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"I am."

"Can you prove it to me?"

"As you know, sir," Mr Koenig replied, "it is not possible to prove that which does not exist. All I can say is that for the last few weeks I have been bringing journalistic methods to the investigation, and have not found a single jot of evidence to confirm what you assume."

At this point he produced a thin sheaf of papers and showed them to me. They contained certain information about Mr Borden that I found instantly intriguing, and I begged the reporter to let me have them.

There followed something of a wrangle between our two professions. He maintained that as a journalist he could not impart the fruit of his researches to a third party. I countered that even if he were to discover the final, absolute truth about Borden, he would never be able to publish it while the subject remained alive.

On the other hand, I said, if I were to start my own investigations, then I might be able at some future time to guide him to a truly uncommon story.

The upshot of it was that Koenig agreed to let me take handwritten extracts from several of his notes, and these I scribbled down on the spot at his dictation. His conclusions were not conveyed to me, and to be candid I was not greatly interested in them. At the end I passed him five sovereigns.

As I finished, Mr Koenig said to me, "May I ask what you are hoping to learn from this, sir?"

"I seek only to improve my own magical art," I affirmed.

"I understand." He stood up to leave, and took hold of his hat and stick. "And when you have so improved , do you suppose you too will be able to perform Le Professeur's illusion?"

"I assure you, Mr Koenig," I said with cold disdain, as I showed him to the door. "I assure you that should the occasion arise I could take his bauble of a trick and make it mine this very night!"

Then he was gone.

Today I have not been working, and so I have written up this account of the meeting. All through it that final taunt of Koenig's has been in my thoughts. It is imperative that I learn the secret of Borden's illusion. I can think of no sweeter revenge than to outshine him with his own trick, outperform him, outdo him in every way.

And, courtesy of Mr Koenig, the facts I possess about Mr Borden will prove to be of immense value. First, though, I must check them.

9th December 1892

I have in fact so far done nothing about Borden. The American tour has been confirmed as definite, and Cutter and I are in the thick of preparations. I am to be travelling for more than two whole months, and to be separated from Julia and the children for such a length of time is almost unthinkable.

However, I cannot miss the tour. Setting aside the matter of the generous fees, I am probably the youngest magician from Britain or Europe to have been invited to follow in the steps of some of magic's greatest performers. The New World is the source and location of some of the finest magicians currently in performance, and it is a magnificent compliment to be invited to undertake this tour.

And Borden has not so far visited the USA!

10th December 1892

I had been looking forward to a quiet Christmas at home. No magic, no rehearsals, no travelling. I wanted to submerge myself in my family, and set everything else aside. But following a cancellation I have been offered a lucrative and irresistible two-week residency in Eastbourne, and it is such that I might take my entire household with me. My family shall spend Christmas at the Grand Hotel, overlooking the sea!

11th December 1892

A propitious discovery. Looking at a gazetteer this afternoon I could not help but notice that Eastbourne is just a few miles away from Hastings, and that the two towns are linked by a direct railway line. I think I shall spend a day or two in Hastings. I hear it is a pleasant place to visit.

17th January 1893

All of a sudden my life is overshadowed by the immensity of the journey before me. In two days’ time I leave for Southampton, and embark for New York City, thence to Boston and beyond, into the American heartland. The last week has been a nightmare of packing and preparations, and arranging for the apparatus I need with me to be dismantled, crated, then despatched ahead of me. Nothing can be left to chance, for without my equipment I have no stage show. A lot depends on this transatlantic adventure!

But now I have a day or two of leisure in which to prepare myself mentally and relax at home for a while. Today I have visited London Zoo with Julia and the children, already feeling a sense of loss because I know I shall be away from them for so long. The children are asleep, Julia is reading in her sitting room, and in the calm of this dark January evening, quietly in my study, I may at last record, thanks to the industrious Mr Koenig, the fruits of my enquiries about Mr Alfred Borden.

The following are facts I have personally verified.

He was born on 8th May 1856, in the Royal Sussex Infirmary in Bohemia Road, Hastings. Three days after his birth he and his mother, Betsy Mary Borden, returned to their house at 105 Manor Road, where the father worked as a carpenter. The child's full name was Frederick Andrew Borden, and according to the almoner's records his was a single birth. Frederick Andrew Borden was not one of two identical twins at birth, so therefore neither can he be one today.

Next I looked into the possibility of Frederick Borden having brothers of a close age to him, and bearing a strong family resemblance. Frederick was the sixth-born child. He had three older sisters and two older brothers, but of these one brother was eight years his senior, and the other had died at the age of two weeks.

Using the files of the Hastings & Bexhill Announcer , I obtained a description of Frederick's older brother Julius (who according to the newspaper had won a prize at school). At the age of fifteen Julius was said to have straight blond hair. Frederick Borden is dark-haired, but there was a possibility that Julius was the stage double, having coloured his hair. This line of enquiry came to nothing, when I later discovered that Julius had died of consumption in 1870, when Frederick was fourteen.

There was a younger brother too. This was Albert Joseph Borden, seventh-born into the family, on 18th May 1858. (Albert + Frederick = Alfred? Is this how Frederick chose his first nom de thйвtre ?)

Again, the existence of a brother whose age was reasonably close to Frederick's raised the possibility of a double. I dug out and examined Albert's birth records at the hospital, but I found it difficult to ascertain much more about him. However, the enterprising Mr Koenig had suggested a visit to a photogenic portrait artiste called Charles Simpkins, who has his studio in Hastings High Street.

Mr Simpkins greeted me cordially and was pleased to show me a selection of his daguerreotypes. Amongst these, as Mr Koenig had hinted to me, was a studio portrait of Frederick Borden and his younger brother. It had been taken in 1874, when Frederick was eighteen and his brother was sixteen.

The two are clearly unalike in appearance. Frederick is tall, he has the sort of features often referred to as "noble", and his bearing is arrogant (all of these I have frequently observed for myself), while Albert is much less prepossessing. He has a slack-jawed expression; his features are puffy, and his cheeks are round; his hair is wavier than his brother's and apparently paler in colour; and from his stance I would say he was at least four or five inches shorter than his brother.

This portrait convinced me that Koenig was right: Frederick Borden does not have a close relation he can use as a double.

It remains possible that he has scoured the streets of London to find a man sufficiently like him to pass as a double, with the aid of stage make-up, but no matter what Cutter says I have myself seen Borden's performance. Most illusionists’ doubles are only briefly glimpsed, or they misdirect the perceptions of the audience by wearing identical costumes, so that in the few seconds in which the double is visible he seems to be the original.