William Gladden's eyes scanned the happy faces as they moved past him. It was like a giant vending machine. Take your pick. Don't like him? Here comes another. Will she do?
This time none would do. Besides, their parents were too close by. He'd have to wait for the one time one of them made a mistake, walked out on the pier or over to the snack window for cotton candy, leaving their precious one all alone.
Gladden loved the carousel on the Santa Monica Pier. He didn't love it because it was an original, and, according to the story in the display case, it took six years to hand-paint the galloping horses and restore it to its original condition. He didn't love it because it had been featured in lots of movies that he had seen over the years, especially while in Raiford. And he didn't love it because it brought to mind memories of riding with his Best Pal on the merry-go-round at the Sarasota County Fair. He loved it because of the children who rode on it. Innocence and abandonment to pure happiness played on each one's face as it circled again and again to the accompaniment of the calliope. Since arriving from Phoenix he had been coming here. Every day. He knew it might take some time but one day it would eventually pay off and he would be able to fill his order.
As he watched the collage of colors his mind jumped backward as it had so often since Raiford. He remembered his Best Pal. He remembered the black-dark closet with only the band of light at the bottom. He huddled on the floor near the light, near the air. He could see his feet coming that way. Each step. He wished he were older, taller, so that he could reach the top shelf. If only he were, he would have a surprise waiting for his Best Pal.
Gladden came back. He looked around. The ride had ended and the last of the children were making their way to waiting parents on the other side of the gate. There was a line of more children ready to run to the carousel and pick their horse. He looked again for a dark-haired girl with smooth brown skin but saw none. Then he noticed the woman who took the tickets from the children staring at him. Their eyes met and Gladden looked away. He adjusted the strap of his duffel bag. The weight of the camera and the books inside it had pulled it down on his shoulder. He made a note to leave the books in the car next time. He took a last look at the carousel and headed for one of the doors that exited onto the pier.
When he got to the car he casually looked back at the woman. The children screamed as they ran to the wooden horses. Some with parents, most alone. The woman taking tickets had already forgotten about him. He was safe.
4
Laurie Prine looked up from her terminal and smiled when I walked in. I was hoping she'd be there. I came around the counter and pulled an extra chair away from an empty desk and sat down next to hers. It looked like a slow moment at the Rocky library.
"Oh no," she said cheerfully. "When you come in and sit down, I know it's going to be a long one."
She was referring to the extensive search requests I usually made in preparation for stories. A lot of the crime stories I wrote spiraled into wide-ranging law enforcement issues. I always needed to know what else had been written about the subject and where.
"Sorry," I said, a feigned contrition. "This one might keep you with Lex and Nex the rest of the day."
"You mean, if I can get to it. What do you need?"
She was attractive in an understated way. She had dark hair I had never seen in anything other than a braid, brown eyes behind the steel-rimmed glasses and full lips that were never painted. She pulled a yellow legal pad over in front of her, adjusted her glasses and picked up a pen, ready to take down the list of things I wanted. Lexis and Nexis were computer databases that carried most major and not so major newspapers in the country, as well as court rulings and a whole host of other parking lots on the information highway. If you were trying to see how much had been written on a specific subject or particular story, the Lexis/Nexis network was the place to start.
"Police suicide," I said. "I want to find out everything I can about it."
Her face stiffened. I guessed she suspected the search was for personal reasons. The computer time is expensive and the company strictly forbids its use for personal reasons.
"Don't worry, I'm on a story. Glenn just okayed the assignment."
She nodded but I wondered if she believed me. I assumed she would check with Glenn. Her eyes returned to her yellow pad.
"What I'm looking for is any national statistics on occurrence, any stats on the rate of cop suicide compared to other jobs and the population as a whole, and any mention of think tanks or government agencies that might have studied this. Uh, let's see, what else… oh, and anything anecdotal."
"Anecdotal?"
"You know, any clips on cop suicides that have run. Let's go back five years. I'm looking for examples."
"Like your…"
She realized what she was saying.
"Yes, like my brother."
"It's a shame."
She didn't say anything more. I let the silence hang between us for a few moments and then asked her how long she thought the computer search would take. My requests were often given a low priority since I was not a deadline writer.
"Well, it's really a shotgun search, nothing specific. I'm going to have to spend some time on it and you know I'll get pulled when the dailies start coming in. But I'll try. How about late this afternoon, that be okay?"
"Perfect."
As I went back into the newsroom I checked the overhead clock and saw it was half past eleven. The timing was good for what I needed to do. At my desk I made a call to a source at the cop shop.
"Hey, Skipper, you going to be there?"
"When?"
"During lunch. I might need something. I probably will."
"Shit. Okay. I'm here. Hey, when'd you get back?"
"Today. Talk to you."
I hung up, then I put on my long coat and headed out of the newsroom. I walked the two blocks over to the Denver Police Department headquarters, flipped my press pass at the front counter to a cop who didn't bother to look up from his Post and went on up to the SIU offices on the fourth floor.
"I've got one question," Detective Robert Scalari said after I told him what I wanted. "Are you here as a brother or as a reporter?"
"Both."
"Sit down."
Scalari leaned across his desk, maybe, I guessed, so I could appreciate the intricate hair-weaving job he had done to hide his bald spot.
"Listen, Jack," he said. "I have a problem with that."
"What problem?"
"Look, if you were coming to me as a brother who wanted to know why, that would be one thing and I would probably tell you what I know. But if what I tell you is going to end up in the Rocky Mountain News, I'm not interested. I've got too much respect for your brother to let what happened to him help sell newspapers. Even if you don't."
We were alone in a small office with four desks in it.
Scalari's words made me angry but I swallowed it back. I leaned toward him so he could see my healthy, full head of hair.
"Let me ask you something, Detective Scalari. Was my brother murdered?"
"No, he wasn't."
"You are sure it was suicide, right?"
"That is correct."
"And the case is closed?"
"Right again."
I leaned back away from him.
"Then that really bothers me."
"Why is that?"
"Because you're trying to have it both ways. You're telling me the case is closed, yet I can't look at the records. If it is closed, then I should be allowed to look at the case because he was my brother. And if it's closed, that means that, as a reporter, I can't compromise an ongoing investigation by looking at the records, either."
I let him digest that for a few moments.
"So," I finally continued, "going by your own logic, there is no reason why I shouldn't be able to look at the records."
Scalari looked at me. I could see the anger working behind his cheeks now.
"Listen to me, Jack, there are things in that file better left not known, and certainly not published."