“If he deigns to visit you to-day, not a word about me, I beg. Not the faintest hint. Don't speak of me, don't mention me.— V. S.”
The letter of the day before:
“If he decides to pay you a visit this morning, I think the most dignified thing would be not to receive him. That's what I think about it; I don't know what you think.— V. S.”
To-day's, the last:
“I feel sure that you're in a regular litter and clouds of tobacco smoke. I'm sending you Marya and Fomushka. They'll tidy you up in half an hour. And don't hinder them, but go and sit in the kitchen while they clear up. I'm sending you a Bokhara rug and two china vases. I've long been meaning to make you a present of them, and I'm sending you my Teniers, too, for a time.! You can put the vases in the window and hang the Teniers on the right under the portrait of Goethe; it will be more conspicuous there and it's always light there in the morning. If he does turn up at last, receive him with the utmost courtesy but try and talk of trifling matters, of some intellectual subject, and behave as though you had seen each other lately. Not a word about me. Perhaps I may look in on you in the evening.— V. S.
“P.S.— If he does not come to-day he won't come at all.”
I read and was amazed that he was in such excitement over such trifles. Looking at him inquiringly, I noticed that he had had time while I was reading to change the everlasting white tie he always wore, for a red one. His hat and stick lay on the table. He was pale, and his hands were positively trembling.
“I don't care a hang about her anxieties,” he cried frantically, in response to my inquiring look. “ Je m'en fiche!She has the face to be excited about Karmazinov, and she does not answer my letters. Here is my unopened letter which she sent me back yesterday, here on the table under the book, under L'Homme qui rit.What is it to me that she's wearing herself out over Nikolay! Je m'en fiche, et je proclame ma liberte! Au diable le Karmazinov! Au diable la Lembke!I've hidden the vases in the entry, and the Teniers in the chest of drawers, and I have demanded that she is to see me at once. Do you hear. I've insisted! I've sent her just such a scrap of paper, a pencil scrawl, unsealed, by Nastasya, and I'm waiting. I want Darya Pavlovna to speak to me with her own lips, before the face of Heaven, or at least before you. Vous me seconderez, n'est-ce pas, comme ami et timoin.I don't want to have to blush, to lie, I don't want secrets, I won't have secrets in this matter. Let them confess everything to me openly, frankly, honourably and then . . . then perhaps I may surprise the whole generation by my magnanimity. . . . Am I a scoundrel or not, my dear sir?” he concluded suddenly, looking menacingly at me, as though I'd considered him a scoundrel.
I offered him a sip of water; I had never seen him like this before. All the while he was talking he kept running from one end of the room to the other, but he suddenly stood still before me in an extraordinary attitude.
“Can you suppose,” he began again with hysterical haughtiness, looking me up and down, “can you imagine that I, Stepan Verhovensky, cannot find in myself the moral strength to take my bag — my beggar's bag — and laying it on my feeble shoulders to go out at the gate and vanish for ever, when honour and the great principle of independence demand it I It's not the first time that Stepan Verhovensky has had to repel despotism by moral force, even though it be the despotism of a crazy woman, that is, the most cruel and insulting despotism which can exist on earth, although you have, I fancy, forgotten yourself so much as to laugh at my phrase, my dear sir! Oh, you don't believe that I can find the moral strength in myself to end my life as a tutor in a merchant's family, or to die of hunger in a ditch! Answer me, answer at once; do you believe it, or don't you believe it?”
But I was purposely silent. I even affected to hesitate to wound him by answering in the negative, but to be unable to answer affirmatively. In all this nervous excitement of his there was something which really did offend me, and not personally, oh, no! But ... I will explain later on. He positively turned pale.
“Perhaps you are bored with me, G—— v (this is my surname),
and you would like . . . not to come and see me at all?” he said in that tone of pale composure which usually precedes some extraordinary outburst. I jumped up in alarm. At that moment Nastasya came in, and, without a word, handed Stepan Trofimovitch a piece of paper, on which something was written in pencil. He glanced at it and flung it to me. On the paper, in Varvara Petrovna's hand three words were written: “Stay at home.”
Stepan Trofimovitch snatched up his hat and stick in silence and went quickly out of the room. Mechanically I followed him. Suddenly voices and sounds of rapid footsteps were heard in the passage. He stood still, as though thunder-struck.
“It's Liputin; I am lost!” he whispered, clutching at my arm.
At the same instant Liputin walked into the room.
IV
Why he should be lost owing to Liputin I did not know, and indeed I did not attach much significance to the words; I put it all down to his nerves. His terror, however, was remarkable, and I made up my mind to keep a careful watch on him.
The very appearance of Liputin as he came in assured us that he had on this occasion a special right to come in, in spite of the prohibition. He brought with him an unknown gentleman, who must have been a new arrival in the town. In reply to the senseless stare of my petrified friend, he called out immediately in a-loud voice:
“I'm bringing you a visitor, a special one! I make bold to intrude on your solitude. Mr. Kirillov, a very distinguished civil engineer. And what's more he knows your son, the much esteemed Pyotr Stepanovitch, very intimately; and he has a message from him. He's only just arrived.”
“The message is your own addition,” the visitor observed curtly. “There's no message at all. But I certainly do know Verhovensky. I left him in the X. province, ten days ahead of us.”
Stepan Trofimovitch mechanically offered his hand and motioned him to sit down. He looked at me* he looked at Liputin, and then as though suddenly recollecting himself sat down himself, though he still kept his hat and stick in his hands without being aware of it.
“Bah, but you were going out yourself! I was told that you were quite knocked up with work.”
“Yes, I'm ill, and you see, I meant to go for a walk, I ...” Stepan Trofimovitch checked himself, quickly flung his hat and stick on the sofa and — turned crimson.
Meantime, I was hurriedly examining the visitor. He was a young man, about twenty-seven, decently dressed, well made, slender and dark, with a pale, rather muddy-coloured face and black lustreless eyes. He seemed rather thoughtful and absent-minded, spoke jerkily and ungrammatically, transposing words in rather a strange way, and getting muddled if he attempted a sentence of any length. Liputin was perfectly aware of Stepan Trofimovitch's alarm, and was obviously pleased at it. He sat down in a wicker chair which he dragged almost into the middle of the room, so as to be at an equal distance between his host and the visitor, who had installed themselves on sofas on opposite sides of the room. His sharp eyes darted inquisitively from one corner of the room to another.
“It's .... a long while since I've seen Petrusha. . . . You met abroad?” Stepan Trofimovitch managed to mutter to the visitor.
“Both here and abroad.”
“Alexey Nilitch has only just returned himself after living four years abroad,” put in Liputin. “He has been travelling to perfect himself in his speciality and has come to us because he has good reasons to expect a job on the building of our railway bridge, and he's now waiting for an answer about it. He knows the Drozdovs and Lizaveta Nikolaevna, through Pyotr Stepanovitch.”
The engineer sat, as it were, with a ruffled air, and listened with awkward impatience. It seemed to me that he was angry about something.
“He knows Nikolay Vsyevolodovitch too.”
“Do you know Nikolay Vsyevolodovitch?” inquired Stepan Trofimovitch.