At the bottom of the cover, in bold white lettering, was the blurb: "The Famous Oath-Protected Book of Secrets".
A longer and much more descriptive blurb on the back cover went into greater detaiclass="underline"
Originally published as a strictly limited edition in 1905 in London, this book was sold only to professional magicians who were prepared to swear an oath of secrecy about its contents. First edition copies are now exceedingly rare, and virtually impossible for general readers to obtain.
Made publicly available for the first time, this new edition is completely unabridged and contains all the original illustrations, as well as the notes and supplementary text provided by Britain's Earl of Colderdale, a noted contemporary amateur of magic.
The author is Alfred Borden, inventor of the legendary illusion The New Transported Man. Borden, whose stage name was Le Professeur de la Magie, was in the first decade of this century the leading stage illusionist. Encouraged in his early years by John Henry Anderson, and as a protйgй of Nevil Maskelyne’s, Borden was a contemporary of Houdini, David Devant, Chung Ling Soo and Buatier de Kolta. He was based in London, England, but frequently toured the United States and Europe.
While not strictly speaking an instruction manual, this book with its broad understanding of magical methods will give both laymen and professionals startling insights into the mind of one of the greatest magicians who ever lived.
It was amusing to discover that one of my ancestors had been a magician, but I had no special interest in the subject. I happen to find some kinds of conjuring tedious; card tricks, especially, but many others too. The illusions you sometimes see on television are impressive, but I have never felt curious about how the effects are in fact achieved. I remember someone once saying that the trouble with magic was that the more a magician protects his secrets, the more banal they turn out to be.
Alfred Borden's book contained a long section on card tricks, and another described tricks with cigarettes and coins. Explanatory drawings and instructions accompanied each one. At the back of the book was a chapter about stage illusions, with many illustrations of cabinets with hidden compartments, boxes with false bottoms, tables with lifting devices concealed behind curtains, and other apparatus. I glanced through some of these pages.
The first half of the book was not illustrated, but consisted of a long account of the author's life and outlook on magic. It began with the following words:
"I write in the year 1901. "
"My name, my real name, is Alfred Borden. The story of my life is the story of the secrets by which I have lived my life. They are described in this narrative for the first and last time; this is the only extant copy. "
"I was born in 1856 on the eighth day of the month of May, in the coastal town of Hastings. I was a healthy, vigorous child. My father was a tradesman of that borough, a master wheelwright and cooper. Our house—"
I briefly imagined the writer of this book settling down to begin his memoir. For no exact reason I visualized him as a tall, dark-haired man, stern-faced and bearded, slightly hunched, wearing narrow reading glasses, working in a pool of light thrown by a solitary lamp placed next to his elbow. I imagined the rest of the household in a deferential silence, leaving the master in peace while he wrote. The reality was no doubt different, but stereotypes of our forebears are difficult to throw off.
I wondered what relation Alfred Borden would be to me. If the line of descent was direct, in other words if he wasn't a cousin or an uncle, then he would be my great– or great-great-grandfather. If he was born in 1856, he would have been in his middle forties when he wrote the book; it seemed likely he was therefore not my father's father, but of an earlier generation.
The Introduction was written in much the same style as the main text, with several long explanations about how the book came into being. The book appeared to be based on Borden's private notebook, not intended for publication. Colderdale had considerably expanded and clarified the narrative, and added the descriptions of most of the tricks. There was no extra biographical information about Borden, but presumably I would find some if I read the whole book.
I couldn't see how the book was going to tell me anything about my brother. He remained my only interest in my natural family.
At this point my mobile phone began beeping. I answered it quickly, knowing how other train passengers can be irritated by these things. It was Sonja, the secretary of my editor, Len Wickham. I suspected at once that Len had got her to call me, to make sure I was on the train.
"Andy, there's been a change of plan about the car," she said. "Eric Lambert had to take it in for a repair to the brakes, so it's in a garage."
She gave me the address. It was the availability of this car in Sheffield, a high-mileage Ford renowned for frequent breakdowns, that prevented me from driving up in my own car. Len wouldn't authorize the expenses if a company car was on hand.
"Did Uncle say anything else?" I said.
"Such as?"
"This story's still on?"
"Yes."
"Has anything else come in from the agencies?"
"We've had a faxed confirmation from the State Penitentiary in California. Franklin is still a prisoner."
"All right."
We hung up. While I was still holding the phone I punched in my parents’ number, and spoke to my father. I told him I was on my way to Sheffield, would be driving from there into the Peak District and if it was OK with them (of course it would be) I could come and stay the night. My father sounded pleased. He and Jillian still lived in Wilmslow, Cheshire, and now I was working in London my trips to see them were infrequent.
I told him I had received the book.
"Have you any idea why it was sent to you?" he said.
"Not the faintest."
"Are you going to read it?"
"It's not my sort of thing. I'll look through it one day."
"I noticed it was written by someone called Borden."
"Yes. Did she say anything about that?"
"No. I don't think so."
After we had hung up I put the book in my case and stared through the train window at the passing countryside. The sky was grey, and rain was streaking the glass. I had to concentrate on the incident I was being sent to investigate. I worked for the Chronicle , specifically as a general features writer, a label which was grander than the reality. The true state of affairs was that Dad was himself a newspaperman, and had formerly worked for the Manchester Evening Post , a sister paper to the Chronicle . It was a matter of pride to him that I had obtained the job, even though I have always suspected him of pulling strings for me. I am not a fluent journalist, and have not done well in the training programme I have been following. One of my serious long-term worries is that one day I am going to have to explain to my father why I have quit what he considers to be a prestigious job on the greatest British newspaper.
In the meantime, I struggle unwillingly on. Covering the incident I was travelling to was partly the consequence of another story I had filed several months earlier, about a group of UFO enthusiasts. Since then Len Wickham, my supervising editor, had assigned me to any story that involved witches’ covens, levitation, spontaneous combustion, crop circles, and other fringe subjects. In most cases, I had already discovered, once you went into these things properly there was generally not much to say about them, and remarkably few of the stories I filed were ever printed. Even so, Wickham continued to send me off to cover them.
There was an extra twist this time. With some relish, Wickham informed me that someone from the sect had phoned to ask if the Chronicle was planning to cover the story, and if so had asked for me in person. They had seen some of my earlier articles, thought I showed the right degree of honest scepticism, and could therefore be relied on for a forthright article. In spite of this, or perhaps because of it, it seemed likely to prove yet another dud.