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One other thing-both Toby and I are in agreement about this: don't take it in your head to just suddenly jump on a plane and “wing your way into the golden west”-I wouldn't see you if you did. I'm not ready to see you face to face, John-my feelings are still too much in flux and my self-image too much in a state of transition. We will meet again, yes. And dare I say that I even hope you will come to our wedding? I must dare, as I see I have written it down!

Oh, John, I do love you, and I hope this letter has not caused you too much pain-I even hope God has been good and you may have found your own “somebody” in the last couple of weeks-in the meantime, please know that you will always (always!) be somebody to me.

My love,

Ruth

PS-And although it is trite, it is also true: I hope we can always be friends.

interoffice memo TO: Roger Wade FROM: John Kenton RE: Resignation

I've been a trifle formal here because this really is a letter of resignation, Roger, memo form or no. I'll be leaving at the end of the day-will, in fact, begin cleaning out my desk as soon as I've finished this. I'd rather not go into my reasonsthey are personal. I realize, of course, that leaving with no prior notice is very bad form. Should you choose to take the matter up with the Apex Corporation, I would be happy to pay a reasonable assessment. I'm sorry about this, Roger. I like and respect you a great deal, but this simply has to be.

From John Kenton's diary March 16, 1981

I haven't tried to keep a diary since I was eleven years old, when my Aunt Susan-dead lo these many years-gave me a small pocket diary for my birthday. It was just a cheap little thing; like Aunt Susan herself, now that I think about it. I kept that diary, off and on (mostly off) for almost three weeks. I might not get even that far this time, but it doesn't really matter. This was Roger's idea, and Roger's ideas are sometimes good.

I've junked the novel-oh, don't think I did anything melodramatic like casting it into the fire to commemorate the spontaneous combustion of My First Serious Love; I'm actually writing this first (and maybe last) entry in my diary on the backs of the manuscript pages. But junking a novel doesn't have anything to do with the actual pages, anyway; what's on the pages is just so much dead skin. The novel actually falls apart inside your head, it seems, like the parson's wonderful one-hoss shay. Maybe the only good thing about Ruth's cataclysmic letter is that it's put paid to my grandiose literary aspirations. Maymonth, by John Edward Kenton, sucked that fabled hairy bird.

Does one need to begin a diary with background information? This was not a question which crossed my mind when I was eleven-at least not that I recall. And in spite of the great shitload of English courses I've taken in my time, I don't recall ever attending one which covered the Protocol of Journals. Footnotes, synopses, outlines, the proper placement of modifiers, the correct form of the business letter-these were all things in which I took instruction. But on how to start a diary I am as blank as I am, say, on how to continue your life after its light just went out.

Here is my decision, after a full thirty seconds of weighty consideration: a little background information wouldn't hurt. My name, as mentioned above, is John Edward Kenton; I am twenty-six years of age; I attended Brown University, where I majored in English, served as President of the Milton Society, and was exceedingly full of myself; I believed that everything in my life would eventually turn out just fine; I have since learned better. My father is dead, my mother alive and well and living in Sanford, Maine. I have three sisters. Two are married; the third is living at home and will finish her senior year at Sanford High this June.

I live in a two-room Soho apartment which I thought quite pleasant until the last few days; now it seems drab. I work for a seedy book company which publishes paperback originals, most of them about giant bugs and Viet Nam veterans out to reform the world with automatic weapons. Three days ago I found out my girl has left me for another man. Some response to this seemed to be required, so I tried to quit my job. No sense trying to go into my mental state either then or now. It was none too calm to begin with, due to an outbreak of what I can only call Crazy Fever at work. I may elaborate on that business at some later date, but for the time being the importance of Detweiller and Hecksler seems to have receded far into the background.

If you have ever been abruptly left by someone you did and do love deeply, you'll know the sort of fugue I have been experiencing. If you haven't, you can't. Simple as that. I keep wanting to say I feel the way I did when my father died, but I don't. Part of me (the part that, writer or not, constantly wants to make metaphors) would like to make it into a bereavement, and I believe Roger was partly right when he made that comparison at the mostly liquid dinner we had the night of my resignation, but there are other elements, too. It is a separation-as if someone told you that you could no longer have your favorite food, or use a drug to which you had become addicted. And there's something worse. However you define the thing, I find that my own sense of self-esteem and selfworth have somehow gotten mixed up in it, and it hurts. It hurts a lot. And it seems to hurt all the time. I always used to be able to escape mental pain and psychic distress in my sleep, but that's no good this time. It hurts there, too.

Ruth's letter (question: how many Dear John letters have actually been sent to Johns? Should we form a club, like the Jim Smith Society?) came on the eleventh-it was waiting in my mailbox like a time-bomb when I got home. I scribbled my resignation on a memo form the next morning and sent it down to Roger Wade's office via Riddley, who is our janitor cum mail-clerk at Zenith House. Roger came down to my office as if he had rockets on his heels. In spite of the pain I'm feeling and the daze I seem to be living in I was absurdly touched. After a short, intense conversation (to my shame I broke down and wept, and although I managed to refrain from telling him specifically what the problem was/is, I think he guessed) I agreed to defer my resignation, at least until that evening, when Roger suggested we get together and talk the situation over. “A couple of drinks and a medium-rare steak may help to put the situation in perspective,” was the way he put it, but I think it actually turned out to be more like a dozen drinks... each, maybe. I lost count. And it was to be Four Fathers again, naturally. At least a place for which I have no associations with Ruth.

After agreeing to Roger's dinner suggestion, I went home, slept for the rest of the day, and woke up feeling thick and dazed and headachey-that feeling of mild hangover I am left with whenever I get too much sleep I don't really need. It was 5:30, almost dark, and in the unlovely light of a late winter dusk I couldn't imagine why in God's name I had allowed Roger to talk me into the compromise measure of making my resignation provisional for even twelve hours. I felt like an ear of corn on which someone has performed a fabulous magic trick. Taken the corn and the cob and left the green shield of leaves and the fine yellow-white poll of tassel intact.