At first, we seemed to have landed on our feet again. Kanburi was then a little town surrounded by the remains of a defensive brick wall. Within it was a main street, with the river Mae Klong parallel to it on the far side of the walls. There were shops here, and some substantial wooden buildings, corrugated-iron huts and patches of overgrown waste land. Some buildings backed on to the river, their yards running down to its banks, which were high above the muddy brown flood.
A little way outside town was the main ‘Airfield Camp’, as the Japanese called it, and to the south lay the railway workshops where our technical knowledge would once again shelter us from the worst. The workshop camp was known to the Japanese as the ‘Sakamoto Butai’, meaning the camp under the command of Major Sakamoto. It consisted, as usual, of a series of bamboo huts thatched with attap which were used as workshops, stores and offices, similar quarters for the prisoners in a separate compound, and a small group of better huts for the Japanese. Between each hut was a space about a hut’s width. The latrines were at right angles to the hut: deep trenches (though never deep enough) with planks across them and sheltered by a bamboo and attap cabin. A not very convincing bamboo fence ran around the entire site, with a guardroom at the main entrance near the road. One bored guard stood at the other side of the camp perimeter, a few hundred yards from the railway.
Sidings had been laid out near the town; closer in, there was a locomotive yard with a wooden water tower and a huge firewood dump. All of these engines burned wood, and steam engines are voracious consumers of timber. Once again, our camp was a repair-shop for the construction gangs’ tractors, the road-rail lorries and, as time went on, the locomotives themselves.
Our group was joined by officers and NCOs from other camps. Fred Smith, a sergeant in the Royal Artillery, was one of them; a regular soldier, a first-rate technician and a person who combined stoicism and good humour with immense physical toughness. Later I would realize that he was one of the most impressive men I was ever likely to meet. Here too were Major Jim Slater, a textile machinery manufacturer turned artilleryman who immediately superseded Bill Smith as our senior officer and whose droll and unquenchable pessimism made him the camp Jeremiah; Harry Knight, an easygoing Australian engineer from one of the Malayan mining companies, a useftil and trustworthy man; and Alexander Morton Mackay, another artillery officer, who had been bom in Scotland but spent a lot of time in Canada.
He was in his early forties, vigorous and companionable, more youthful in spirit than his age seemed to allow. Of all my fellow-prisoners ‘Mac’ or Morton, as he was usually known, was the one who became closest to me.
Two other men in our hut at Kanburi can now only be thought of together, though they had nothing in common at alclass="underline" Captain Jack Hawley and Lieutenant Stanley Armitage. The latter was a quiet studious Irishman; Hawley was his polar opposite, a smooth and showy character who modelled himself on romantic film-stars like Ronald Colman – a man who enjoyed the clubs and the ease of pre-war Singapore, where he had worked for the British American Tobacco Company.
In the workshops, we found subtle ways of keeping overworked lorries in apparently good mechanical condition, but with an unfortunate tendency to break down a week after they left our hands. I was learning the arts of subterfuge and quiet resistance, and I was becoming a competent thief.
I took on the job of unofficial camp carpenter, making wooden paths so that the frequent rain would not force us to wade through liquid mud. I found that by far the easiest way to acquire materials and tools was to walk into the workshop stores in broad daylight and to walk out again with the goods prominendy displayed. I was never challenged. Little did I know that I was profiting by their carelessness, and that it had another darker side to it.
The Japanese were already making us conform to Tokyo time, which meant that we usually rose in the dark. When they also declared that officers had to work, they made me timekeeper and signwriter. My job was to sound the gong in the main workshop as the signal for standing and stopping work. This gong had to be sounded eight times a day, and the clock that was supposed to guide me in issuing my reverberant signals was a small Japanese timepiece perched on a shelf by the generating plant.
I soon realized that the working day could be ten hours long, yet contain less than ten hours. I conformed carefully to the official starting and finishing times in the morning and evening, but in between them I began to fiddle with the clock and as each day passed, each intermediate starting time got later, while the intermediate finishing times got earlier and earlier. Now we were stealing time as well as information from our gaolers. This was a popular and revolutionary approach to labour control, and even some of the Japanese mechanics approved of it. Unfortunately, I was found out, and a Japanese soldier was given my job. My only punishment was to be told to stick to signwriting and painting.
More than anything else, we wanted to delay them, to hinder their efforts, to do shoddy work in such a way that the origin of the nuisance could not be traced back to one man or group. Even people who were working on tasks like stonebreaking – which was considered a ‘light’ job – would work unbelievably slowly, giving the absolute minimum of co-operation. I think every prisoner became a slacker, a saboteur, and of course some of us are doing it to this day, having spent so much time creating quiet havoc in our early manhood.
We could not surrender the hope of escape. The country was, in a sense, a vast open prison, and we thought that there might with luck be a way out through the north of Siam. But in order to go anywhere after the first couple of miles, information would be vital – information in the form of a map.
It was always very important for me to know where I was, to locate myself precisely on a grid: to record, list, and categorize the world around me as far as possible. It was a way of creating certainty in a world now robbed of all certainty. Of all of us in the camp, it was characteristic of me to make the map. As official signwriter, I had access to pencils, and there was always paper for mechanical drawing in the workshop. I took a large sheet of plain paper, over two-feet square, from the chief engineer’s desk. In the storehouse I noticed a small atlas that included much of South East Asia and Siam; I ‘borrowed’ it and slowly copied the relevant pages with a pencil, working on a scale of about 50 miles to the inch. It was too small for practical purposes really, but it gave me such hope as I filled in details gleaned from POW lorry drivers who had been some distance up the railway, and memorized topographic facts from Japanese plans and documents left lying around the stores.
The map also showed the route of the railway, which I was able to work out as we had a chain of informants all the way up the line. The track hugged the river for a considerable stretch, and if we stayed close to both we might be able to scavenge food more easily if we made a run for it. But mapping the railway had its own intrinsic pleasures.
This was a clandestine piece of artistry, but at the time the secrecy was instinctive, an expression of prisoner’s caution rather than any real awareness of the risks I was running. No-one had told us not to make maps, yet it was so obviously a deadly business that I took great care to conceal mine. I kept it in a bamboo tube and hid it lovingly. It was covered in neat pencilled place-names, the boundaries of Siam and its rivers drawn as elegantly as I knew how. The paper took on an antique texture.
It had softened, with wavy edges from my handling of it and the moisture it absorbed from the humid air.