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He didn’t do anything visible. He simply changed his mind. No doubt ever since he had found Maj’s body he had been building up to this decision, but now, as he helped the beldame to her foot (taking care only to touch sound flesh in case the withering was infectious) he found himself saying the hell with them. The Arabs have got them right. A conceivable alternative future for mankind, phooey. They are a dead end, a waste product, excrement. The language is an accident, and might still turn out to be a tool of minor importance for psycholinguistic research, but what was its point beyond that? Perhaps it wasn’t even as astonishing as Morris thought it—cold natures tend to find weird outlets for their romantic drives.

The old woman stared at him for a moment with dark, unreadable eyes, but said nothing. He picked Dinah up and using the pole as an alpenstock climbed on. The heat off the rock struck back with a steady, dull intensity. Sweat streamed all down him. His gasps seemed to fetch in nothing breathable and his heart slammed erratically. He reached the top on the verge of heat-stroke and stood there, gulping and blinking.

Slowly the red blur left his vision and the thudding blood became quiet; he took a water flask from Peggy and poured some over his neck and chest, then he told her to spread a mat on a bare patch of rock and lowered Dinah on to it. There was no shade, but the noon haze veiled the sun. One was steamed, not roasted.

“What happens now?” he said.

“I do not know, my lord. Only the women of the duck clan come to Gal-Gal. The men of the other clans do not speak about it.”

He looked at her with strange exasperation. She was one of them too, or would be, one day, if she survived today—a cheerful drowner of strangers, a passer-on of repellent diseases and obscene cruelties. On the other hand Dinah liked her.

“Rest.” He said. “Drink if you are thirsty.”

Of course he should have tried to escape with her. They might have been safe, sneaking away through the witch-protected dark. She might have known the way. But he had become obsessed with his mission, and the need to talk to Gaur, even on Gal-Gal.

In fact nothing much happened for a long time, except that more and more people arrived. The top of the rock was not a clean slope as it had seemed from the water; it was more like a slightly cupped hand, lowest at the wrist and rising to the fingertips; about in the centre of where the heart-line would have run was a large, rectangular slab of a different sort of stone, and below this lay a natural arena, forty feet across, where nobody walked. Morris watched the new arrivals, many of them crippled or deformed, but all wearing rather more beads and ornaments than had seemed normal on Alaurgan-Alaurgad. Several men wore, not as covering but as decoration, strips of cloth which he recognised by the pattern as being upholstery from the crashed plane; many wore waist-belts from which dangled dark little rubbery blobs which seemed to have no aesthetic value at all, but only when a young man strutted by wearing a belt of magnetic tape from which hung two similar objects, but paler and not yet fully shrunk, did Morris realise that he was looking at the genitals of defeated enemies. This young man had killed Arabs not long ago. Maj. Jillad? Where had he got the tape?

Morris was distracted from this problem by the arrival of the other hand of Nillum, carried up with no ceremony at all by a middle-aged man with a grossly distended stomach, who waddled over with it to a group of warriors, leaned on the pole and stood chatting like a farmer at a cattle-market. Everybody was behaving like that—like, in fact, guests at the reception after a large wedding, greeting and gossiping in noisy groups. Nobody looked at Morris at all, and after a while he left his wives in each other’s care and started to wander about.

The stone object turned out to be man-made, a thing like a giant’s coffin, lidded with three enormous shaped blocks of grey sandstone. Along its sides ran a series of blobs and lumps that might once have been a bas relief but were now uninterpretable with age. Morris was not surprised. There had been the broken steps below, and out in the desert there were stone-lined wells of great depth, an achievement beyond any known technology of the Arabs who had lived there in historical times. It was curious to realise that even the primeval-seeming marshmen had been preceded by a different people, but in itself the stone thing was like so many other stone things, apparently interesting but really boring.

A faint wind stirred, creating the illusion of coolness. Something seemed to be happening up at the far end of the platform, though nobody near Morris paid any attention to it. Lethargically, almost like a tourist at a village festival, he strolled towards it.

Close to the cliffs at the highest point of the rock a group of women sat on the ground with a number of gourd bowls between them. Two other women and a girl no older than Peggy knelt in the middle of the circle being made up for the ceremony. The pots contained pigments, a greyish white, a muddy orange, indigo and olive. The bodies had been painted white all over and white paint had been rubbed into the hair which had then been teased out into spikes. By the time Morris arrived the white had dried on the first woman and she was now being painted with herringbone stripes of the other colours; the pattern ignored natural contours, marching over breast and buttock like a Roman road. The old woman with the withered arm and leg sat just outside the circle, swaying like a drunk and singing in a monotonous wheeze, words which Morris didn’t know, though the inflections and modifications were of the same type as in marsh speech—he imagined this was a secret language, used only for magical chants. The whole process seemed dingy and banal. The painting was crude and the result ugly but not frightening—scarcely even striking.

His attention, such as it was, was distracted by a group of men coming up to the circle with a curious tangle of wickerwork and plaited reed ropes. Roughly they picked the old woman, still chanting, off the ground and carried her to the edge of the cliff; for a moment he thought they were about to throw her over, but they lashed her into the wickerwork, settled a bowl in her lap and lowered her over the edge with the ropes. She seemed to be in a sort of trance all the while, and her dreary chant came faintly up to Morris’s ears from below. Crane as he might he couldn’t see what she was at down there, though the men moved the ropes along about twenty feet of cliff. He gave up and looked out across the marshes.

Far down the reach of the main river a long canoe nosed out of the reeds, paddled by at least six men. They seemed to have a white passenger, but it was too far off to be sure before the canoe’s prow swung towards Gal-Gal and the foremost oarsmen hid the rest.

When the old woman was hauled back the pot in her lap was half full of little orange berries. The men carried her back to the circle of women, one of whom took the pot and another washed the old woman’s good hand in what appeared to be urine. A small girl appeared carrying a wicker basket out of which she took a bedraggled brown duck. It was a pitiful thing. The girl held it under one arm and with her free hand forced its head back and its beak open. A woman used two bits of reed like chopsticks to drop one of the berries down its throat then poured a little water on top. The girl put the duck down in the middle of the circle, where it stood in a dazed fashion, flapping one wing with feeble strokes. The other wing had been broken. The women who were doing the make-up stopped their task to watch. The old woman came out of her trance and fell silent. The babble of men’s voices surged on in the background, but here was a little island of stillness, in the middle of which the duck fell dead. Morris almost believed he could hear a slight thump as it hit the rock. Suddenly all the women looked at him for the first time. He hadn’t thought they’d noticed his presence, but now they stared at him with a single, black, inquisitive glance. The little girl who was being painted laughed aloud.