— You and I what! You and I what!
— Because finally, you and I are together. And now. . here! what are you doing? What are you trying to do? He got no answer but what he saw, the hands straining again at the visor, blood spilled out on the rose beneath that gross chin and the back of a hand against the bloodied uneven teeth, and the hoarse whispered, — Damn it… damn it…
— Here now, leave. . leave all that alone.
— His eyes, I see his eyes shining through this. . thing. Do you see them? Do you see them?
— Stop it now, stop it…
The visor came open. And they both drew breath suddenly, as though they had even now expected to see the youthful face of a Mantuan noble, and had been tricked, and were mocked, by this heavy forehead still wet, and the sharp protruding eyes in a stare unbroken by the quick interruptions of life.
Basil Valentine again made a cross on his chest, caught, now, his upper lip under whole teeth until it bled again, stepped back with a wave of the damp heat from his crotch rising, saw his own hand glittering with a shock of gold out before him, and below there a hand on the lower jaw, a thumb lapped over the bloody uneven teeth, and the other hand wiping the sweat away from the forehead.
— And now. . Valentine said.
The moving hand stopped, and the eyes turned up to him.
— This man. .
Valentine hung there over him, — What?. .
— This man is your father.
Basil Valentine stepped back, his weight on one foot; and the other foot he put out, slowly, until it reached the headpiece. — You are mad, aren't you. . and with his toe he kicked the visor shut, and held his foot there.
The visor was jammed closed on the thumb which had opened it, jammed tight, as Valentine saw, crushing the white length between the joints, and Valentine moved nothing but his eyes, up, to the living eyes which burned green upon him. — But you and I, now, you and I…
The green eyes did not move, and Valentine withdrew slowly, withdrew his foot from the visor whose edge moved no more than the still thumb recovering its shape forced, for the thumb itself stayed.
— You know. . Valentine said, getting his weight on both feet now, — all of this. . He made a faint gesture over the room. — You and I… Then he watched the thumb withdrawn from the broken mouth, and that hand trailing a streak of watered blood down the breastplate. — Von and 1… listen. Listen. . Valentine tried to smile; and was as instantly aware of the image he had left in the mirror returned to mock the cold lines of this face which he had learned so well to use and trust. — Listen… he said, watching the hand search between roses, and stop fingertips on the penknife, — Listen to me. You and I now, it won't be… the kind of thing that… it won't be vulgar… it won't be vulgar, he repeated with half a step back, watching the other hand come away from the half-opened visor, and as he saw the hands join on the penknife his own reached toward his waist but it hung at the weight there, — Because you're. . part of rne. . damn you, damn you, damn you, he cried throwing both hands up before his face as the short blade stabbed him once, and again, and again, driven each time at the top of his chest, and he lost his balance and hit his head against the newel and went down.
A cry, or a yelp was it? came from the kitchen. And there Fuller walked over to the sink, none too steady, and washed his hands. Then he washed the butcher knife and dried it on a hand towel, dropped the towel in a hamper and put the butcher knife in the rack where it belonged, and then picked up the two cardboard suitcases which he'd been all this time tying closed. He turned off the kitchen light by stooping and catching the switch with his shoulder, and emerged into the great room with a bag in each hand.
— You, sar!
— Fuller!… I…
— But what occur sar? The bags in Fuller's hands sank to the floor. — And Mister Valentine, sar?
— Yes, yes I… I've just taught him the lesson. . the only lesson the gods can teach, yes. .
— But you, sar, you unharmed?
— I? Good God yes, I… I'm as free as the day I was born. Here! Here!. . don't go near there, don't touch him.
— But maybe Mister Valentine in danger of recoverin, sar.
— But. . no, don't touch him. You never know what they may. . have in their hair. Then he laughed. — And you, Fuller? taking a vacation, Fuller?
— Yes sar. Where I belong to be, sar, after all the years of bondage. Then Fuller straightened up from the bags he'd returned to, saying, — Something enter my mind. He went over to a cabinet and took out a large flat cedar box. He opened it, passed a hand in, held it up and smelled its contents, and closed it again. When Fuller came back across that carpet, avoiding stepping on the roses, it was with an expression of guilty satisfaction. Rut he stopped to look up and say — What is it, sar? Fuller got no immediate answer, and stood watching him force the taces aside over the heavy buttocks, to get a hand into a trouser pocket and come out with some bills in a wet wad. Then he bent over the hand ñung out there at his feet. Fuller by now was beside him, and they both stared at the diamonds embedded in the flesh of the finger.
— Sar. . Fuller hesitated, — I believe by now the diamonds grow there, and to my eyes have lost their luster. Then he turned his face against his will to that staring up at him from the carpet.
— So the eyes, he said, and broke this hold for the last time, — the eyes look like that black dog one day havin the temperature taken.
— Good God!
— Sar? Fuller looked up, to see him pull open the dinner jacket and tug at the waist. The pistol fell out on the carpet, and he stood there wiping a hand across his forehead before he reached in and got the wallet, picked up the pistol, and put both into his pockets.
Fuller went back to his suitcases. — Seem I goin to enjoy the legacy of some excellent cigars, he said picking up the flat cecìar case, unable to resist opening it wide enough to peep in, and sniff the contents. Then the dull jangle of the radio ceased, and Fuller watched him cross the carpet slowly, finishing the brandy he'd poured earlier. In the silence he stood looking down at the expanse of the table painting, the contour of his figure still before the fire until the movement of an arm broke it, and the empty glass shattered over the burning logs. Then the figure was all movement, sliding the glass top off of the table, smashing a foot down into the table's surface, hands rending the painted panel into one piece after another small enough to throw into the fire, while he whispered, — Cave, caveat emptor, Dominus videt, Christ! the original!… a whisper broken by laughter, — yes, thank God there was the gold to forge!
It was all the work of a few moments, and he was still again standing before the fire. The flames rose and moved quietly beyond his profile throwing a radiant edge to it and leaving the features in shadow and the streaks of blood indiscernible.
Fuller watched, cleared his throat, but did not interrupt. The fire rose with sharper cracks of insistence and sudden shocks of flame throwing longer shadows and Fuller moved like one of them toward his luggage, speaking softly. — So long ago, wen he tell me he goin to make me from a black man to a wite. He picked up his bags and got the cedar case of cigars under one arm. — Evidence of the great power watchin over me, that he did not succeed in his design. And after a moment's waiting, standing straight, Fuller started to the door without another look on that great room, startled, to be sure, passing the youthful portrait, as he went out to the hall and unloaded briefly to reach his hat down from the very small panel closet. Hat in hand he paused, readying to break the silence pouring out to him with his own voice in farewell perhaps, when the silence was broken, by a rattling of metal; and Fuller quickly busied himself with picking up his bags, embarrassed at eavesdropping on an intimacy which for the first time he understood, hearing now,