Slope after slope he traversed, each with its even sward and clustered groves. The general trend was always upward, though he ascended and descended the gentle inclines with monotonous regularity. The array of rounded shoulders and shallow declivities was bewildering and apparently endless. But at last he advanced up what he believed was the highest summit on the island, and halted at the sight of green shining walls and towers, which, until he had reached the spot on which he then stood, had merged so perfectly with the green landscape as to be invisible, even to his keen sight.
He hesitated, fingered his sword, then went forward, bitten by the worm of curiosity. He saw no one as he approached a tall archway in the curving wall. There was no door. Peering warily through, he saw what seemed to be a broad open court, grass-carpeted, surrounded by a circular wall of the green semitranslucent substance. Various arches opened from it. Advancing on the balls of his bare feet, sword ready, he chose one of these arches at random, and passed into another similar court. Over an inner wall he saw the pinnacles of strangely shaped towerlike structures. One of these towers was built in, or projected into the court in which he found himself, and a broad stair led up to it, along the side of the wall. Up this he went, wondering if it were all real, or if he were not in the midst of a black lotus dream.
At the head of the stair he found himself on a walled ledge, or balcony, he was not sure which. He could now make out more details of the towers, but they were meaningless to him. He realized uneasily that no ordinary human beings could have built them. There was symmetry about their architecture, and system, but it was a mad symmetry, a system alien to human sanity. As for the plan of the whole town, castle, or whatever it was intended for, he could see just enough to get the impression of a great number of courts, mostly circular, each surrounded by its own wall, and connected with the others by open arches, and all, apparently, grouped about the cluster of fantastic towers in the center.
Turning in the other direction from these towers, he got a fearful shock, and crouched down suddenly behind the parapet of the balcony, glaring amazedly.
The balcony or ledge was higher than the opposite wall, and he was looking over that wall into another swarded court. The inner curve of the further wall of that court differed from the others he had seen, in that, instead of being smooth, it seemed to be banded with long lines or ledges, crowded with small objects the nature of which he could not determine.
However, he gave little heed to the wall at the time. His attention was centered on the band of beings that squatted about a dark green pool in the midst of the court. These creatures were black and naked, made like men, but the least of them, standing upright, would have towered head and shoulders above the tall pirate. They were rangy rather than massive, but were finely formed, with no suggestion of deformity or abnomality, save as their great height was abnormal. But even at that distance Conan sensed the basic diabolism of their features.
In their midst, cringing and naked, stood a youth that Conan recognized as the youngest sailor aboard the Wastrel. He, then, had been the captive the pirate had seen borne across the grass-covered slope. Conan had heard no sound of fighting—saw no blood-stains or wounds on the sleek ebon limbs of the giants. Evidently the lad had wandered inland away from his companions and been snatched up by a black man lurking in ambush. Conan mentally termed the creatures black men, for lack of a better term; instinctively he knew that these tall ebony beings were not men, as he understood the term.
No sound came to him. The blacks nodded and gestured to one another, but they did not seem to speak—vocally, at least. One, squatting on his haunches before the cringing boy, held a pipe-like thing in his hand. This he set to his lips, and apparently blew, though Conan heard no sound. But the Zingaran youth heard or felt, and cringed. He quivered and writhed as if in agony; a regularity became evident in the twitching of his limbs, which quickly became rhythmic. The twitching became a violent jerking, the jerking regular movements. The youth began to dance, as cobras dance by compulsion to the tune of the faquir's fife. There was naught of zest or joyful abandon in that dance. There was, indeed, abandon that was awful to see, but it was not joyful. It was as if the mute tune of the pipes grasped the boy's inmost soul with salacious fingers and with brutal torture wrung from it every involuntary expression of secret passion. It was a convulsion of obscenity, a spasm of lasciviousness—an exudation of secret hungers framed by compulsion: desire without pleasure, pain mated awfully to lust. It was like watching a soul stripped naked, and all its dark and unmentionable secrets laid bare.
Conan glared frozen with repulsion and shaken with nausea. Himself as cleanly elemental as a timber wolf, he was yet not ignorant of the perverse secrets of rotting civilizations. He had roamed the cities of Zamora , and known the women of Shadizar the Wicked. But he sensed here a cosmic vileness transcending mere human degeneracy—a perverse branch on the tree of Life, developed along lines outside human comprehension. It was not at the agonized contortions and posturing of the wretched boy that he was shocked, but at the cosmic obscenity of these beings which could drag to light the abysmal secrets that sleep in the unfathomed darkness of the human soul, and find pleasure in the brazen flaunting of such things as should not be hinted at, even in restless nightmares.
Suddenly the black torturer laid down the pipes and rose, towering over the writhing white figure. Brutally grasping the boy by neck and haunch, the giant up-ended him and thrust him head-first into the green pool. Conan saw the white glimmer of his naked body amid the green water, as the black giant held his captive deep under the surface. Then there was a restless movement among the other blacks, and Conan ducked quickly below the balcony wall, not daring to raise his head lest he be seen.
After a while his curiosity got the better of him, and he cautiously peered out again. The blacks were filing out of an archway into another court. One of them was just placing something on a ledge of the further wall, and Conan saw it was the one who had tortured the boy. He was taller than the others, and wore a jeweled head-band. Of the Zingaran boy there was no trace. The giant followed his fellows, and presently Conan saw them emerge from the archway by which he had gained access to that castle of horror, and file away across the green slopes, in the direction from which he had come. They bore no arms, yet he felt that they planned further aggression against the Freebooters.
But before he went to warn the unsuspecting buccaneers, he wished to investigate the fate of the boy. No sound disturbed the quiet. The pirate believed that the towers and courts were deserted save for himself.
He went swiftly down the stair, crossed the court and passed through an arch into the court the blacks had just quitted. Now he saw the nature of the striated wall. It was banded by narrow ledges, apparently cut out of the solid stone, and ranged along these ledges or shelves were thousands of tiny figures, mostly grayish in color. These figures, not much longer than a man's hand, represented men, and so cleverly were they made that Conan recognized various racial characteristics in the different idols, features typical of Zingarans, Argoseans, Ophireans and Kushite corsairs. These last were black in color, just as their models were black in reality. Conan was aware of a vague uneasiness as he stared at the dumb sightless figures. There was a mimicry of reality about them that was somehow disturbing. He felt of them gingerly and could not decide of what material they were made. It felt like petrified bone; but he could not imagine petrified substance being found in the locality in such abundance as to be used so lavishly.
He noticed that the images representing types with which he was familiar were all on the higher ledges. The lower ledges were occupied by figures the features of which were strange to him. They either embodied merely the artists' imagination, or typified racial types long vanished and forgotten.