle but continued to stare as if dead. I ran my finger the length of her nose and then pointed to the small hollow just beneath her bottom lip. "In these features, I have just pointed to," I said, "we find a combination of intrinsic signs that disclose a personality prone to reckless action."
I moved around her to the other side and pointed to the arch of her eyebrow. "Here we see an effect known to my colleagues and me as the 'Scheffler conclusion,' named, of course, for one of the fathers of the Physiognomy, Kurst Scheffler. What this effect denotes is, amazingly, both a tendency toward thievery and a desire to participate in miraculous events. There is also a mole on the left thigh, with a long hair growing from it, that nails shut this case once and for all." I stepped forward and brushed my hands together as if wiping the taint of crime from them.
By the number of open, expressionless mouths in the audience, I could tell that I had made my point. I bowed and applause broke out in the pews and along the walls. Father Garland had just then come to and was crawling back to his seat when the first cries of "death to the thief," were heard to echo through the hollow heart of the wooden Gronus.
"And what now?" asked the mayor.