He knew why he hated these men, Benigno Lopez, Thompson and the rest. It was because he wanted to pull the glass they were drinking from away from their lips. But he did not touch the glass and he would not betray the men. He walked. From midnight till, say, three o'clock, he tramped the streets and on to the country roads. He knew that he would always be shut out, now, that this was the nature of it, and so he took pleasure in the darkness and solace from the sleepers he passed; animals or men. He stopped to look at them as they twitched and sighed; reaching, chasing, moving their lips – wanting and having, wanting and not having, wanting and finally getting, all night long.
It was on one of his 'nocturnal peregrinations' that he met, and kissed, Eliza Lynch. Or thought he kissed her. Or no, did actually kiss her. Did something, anyway, for which you might use the word 'kiss'. He also felt – and he was convinced of this – a considerable wetness between her legs. At least, that is what he thought about, afterwards, though he did not, how could he? stoop and lift her skirt, there in the street. He touched her, yes. He touched her, but not so intimately. And it was not the leap his mind took that worried him so much as where it landed – this liquid shock; this symptom of disorder, whether genital or mental, that shamed the doctor in him – mocked as he already was by the desire this too-late encounter provoked, the years it had taken his hand to travel so far into the madness that was Eliza Lynch. He was rendered stupid by it – by a heat that started above his knees and trembled to a fluttering apex under his ribs. The feeling was not simply anatomical -although it was also overwhelmingly so. If it were just a question of the body, he thought later, then at least he would have known where to aim the thing, instead of this opening, heaving urge to be inside, outside, and all the way through: to be over, under and between Eliza Lynch.
But it was also a question of the body. It happened in the dark. But, whatever it was, it did happen. Let us call it a kiss. It was given, or taken, when the war was still just an idea that was being played out to the north and west of them. When Stewart's hospital cots were occupied by broken legs and the occasional fever. It was early June. The brink of things. It was the night before the main army, and half the city with it, decamped down-river to the fort at Humaitá.
Stewart came back to Asuncion that night to collect some things; among them, a last sight of his wife. He was not expected, and made his way from the new railway station on foot. After the camp, the walls of the houses were particularly blank, and female and domestic. It was hard to say if anyone slept. There was the sound of scrabbling as treasures were hidden under floorboards, the muffled sound, or so Stewart imagined, of children being conceived and tears shed. Also disappointment, the distant mewling of women who looked at what they were about to lose and cried that it was never that much, anyway. When Stewart faced his own door he knew exactly what lay behind it. He thought, with a shock, that he was in a war now, that he might be killed, and if he were killed it would be for this: his bickering wife, his senile father-in-law, his home, Paraguay.
And so he started to walk. He chose the straight road because the night was dark and he did not pause until he found himself beyond the gates of the cemetery at La Recoleta, where he saw a woman, palely dressed, walking, as he walked, along the side of the road.
They might have been fugitives. She had no horse, no servant that Stewart could see. And he thought that this is what ghosts were – figures who have nothing, who are always walking away. The moon was high and the smooth sheen of her hair awoke in him a kind of dread. He did not want her to turn around. He did not want to see whatever look was on her face, now: some mute and terrible appeal, or an entirely usual expression, made hideous and slow. Was Eliza dead? It was years since he had seen her like this – ever since she became a kind of national Thing, Eliza was never alone.
She was alone now. She walked the road ahead of him on the same side, reaching and passing each in a row of young cypress trees. For a while he did not approach, but matched his pace to her dreamy tread; and although she did not speed or slacken, he knew that she sensed him behind her in the night. She was alive, then. She was more than alive. He could feel her thoughts seeking him out, as his thoughts played at her back. He would have called out to reassure her but there was, he found, a keen, and unexpected, pleasure in keeping silent. And so he matched her, step for step, shortening his stride by so much to keep the gap precise – his pace ever more mincing and predatory, until the moment lapsed and she was no longer afraid.
She turned. Stewart had expected a girl to turn, but it was a woman who faced him, and the greeting she gave might have been offered in any drawing room: it built walls around her and ignored the night.
'Doctor Stewart,' she said.
'My dear Madame Lynch.'
The distance between them made him feel foolish, now that he had to cross it.
'You will see me home?' she said.
'Indeed, it is very late.'
'Thank you.'
She turned and took his elbow – so neatly, they might have been stepping out to dance. But Stewart found that he could not accompany her and there was a little, frightful awkwardness as she pulled at his arm, like a mother might drag at a schoolboy who balks on the road.
He had, he discovered, something to tell her.
'Eliza,' he said.
He wanted to tell her how she was seen, these days. He wanted to warn her of what she might become.
She was, in the first instance, more beautiful. Stewart was at the age when men become addicted to youth, so Eliza's increasing, and increasingly new, beauty was a mystery to him. She was, by general standards, old. She was also fussy. She came into his medical tents with a great show of entourage and ladies, and you might think the men would find it an irritation, but the truth was that her face was a solace to them, her smile a balm, and the few words she uttered (to Stewart's sometime annoyance) a cure in themselves. And it was not just the gullible and the forgotten who felt the force of it. When she entered a room – it might be some bare room in the camp at Léon – when the men scraped their chairs back and stood, it was more than courtesy that moved them, it was the knowledge that, unlike the wives-daughters-sisters-camp girls, she understood the gravity of their great enterprise, and that, in some lovely, easy way, she belonged to them all. The most beautiful woman in the world.
So this was the first thing that Stewart had to tell Eliza, in the incongruous dark, by the side of the road – that she was beautiful. The second thing he had to tell her was that she was evil, too.
It was not a word he might casually use, but the war was exciting as religion to him now, and it was vital to keep Lopez pure. II Mariscal slapped his crop against his boots, he stalked, he was everywhere; and when the band played ' La Palomita', he looked twice as large and very fine. And in his stalking, slapping way, he might have a man whipped, or a man shot. He might have late dinners, which a woman would be wise not to attend. This is what Stewart wanted to say: that Eliza must strike with her Great Friend an attitude – such a one as you would find, indeed, on an old vase. She might fall on her knees. She might soothe. She might plead. But she must stay away from early whippings and late dinners. And she must never, ever whisper in his ear.