Garrett substituted self-preservation for pride. ‘You’re not going to publish that-that gossip about my therapy-are you?’
Sue Wiley’s reaction was all ingenuous surprise. ‘I thought most people in psychiatry like to talk about it. That’s a signpost of improvement, isn’t it? What are you ashamed of, Mr. Garrett?’
‘There’s nothing I’m ashamed of,’ he said animatedly. ‘First of all, it’s private, my own business and no one else’s on earth. Secondly, it might be misunderstood. The public isn’t oriented. They think anyone on the couch-and I’m not on the couch, by the way-anyone like that-is, well, more or less unbalanced, sick.’
The wide eyes. ‘But aren’t you?’
‘Of course not! I needed some-some advice-that’s all. But if you blow this whole thing out of proportion-’ He was at a loss for words.
She had the words. ‘Readers might think you were a screwball? Maybe not to be trusted with that heart transplant routine? Less worthy of sharing a Nobel Prize with Dr. Farelli?’
‘All right, something like that, and it’s not fair, and you know it. As for Farelli, no one thinks I’m less worthy to share the award than he is. In fact, in many circles, it’s believed I should have won the prize myself.’
As she listened, Sue Wiley’s eyes were more gleaming than before. She smelt something far better, and she wanted to pursue it as quickly as possible. Hastily, she donned a new guise of personality. This one was softer, understanding, all co-operation. ‘Look, Mr.-Dr. Garrett-what do you think I am, Madame Defarge or something? I’m not out to hurt a great man like you or anyone else. Certainly, I won’t mention your private medical history, if you don’t wish me to. I only threw it at you to-I guess to show you how thorough we are in our work. If you don’t want me to write about your therapy, I won’t.’
Garrett wanted to kiss this suddenly lovely young lady. ‘I’d be obliged if you’d forget it.’
‘Righto. Forgotten. Okay?’
‘Thank you.’
‘I only hoped for a few minutes of your time, to make my stories more accurate.’
‘I’d be glad to help you in any way, that is, if you don’t tattle on me to the Nobel Foundation.’
‘I told you-we respect our sources.’
‘Well,’ said Garrett expansively, relieved, ‘what kind of stories are you going to write?’
For a fraction of a second, she was tempted to tell him. She was bursting to tell someone. She was proud of the idea, her own, but some inner signal, which she usually ignored, warned her to slow down, take care, and this time she observed it. The success of her series might depend on this crop of Nobel winners. A mistake with one of them, Garrett for instance, might turn them against her, and then her assignment might all be uphill. If she handled the first of them right, it might be her calling card to all the rest.
Her instincts about an assignment, almost infallibly correct, told her that this was the crucial one of her career. But before she could reply to his question about it, she realized that Garrett was on his feet, being introduced by a hostess to two Swedish gentlemen, fellow physicians, who were eager to have the laureate meet their wives. With an apologetic gesture to Sue Wiley, Garrett asked her leave for a moment, and followed the Swedes down the aisle.
Precious as was their remaining time, Sue Wiley did not resent the interruption. The importance of her new assignment had turned her mind inwards, and now she welcomed the interlude to review the circumstances-the triumphal procession through recent years-that had brought her to this turning point.
Sue Wiley, born and raised in that doubtful oasis called Cheyenne, Wyoming, had been the product of loveless parents and their hate-filled marriage. She had grown to adolescence in an atmosphere that was niggardly and penurious. At home she had been unwanted, and at school she had been ignored. Not until her senior year at school, when she had revealed a gift for composition and journalism, had she known praise and attention. In that period, also, perhaps not by chance, she had read the life of Nellie Bly. Like herself, Nellie Bly had been the product of a small town and had embarked upon a career as a means of self-support. She had exposed the horrible sweatshops of Pittsburgh, had pretended insanity to enter and write about the insane asylum on Blackwell’s Island, had found notoriety and $25,000 a year, attired in ghillie cap and plaid ulster, by making a 24,899-mile journey around the world (in the footsteps of Phileas Fogg) in seventy-two days for The New York World. For Sue Wiley, encouraged by the success of her high-school compositions, Nellie Bly became her mother, her father, her Deity. For Sue Wiley, the die was cast.
There had been a handful of dim years, hardly remembered any more, as stringer, reporter, rewrite girl, and feature writer, and there had been the opening on Consolidated Newspapers. Here, Sue Wiley had risen almost overnight. She was still only twenty-eight. Her formula had not been unique, but had represented the perfect outgrowth of her character and of the press of her time. Her formula had been juvenile simple: shock by saying nay when all say aye. It would have bewildered her to know that she was less interested in truth than in sensation.
To Sue Wiley, insensitive to all about her, and with her eye on the main chance, the truth was undependable. If you dug for truth, you would uncover no treasure, but instead have dull hard facts, proving nothing, accomplishing nothing. She had been blind to the value of truth, because its rewards were unpredictable. Readers had seemed not to appreciate truth, had even seemed to be discomforted by it. Illumination was not a virtue in itself. It bored and offended. And in the end, who gave a damn? Yourself? Your subject? Yes, perhaps-but the measuring stick for accomplishment was the obscure mass of readers. They wanted variety, gossip, excitement, no matter how superficial. ‘Make ’em say “Gee whiz.” ’ She had once read the command on the bulletin board in a Hearst editorial room, and that was it really, and the devil take the facts. A sound rumour, an apocryphal anecdote, a distorted quotation, a whispered scandal, even if one-half true, or less, was to be preferred to nothing-but-the-truth, if nothing-but-the-truth was an anaesthetic. The point was to excite, create talk, sell newspapers.
Sue Wiley was not immoral, but amoral. She was too self-absorbed to anticipate hurt inflicted or wonder about it afterwards. She was not inherently ill-intentioned, even though her technique was often harmful. She was the sum of her culture, and her public, which encouraged and rewarded her and warped her by its own mis-shapen values.
Sue Wiley perfected her technique by reading biographies. Previously, she had been little addicted to reading, beyond newspapers, but in biographies she tested herself, underlining and copying out what arrested her attention. Her delight was not in learning of Julius Caesar’s campaigns but in learning that he wore a crown of laurel to hide his increasing baldness. Napoleon’s victories left her cold, but the information that he possessed exceptionally small ‘reproductive organs’ fascinated her. She was not interested in the fact that Francis Scott Key had written ‘The Star-Spangled Banner’, but in the fact that he had no ear for music. And one day was made when she learned that Daniel Webster had been sued for not paying his butcher’s bill. In this period, she had also read Dr. William Lyon Phelps’s complaint, ‘Instead of selecting a subject, modern biographers pick a victim. It’s getting so that good men are afraid to die’. Dr. Phelps’s complaint had left her unmoved. She decided that he would have made a poor newspaperman.
Like her idol, Nellie Bly, she had discovered her way-to create news, not wait for it. To electrify the public, and gain its attention. In a thousand editorial rooms, ten thousand reporters, chained to mediocrity and rotting on low salary, bad beer, stale sandwiches, stewed in their daydreams of great beats, and novels, and plays that they would never write. Sue Wiley would not be one of them, and at Consolidated she set out to prove her worth.