It was impossible, of course, to remain any longer in Petersburg, all the more so as Stepan Trofimovitch was overtaken by a complete fiasco. He could not resist talking of the claims of art, and they laughed at him more loudly as time went on. At his last lecture he thought to impress them with patriotic eloquence, hoping to touch their hearts, and reckoning on the respect inspired by his “persecution.” He did not attempt to dispute the uselessness and absurdity of the word “fatherland,” acknowledged the pernicious influence of religion, but firmly and loudly declared that boots were of less consequence than Pushkin; of much less, indeed. He was hissed so mercilessly that he burst into tears, there and then, on the platform. Varvara Petrovna took him home more dead than alive. “ On m'a traits, comme un vieux bonnet de coton,” he babbled senselessly. She was looking after him all night, giving him laurel-drops and repeating to him till daybreak, “You will still be of use; you will still make your mark; you will be appreciated ... in another place.”
Early next morning five literary men called on Varvara Petrovna, three of them complete strangers, whom she had ever set eyes on before. With a stern air they informed her that they had looked into the question of her magazine, and had brought her their decision on the subject. Varvara Petrovna had never authorised anyone to look into or decide anything concerning her magazine. Their decision was that, having founded the magazine, she should at once hand it over to them with the capital to run it, on the basis of a co-operative society. She herself was to go back to Skvoreshniki, not forgetting to take with her Stepan Trofimovitch, who was “out of date.” From delicacy they agreed to recognise the right of property in her case, and to send her every year a sixth part of the net profits. What was most touching about it was that of these five men, four certainly were not actuated by any mercenary motive, and were simply acting in the interests of the “cause.”
“We came away utterly at a loss,” Stepan Trofimovitch used to say afterwards. “I couldn't make head or tail of it, and kept muttering, I remember, to the rumble of the train:
'Vyek , and vyek, and Lyov Kambek, Lyov Kambek and vyek, and vyek.'
and goodness knows what, all the way to Moscow. It was only in Moscow that I came to myself — as though we really might find something different there.”
“Oh, my friends!” he would exclaim to us sometimes with fervour, '' you cannot imagine what wrath and sadness overcome your whole soul when a great idea, which you have long cherished as holy, is caught up by the ignorant and dragged forth before fools like themselves into the street, and you suddenly meet it in the market unrecognisable, in the mud, absurdly set up, without proportion, without harmony, the plaything of foolish louts! No! In our day it was not so, and it was not this for which we strove. No, no, not this at all. I don't recognise it. ... Our day will come again and will turn all the tottering fabric of to-day into a true path. If not, what will happen? . . .”
VII
Immediately on their return from Petersburg Varvara Petrovna sent her friend abroad to “recruit”; and, indeed, it was necessary for them to part for a time, she felt that. Stepan Trofimovitch was delighted to go.
“There I shall revive!” he exclaimed. “There, at last, I shall set to work!” But in the first of his letters from Berlin he struck his usual note:
“My heart is broken!” he wrote to Varvara Petrovna. “I can forget nothing! Here, in Berlin, everything brings back to me my old past, my first raptures and my first agonies. Where is she? Where are they both? Where are you two angels of whom I was never worthy? Where is my son, my beloved son? And last of all, where am I,where is my old self, strong as steel. firm as a rock, when now some Andreev, our orthodox clown with a beard, pent briser man existence en deux”—and so on.
As for Stepan Trofimovitch's son, he had only seen him twice in his life, the first time when he was born and the second time lately in Petersburg, where the young man was preparing to enter the university. The boy had been all his life, as we have said already, brought up by his aunts (at Varvara Petrovna's expense) in a remote province, nearly six hundred miles from Skvoreshniki. As for Andreev, he was nothing more or less than our local shopkeeper, a very eccentric fellow, a self-taught archaeologist who had a passion for collecting Russian antiquities and sometimes tried to outshine Stepan Trofimovitch in erudition and in the progressiveness of his opinions. This worthy shopkeeper, with a grey beard and silver-rimmed spectacles, still owed Stepan Trofimovitch four hundred roubles for some acres of timber he had bought on the latter's little estate (near Skvoreshniki). Though Varvara Petrovna had liberally provided her friend with funds when she sent him to Berlin, yet Stepan Trofimovitch had, before starting, particularly reckoned on getting that four hundred roubles, probably for his secret expenditure, and was ready to cry when Andreev asked leave to defer payment for a month, which he had a right to do, since he had brought the first installments of the money almost six months in advance to meet Stepan Trofimovitch's special need at the time.
Varvara Petrovna read this first letter greedily, and underlining in pencil the exclamation: “Where are they both?” numbered it and put it away in a drawer. He had, of course, referred to his two deceased wives. The second letter she received from Berlin was in a different strain:
“I am working twelve hours out of the twenty-four.” (“Eleven would be enough,” muttered Varvara Petrovna.) “I'm rummaging in the libraries, collating, copying, rushing about. I've visited the professors. I have renewed my acquaintance with the delightful Dundasov family. What a charming creature Lizaveta Mkolaevna is even now! She sends you her greetings. Her young husband and three nephews are all in Berlin. I sit up talking till daybreak with the young people and wehave almost Athenian evenings, Athenian, I mean, only in their intellectual subtlety and refinement. Everything is in noble style; » great deal of music, Spanish airs, dreams of the regeneration of all humanity, ideas of eternal beauty, of the Sistine Madonna, light interspersed with darkness, but there are spots even on the sun! Oh, my friend, my noble, faithful friend! In heart I am with you and am yours; with you alone, always, en tout pays,even in le pays de Makar et de ses veaux,of which we often used to talk in agitation in Petersburg, do you remember, before we came away. I think of it with a smile. Crossing the frontier I felt myself in safety, a sensation, strange and new, for the first time after so many years”— and so on and so on.
“Come, it's all nonsense!” Varvara Petrovna commented, folding up that letter too. “If he's up till daybreak with his Athenian nights, he isn't at his books for twelve hours a day. Was he drunk when he wrote it? That Dundasov woman dares to send me greetings! But there, let him amuse himself!”
The phrase “ dans le pays de Makar et de ses veaux” meant: “wherever Makar may drive his calves.” Stepan Trofimovitch sometimes purposely translated Russian proverbs and traditional sayings into French in the most stupid way, though no doubt he was able to understand and translate them better. But he did it from a feeling that it was chic, and thought it witty.
But he did not amuse himself for long. He could not hold out for four months, and was soon flying back to Skvoreshniki. His last letters consisted of nothing but outpourings of the most sentimental love for his absent friend, and were literally wet with tears. There are natures extremely attached to home like lap-dogs. The meeting of the friends was enthusiastic. Within two days everything was as before and even duller than before. “My friend,” Stepan Trofimovitch said to me a fortnight after, m dead secret, “I have discovered something awful for me . . . something new: je suis un simpledependent, et rien de plus! Mais r-r-rien de plus .' “