But he left without waiting for an answer.
Wallander stood looking after him. Thought it would be a relief when his father moved out to Österlen. So that he would no longer risk running into him by accident.
Wallander lived in an old building in Rosengård. The whole area was constantly under the threat of demolition. But he was happy here, even though Mona had said that if they married they would have to find another place to live. Wallander's apartment consisted of one room, a kitchen and a small bathroom. It was his very first apartment. He had bought the furniture at auctions and various secondhand shops. There were posters on the wall depicting flowers and tropical islands. Since his father sometimes came for a visit, he had also felt compelled to hang one of his landscapes on the wall over the sofa. He had chosen one without a grouse.
But the most important thing in the room was the record player. Wallander did not have many records, and those he did own were almost exclusively opera. On those occasions when he had entertained some of his colleagues, they had always asked him how he could listen to such music. So he had also acquired some other records that could be played when he had guests. For some unknown reason many policemen seemed fond of Roy Orbison.
He ate lunch shortly after one o'clock, drank some coffee, and tidied up the worst of the mess while listening to a recording by Jussi Björling. It was his first record, scratched beyond belief, but he had often thought it was the first thing he would rescue in a fire.
He had just put the record on for a second time when there was a thump on the ceiling. Wallander turned down the volume. The walls in the building were thin. Above him lived a retired woman who had once owned a flower shop. Her name was Linnea Almquist. When she thought he was playing his music too loud she thumped on the ceiling. And he obediently turned down the volume. The window was open, the curtain that Mona had hung up fluttered, and he lay down on the bed. He felt both tired and lazy. He had a right to rest. He started to skim through a copy of Lektyr, a men's magazine. He carefully concealed it whenever Mona was coming over. But soon he fell asleep with the magazine on the floor.
He was awakened with a start by a bang. He was unable to determine where it had come from. He got up and walked out into the kitchen to see if anything had fallen to the floor. But everything was in its place. Then he walked back into the room and looked out the window. The courtyard between the buildings was empty. A lone pair of blue worker's overalls was hanging on a line, flapping a little in the breeze. Wallander returned to his bed. He had been torn from a dream. The girl from the cafe had been there. But the dream had been unclear and disjointed.
He got up and looked at his watch. A quarter to four. He had slept for more than two hours. He sat down at the kitchen table and wrote down everything he needed to buy. Mona had promised to buy something to drink in Copenhagen. He tucked the piece of paper into his pocket and closed the door behind him.
He ended up standing in the dim light of the hallway. The door to his neighbour's apartment was ajar. This surprised Wallander because the man who lived there was extremely private and had even had an extra lock installed this May. Wallander wondered if he should ignore it but decided to knock. The man who lived alone was a retired seaman by the name of Artur Hålén. He was already living in the building when Wallander moved in. They usually said hello to each other and occasionally exchanged a few words if they happened to meet each other on the stairs, but nothing more. Wallander had neither seen nor heard Hålén receive any visitors. In the mornings he listened to the radio, in the evening he turned on the television. But by ten o'clock everything was quiet. A few times Wallander had wondered how much Hålén was conscious of his evening visits, in particular the aroused sounds of the night. But of course he had never asked.
Wallander knocked again. No answer. Then he opened the door and called out. It was quiet. He took some hesitant steps into the hallway.
It smelled closed in, a stale old-man smell. Wallander called out again.
He must have forgotten to lock up when he went out, Wallander thought. He is about seventy years old, after all. He must be getting forgetful.
Wallander glanced into the kitchen. A crumpled-up football betting form lay on the wax tablecloth next to a coffee cup. Then he drew aside the curtains that led into the room. He winced. Hålén was lying on the floor. His white shirt was stained with blood. A revolver lay next to his hand.
The bang, Wallander thought. What I heard was a shot.
He felt himself start to get sick to his stomach. He had seen dead bodies many times before. People who had drowned or hanged themselves. People who had burned to death or been crushed beyond recognition in traffic accidents. But he had not grown accustomed to it.
He looked around the room. Hålén's apartment was a mirror image of his own. The furnishings gave a meagre impression. Not one plant or ornament. The bed was unmade.
Wallander studied the body for a few more moments. Hålén must have shot himself in the chest. And he was dead. Wallander did not need to check his pulse in order to determine that.
He returned quickly to his own apartment and called the police. Told them who he was, a colleague, filled them in on what had happened. Then he walked out onto the street and waited for the first responders to arrive.
The police and emergency medical technicians arrived at almost the same time. Wallander nodded at them as they got out of their cars. He knew them all.
'What have you found in there?' one of the patrol officers asked. His name was Sven Svensson; he came from Landskrona and was always referred to as 'The Thorn' because once, while chasing a burglar, he had fallen into a thicket and been pierced in his lower abdomen by a number of thorns.
'My neighbour,' Wallander said. 'He's shot himself.'
'Hemberg is on his way,' the Thorn said. 'The crime squad is going to have to go over everything.'
Wallander nodded. He knew. Every fatal event, however natural it might seem, had to be investigated.
Hemberg was a man with a certain reputation, not entirely positive. He angered easily and could be unpleasant to his co-workers. But at the same time he was such a virtuoso in his profession that no one really dared contradict him. Wallander noticed that he was starting to get nervous. Had he done anything wrong? If so, Hemberg would immediately let him know. And it was for Detective Inspector Hemberg that Wallander was going to be working as soon as his transfer came through.
Wallander stayed out on the street, waiting. A dark Volvo pulled up to the kerb and Hemberg got out. He was alone. It took several seconds before he recognised Wallander.
'What the hell are you doing here?' Hemberg asked.
'I live here,' Wallander answered. 'It's my neighbour who's shot himself. I was the one who made the call.'
Hemberg raised his eyebrows with interest.
'Did you see him?'
'What do you mean, "see"?'
'Did you see him shoot himself?'
'Of course not.'
'Then how do you know it was a suicide?'
'The weapon was lying right next to the body.'
'So?'
Wallander didn't know what to say to this.
'You have to learn to pose the right questions,' Hemberg said. 'If you are to work as a detective. I already have enough people who don't know how to think. I don't want another one.'
Then he changed tack and adopted a friendlier tone.
'If you say it was a suicide it probably was. Where is it?'
Wallander pointed to the entrance. They went in.
Wallander attentively followed Hemberg in his work. Watched him crouch down next to the body and discuss the bullet's point of entry with the doctor who had arrived. Studied the position of the weapon, the body, the hand. Then he walked around the apartment, examining the contents in the chest of drawers, the cupboards and the clothes.