'And,' Claudia asked, 'you've remembered something?'
'We've remembered nothing,' Apuleius declared, gesturing at the others to remain silent. 'But do you recall, Claudia, when Theodore came here he was suffering from cramps? He claimed he didn't feel well?'
Claudia felt the cold night breeze about her shoulders.
'What are you saying, Apuleius?'
'I am always intrigued by a man who dies in such circumstances. Naturally Fulvia's death weighed heavily on me. I thought of poison again. Mistress, in this tavern that night, no one entered whom Polybius didn't know. Remember, it was by ticket only; everybody was queuing up to see the Great Miracle.'
'And?'
'Which one of Polybius' customers would want to poison an actor they'd never met before?'
'What are you implying?' Claudia asked.
'If Theodore was murdered, and I think he was,- if he was poisoned, and I suspect he was,' Apuleius half laughed, 'then that happened long before he came here. Mistress, did you stop at any wine shop?'
Claudia tried to recall all the details. 'We did visit the Temple of Hathor near the Coelian Hill and met its high priest, Sesothenes, but I cannot remember Theodore eating or drinking anything. Thank you, Apuleius. Now, gentlemen,' she smiled, 'unless you are going to make another great discovery…'
They all took the hint, thanked her and left. Claudia heard them laughing as they went back up the garden path and into the tavern, to be greeted by roars of welcome by Burrus and his ruffians. She sat in the dark, watching the lamps flicker out. She preferred the dark to think. Moreover, it was such a beautiful evening, the sky completely cloud-free, the stars seeming to hang low, the full moon riding in all its glorious golden majesty across the dark blue heavens. She wondered how Murranus was doing, her mind going back to those macabre murders at General Aurelian's villa. Was there a loose thread? And Theodore's mysterious death? She'd found the Celsus manuscript fascinating, and recalled what Apuleius had said. If that was true, she thought, if Theodore was murdered, where did he eat or drink last? And why had he insisted on visiting that temple and that strange high priest?
Claudia felt her stomach tingle with excitement. Of course! She nipped her arm in self-punishment. She'd forgotten that! She'd passed it off as Theodore wanting to thank his favourite goddess before he joined the company at the She Asses, but that could have waited. So why did he go to the Temple of Hathor? She glanced up at the sky. It had been a long day, but she still felt fresh, not ready for sleep, whilst Burrus and his ruffians needed to work. They'd been sent into Rome to watch her, so watch her they could!
A short while later, Claudia left the tavern escorted by five German mercenaries. Burrus shuffled behind like one of the great trolls from his dark forests, grumbling under his breath at being snatched away from the coy glances of Januaria, the delicious food of Celades and the strong-bodied wine offered by Polybius. He and two of his companions carried torches taken from Polybius' stock; these, together with the clink of their weapons, made the street shadows shift away. Tinkers, counterfeit men, wizards and conjurors, the sellers of cheap stolen goods, the pimps and prostitutes all fled before what they recognised as a true menace. Claudia was absorbed in her own thoughts. She wished she'd concentrated more on Theodore. He was the key and she had forgotten that. Something else pricked her memory, something she'd read in Celsus' book and learned at the villa, but at the moment she could make no sense of it. She must first visit the Temple of Hathor. They went deeper and deeper into the slums, heading down a needle-thin street to where the temple stood in its own grounds. The denizens of the slums warned each other of the approach of strangers at night. Claudia could hear their shouts echoing eerily.
'Woman coming! Woman coming! Soldiers with her! Soldiers with her!' The message was passed along by these disembodied voices. Claudia felt she was walking down a path in Hades, with some dark-winged herald going before her.
When they reached the open square before the Temple of Hathor, the building looked deserted and boarded up. The doors were locked, bolted and barred. A beggar squatted on the top step. Claudia, escorted by Burrus, hurried across.
'The priests are here?' she asked. 'They've closed the temple, but are they here, in their house at the back?'
The beggar, milky-eyed, skin all sore, blinked and wetted his lips.
'Hungry I am,' he said, 'and I heard the shouts! Woman coming! You are a plump, delicious little morsel. If you hadn't these with you…'
Burrus half drew his sword. The man's voice turned wheedling.
'I am only a beggar,' he whined, i need something to eat and to drink. I'll tell the pretty lady everything she wants to know.'
Claudia pressed a coin into his hand; his skin felt rough and serrated, and his middle finger was missing.
'Soldier I was,' the man whined, following her gaze. 'Lost it in a battle far to the north fighting warriors like these.'
'The priests?' Claudia asked. 'Sesothenes and his followers, are they in the house at the back?'
'Go see, go and search,' the old man replied, 'but you'll find no one, they've gone they have, all gone.'
Claudia stared up at the carved images of Hathor, the Egyptian Goddess of Happiness, on either side of the door,-these didn't look so pleasant or alluring, but rather grotesque and sinister in the half-light. Followed by Burrus, she walked down the side of the temple, looking up at the boarded and shuttered windows. They reached the garden wall; its gate was locked, so Burrus kicked it open. They entered the tangled, dark-shrouded garden, stumbling about, and eventually Claudia found a path which led into the centre. She stopped before another statue to some Egyptian god she didn't recognise and glanced around. At one end stood the house, cloaked in darkness, its windows also boarded; from somewhere close echoed the blood-chilling howl of a dog. She walked to the rear of the temple,-there was a small door, padlocked and studded with iron nails, that not even Burrus could move. Further up, on either side of the door, were windows. Claudia found some empty crates, piled them together and climbed up. She pulled at the shutters; they held fast, so she got down. Burrus clambered up and, with the hilt of his sword, broke his way through.
Helped by Burrus, Claudia climbed the temple wall, grasped the sill, pulled herself over, then dropped into the darkness within, bruising her leg and stubbing her toe. After a hoarse conversation with Burrus outside, the German managed to pass a torch through. It fell in a shower of sparks. Claudia picked it up, pointing it downwards so that the flame regained its strength, then held it out. The temple had a row of pillars down each side, and an altar near where she stood with steps leading up to it; on this perched an empty cupboard, the naos or tabernacle, its doors flung open. Claudia walked the full length of the temple and back. It smelt dank. She heard the mastiff howling again and wondered if there was some underground chamber beneath the temple, though the barking came from outside, from the direction of the house rather than the temple itself. She walked along the wall, the flickering torch bringing to vivid life the scenes carved there. Suddenly she stopped and gasped. The walls of the temple were covered in crude paintings depicting the various stories about the gods of Egypt. Most of the paintings were about Hathor, Lady of Happiness, the Lady of Jubilees, the Woman of Drunkenness, the Bringer of Glee. As Claudia studied these, her mouth went dry. It had been years since she'd attended a temple or watched any votive offering being made, be it pagan or Christian, but now she recalled how Egyptian priests, whatever cult they followed, always wore masks. Was it possible? she thought. Was that why Theodore had come back here? The actor hadn't recognised anyone's face, but he had recognised the masks from the Temple of Hathor.