“I have told you already, Varvara Petrovna.”
“Remember that you're free to decide. As you like, so it shall be.”
“Then, may I ask, Varvara Petrovna, has Stepan Trofimovitch said anything yet?”
“No, he hasn't said anything, he doesn't know . . . but he will speak directly.”
She jumped up at once and threw on a black shawl. Dasha flushed a little again, and watched her with questioning eyes. Varvara Petrovna turned suddenly to her with a face flaming with anger.
“You're a fool!” She swooped down on her like a hawk. “An ungrateful fool! What's in your mind? Can you imagine that I'd compromise you, in any way, in the smallest degree. Why, he shall crawl on his knees to ask you, he must be dying of happiness, that's how it shall be arranged. Why, you know that I'd never let you suffer. Or do you suppose he'll take you for the sake of that eight thousand, and that I'm hurrying off to sell you? You're a fool, a fool! You're all ungrateful fools. Give me my umbrella!”
And she flew off to walk by the wet brick pavements and the wooden planks to Stepan Trofimovitch's.
VII
It was true that she would never have let Dasha suffer; on the contrary, she considered now that she was acting as her benefactress. The most generous and legitimate indignation was glowing in her soul, when, as she put on her shawl, she caught fixed upon her the embarrassed and mistrustful eyes of her protegee. She had genuinely loved the girl from her childhood upwards. Praskovya Ivanovna had with justice called Darya Pavlovna her favourite. Long ago Varvara Petrovna had made up her mind once for all that “Darya's disposition was not like her brother's” (not, that is, like Ivan Shatov's), that she was quiet and gentle, and capable of great self-sacrifice; that she was distinguished by a power of devotion, unusual modesty, rare reasonableness, and, above all, by gratitude. Till that time Dasha had, to all appearances, completely justified her expectations.
“In that life there will be no mistakes,” said Varvara Petrovna when the girl was only twelve years old, and as it was characteristic of her to attach herself doggedly and passionately to any dream that fascinated her, any new design, any idea that struck her as noble, she made up her mind at once to educate Dasha as though she were her own daughter. She at once set aside a sum of money for her, and sent for a governess, Miss Criggs, who lived with them until the girl was sixteen, but she was for some reason suddenly dismissed. Teachers came for her from the High School, among them a real Frenchman, who taught Dasha French. He, too, was suddenly dismissed, almost turned out of the house. A poor lady, a widow of good family, taught her to play the piano. Yet her chief tutor was Stepan Trofimovitch.
In reality he first discovered Dasha. He began teaching the quiet child even before Varvara Petrovna had begun to think about her. I repeat again, it was wonderful how children took to him. Lizaveta Nikolaevna Tushin had been taught by him from the age of eight till eleven (Stepan Trofimovitch took no fees, of course, for his lessons, and would not on any account have taken payment from the Drozdovs). But he fell in love with the charming child and used to tell her poems of a sort about the creation of the world, about the earth, and the history of humanity. His lectures about the primitive peoples and primitive man were more interesting than the Arabian Nights. Liza, who was ecstatic over these stories, used to mimic Stepan Trofimovitch very funnily at home. He heard of this and once peeped in on her unawares. Liza, overcome with confusion, flung herself into his arms and shed tears; Stepan Trofimovitch wept too with delight. But Liza soon after went away, and only Dasha was left. When Dasha began to have other teachers, Stepan Trofimovitch gave up his lessons with her, and by degrees left off noticing her. Things went on like this for a long time. Once when she was seventeen he was struck by her prettiness. It happened at Varvara Petrovna's table. He began to talk to the young girl, was much pleased with her answers, and ended by offering to give her a serious and comprehensive course of lessons on the history of Russian literature. Varvara Petrovna approved, and thanked him for his excellent idea, and Dasha was delighted. Stepan Trofimovitch proceeded to make special preparations for the lectures, and at last they began. They began with the most ancient period. The first lecture went off enchantingly. Varvara Petrovna was present. When Stepan Trofimovitch had finished, and as he was going informed his pupil that the next time he would deal with “The Story of the Expedition of Igor,” Varvara Petrovna suddenly got up and announced that there would be no more lessons. Stepan Trofimovitch winced, but said nothing, and Dasha flushed crimson. It put a stop to the scheme, however. This had happened just three years before Varvara Petrovna's unexpected fancy.
Poor Stepan Trofimovitch was sitting alone free from all misgivings. Plunged in mournful reveries he had for some time been looking out of the window to see whether any of his friends were coining. But nobody would come. It was drizzling. It was turning cold, he would have to have the stove heated. He sighed. Suddenly a terrible apparition flashed upon his eyes:
Varvara Petrovna in such weather and at such an unexpected hour to see him! And on foot! He was so astounded that he forgot to put on his coat, and received her as he was, in his everlasting pink-wadded dressing-jacket.
“Ma bonne amie! ” he cried faintly, to greet her. “You're alone; I'm glad; I can't endure your friends. How you do smoke! Heavens, what an atmosphere! You haven't finished your morning tea and it's nearly twelve o'clock. It's your idea of bliss — disorder! You take pleasure in dirt. What's that torn paper on the floor? Nastasya, Nastasya! What is your Nastasya about? Open the window, the casement, the doors, fling everything wide open. And we'll go into the drawing-room. I've come to you on a matter of importance. And you sweep up, my good woman, for once in your life.”
“They make such a muck!” Nastasya whined in a voice of plaintive exasperation.
“Well, you must sweep, sweep it up fifteen times a day! You've a wretched drawing-room” (when they had gone into the drawing-room). “Shut the door properly. She'll be listening. You must have it repapered. Didn't I send a paperhanger to you with patterns? Why didn't you choose one? Sit down, and listen. Do sit down, I beg you. Where are you off to? Where are you off to I Where are you off to?
“I'll be back directly,” Stepan Trofimovitch cried from the next room. “Here, I am again.”
“Ah,- you've changed your coat.” She scanned him mockingly. (He had flung his coat on over the dressing-jacket.) “Well, certainly that's more suited to our subject. Do sit down, I entreat you.”
She told him everything at once, abruptly and impressively She hinted at the eight thousand of which he stood in such terrible need. She told him in detail of the dowry. Stepan Trofimovitch sat trembling, opening his eyes wider and wider. He heard it all, but he could not realise it clearly. He tried to speak, but his voice kept breaking. All he knew was that everything would be as she said, that to protest and refuse to agree would be useless, and that he was a married man irrevocably.