Both men murmured that they understood, then Ramage remembered something. "Are you armed ?"
"Yes, sir, pistol and knife," Jackson said. "And Rossi has his knife, too."
"What are you wearing?"
Ramage could just make out Jackson's hands in the darkness pulling at his collar. "Usual seamen's clothes, sir. Just the same as an Italian would wear. Rossi checked it all."
By now Ramage was beginning to relent. His initial apprehension that the pair might spoil his plan still remained, but he realized that they were not being deliberately reckless; they genuinely wanted to help protect him and Paolo. Still, he had to be ruthless with them because their presence would wreck the wandering gipsies' act, and perhaps they might find out something in Porto Ercole.
"Very well, off you go. Don't stray far from the bars because we'll be arriving there tomorrow evening. If we are not there by midnight, you'd better look around for a boat to steal to row yourselves out to the bomb ketches - if they ever arrive."
With that the two men disappeared into the darkness, and as the sound of snapping twigs faded in the distance Paolo muttered, as though to himself but obviously intending Ramage tohear: "They were only trying to help."
"Yes they were," Ramage snapped. "If they get us captured, it'll be small consolation as the French strap you down on the guillotine that you were caught only because of the stupidity of two men who were trying to help."
CHAPTER TEN
An hour later Ramage arrived in the piazza at Orbetello, walking with the smooth furtiveness that he always associated with Italian gipsies and followed by Paolo, who was holding the line which was tied round Martin's waist, leading him like a performing bear.
The town, jutting out into the lake formed by the causeways, was surrounded by a thick, defensive wall. The narrow road from the via Aurelia came in to one side of the roughly cobbled, rectangular piazza. The municipio, Orbetello's town hall, was in the middle of a long side with a circular balcony, like a church pulpit, jutting out from one wall so that the mayor, or garrison commander, could woo or harangue his people when he felt the need, looking down on them as he gave them good news or bad.
Ramage saw that just beyond, its tables lit by lanterns, was either an inn or a cantina crowded with customers: customers wearing bright clothes, the well-cut uniforms of officers. Occasionally there was glinting as the badge on a shako or a sword hilt or scabbard flashed in the lantern light where they were lying on the tables among bottles, carafes and glasses.
Then Ramage saw two things that for a long time now had been familiar sights in most Italian towns occupied by the French. The first, standing just to the right of the big double doors of the municipio, was the Tree of Liberty, a metal skeleton that owed its likeness to a tree to the skill of a blacksmith who made it out of narrow iron strips. The second was across the piazza: a small platform with a wooden structure rising vertically at one end, like a tall and narrow but empty picture frame, with a low bench in front of it - the guillotine. The blade had been removed; that would be cared for by the executioner, who would keep it sharp and well-greased so that it did not rust.
Curious that the French could see no contradiction in the two objects, Ramage thought; the dreadful irony that a Tree of Liberty stood in the shade of a guillotine.
There were no horses tethered to the trees growing round the sides of the piazza, so the French officers had not ridden in for a night's carousing: they must be staying at an inn close by; perhaps even this one, next to the municipio. Just as Paolo had forecast, they were not sleeping out under canvas, and he wondered idly where the troops were bivouacked.
Most of the officers seemed to be drunk. Some were trying to sing and several were bellowing in French for waiters to bring more wine. Ramage muttered in Italian to Paolo, who gave a double tug on the line. Martin, putting on a good act as a half-wit (helped by the fact that he could understand nothing that was being said), scrabbled about among his ragged clothes and fetched out his flute. As Ramage bellowed "Viva!", Martin began playing "Ça Ira!".
It was sudden and it was unexpected at the inn, and the shape of the piazza meant the walls acted like a concert hall, giving more body to the reedy notes. The French officers were drunk enough to leap to their feet to cheer the three shadowy figures shambling towards them across the piazza, joining in the words of the most famous of the Revolutionary songs. Martin had not in fact heard it until that afternoon and had been practising, with a few other tunes, under Paolo's watchful eye and ear until the cutter had been ready to leave the Calypso.
Ramage stopped five yards from the tables and turned round to conduct Martin's playing with all the flourishes of a maestro commanding a huge orchestra. Paolo stood at what a gipsy boy would regard as attention and saluted. The absurd sight of the motley trio made the officers sing even louder, a few of them redoubling their shouts of wine for the tziganes and, as Martin rounded off the last notes, calling out the names of more tunes they wanted to hear.
Ramage turned back to the tables, swept his hand down and outwards in an exaggerated bow, and noted that the arrival of a gipsy flautist was a welcome interlude for the officers and, judging from the way he was hurrying his waiters, no less welcome to the innkeeper. Every glass of wine he could get poured down a French throat meant good money poured into his own pocket.
Ramage turned back to point at Martin, an offhand gesture that a conceited maestro would make to a nervous soloist, but also one that a flamboyant gipsy father would use to draw the attention of a half-witted son. Obediently Martin began to play a sentimental, languorous Italian tune, one from Naples, which Paolo and Ramage had decided would bring just the right amount of nostalgia to the officers. Then there came a lively tarantella, which quickly had the officers banging their hands on the table tops in time with the rhythm and demanding an encore.
By the time Martin finished that and two more tunes, the French officers were shouting for the tziganes to come and drink, and Ramage and Paolo adopted a pose of nervous shyness so that the officers shouted even louder and the innkeeper, worried at losing trade if the zingari went to the tavern round the corner, overlooking the lagoon formed by the causeways, hurried across the cobbles to lead Ramage in by the arm, thanking him in Italian and congratulating him on the playing.
Ramage paused for a moment, indicating that he wanted to whisper something to the innkeeper, and when the man stopped Ramage mumbled: "The boy - a cretin, you understand. The flute is all he knows. He cannot even talk - except with his flute."
"Mama mia" exclaimed the innkeeper, who had a normal Italian's love of music, "he may not be able to talk, but he makes that flute sing.'"
"Any scraps from the kitchen," Ramage murmured as he let himself be led to the tables, "would be very welcome; we are very hungry and have walked a long way today."
"Of course, of course." The innkeeper saw one of the officers beckoning and pointing at Ramage. "Quick, the colonel wants us. Your name?"
"My name?" Ramage repeated stupidly. "Why, we all have the same name!"
"I know, 1 know! But what is it?"
"Buffarelli. From Saturnia."
"I thought as much," the innkeeper growled, pushing Ramage forward towards the portly colonel sitting at the table, his chubby face streaming with perspiration reflecting in the lantern. "I can smell the sulphur."
The innkeeper has a vivid imagination, Ramage thought. Saturnia, several miles inland and halfway to Monte Amiata, was now just a small village beside a great stone wall, built round the hot sulphur springs which had made it a favourite spot for the Romans, who celebrated the feast of Saturnalia there. A swim in the hot springs, with the water so thick that it was impossible to sink, left you reeking of sulphur for days. Obviously the word Saturnalia came from the place, or was the place named after the rites? Ramage was far from sure.