♦
It’s so boring. Melissa blew a smoke ring. So dreadfully boring.
Daisy stood demurely with her hands crossed in front of her. Surely, madam…But she couldn’t think of what to say.
You have to say, ‘My lady’. Melissa fixed her with an icy look.
My lady.
Melissa took another sip of Richard’s brandy. I was so very dreadfully bored yesterday that I ordered the stable boy to pleasure me in the rose garden.
Daisy burst out laughing. You’ve got this out of a book or something.
The icy stare again. You have to do this properly. It was the exercise they’d done at school. Because there was no way she was going to be blind or deaf or limping. Carriage wheels on the gravel. Pok…Pok…The gamekeeper shooting rabbits.
Was it satisfactory, my lady? Because Daisy was good at this game, too.
I’m afraid not. She turned and held Daisy’s eye. He whacked my bottom and shouted, ‘Tally-ho.’
There was an ecstasy in not laughing, like stubbing your toe and closing your eyes and letting the pain rise and die away. But it was Melissa who choked first, dropping her cigarette and rolling sideways onto the bench. It was like being with Lauren, but different, Melissa’s self-sufficiency, not quite knowing the rules, seduction almost, just a hint of danger.
Melissa sat up. OK, now I really am dreadfully bored, darling. She handed Daisy the last few dregs of the brandy. Let’s walk up that hill over there.
Wow, said Daisy. You’re really getting into this whole countryside thing.
I am a woman of many mysteries.
♦
Angela had never really got on with modern poetry. Even stuff like Seamus Heaney, Death of a Naturalist and the other book. He seemed such a lovely man and she really did try, but it sounded like prose you had to read very slowly. Old stuff she understood. Rum-ti-tum. Now sleeps the crimson petal, now the white…Dirty British coaster with a salt-caked smoke stack… Something going all the way back. Memorable words, so you could hand it down the generations. But free verse made her think of free knitting or free juggling. This, for example. She extracted a book at random. Spiders by Stanimir Stoilov, translated by Luke Kennard. She flipped through the pages…the hatcheries of the moon…the earth in my father’s mouth…
♦
They were on a ferry. Richard was eight or so. He has no memory of the location, only that it was a chain-link ferry and this seemed extraordinary, the idea of being guided by underwater machinery. Rusted metal, sheer bulk and sea spray. He can’t see his father but he knows he is there because of that radiation that throws all his needles to the right.
He has three photographs in a tattered brown envelope in the bottom drawer of his desk. He should have brought them along to show Angela. His father leaning against the bonnet of the Hillman Avenger, his father pushing a wheelbarrow in which both he and Angela are sitting, his father on a beach with a concrete pillbox in the dunes behind his right shoulder as if he is posing during a lull in the D-Day landings. Sideburns, burly arms in rolled-up sleeves, a cigarette always. Richard remembers the camera’s soft brown leather case, the rough suede of the inner surface, the saddle smell.
In spite of everything he had been rather proud of having a father who died prematurely, because all the best adventures happened to orphans, though he can think of no incidents from his childhood which might count as adventures per se. He told other boys at school that his father had been a soldier, that he was a spy, that he had a false passport, that he had killed a man in Russia. He remembers a conversation with the headmaster. If this becomes a habit you will find yourself in great difficulty later in life. The only moment he had ever felt genuine shame. Aftershocks every time he remembers, even now. It never occurred to him to tell anyone what was happening to his mother. It would be different nowadays, of course. Taken into care, possibly, which was an astonishing thought.
There was a gull. Was this part of the same memory? It landed on his head and he screamed and his father was laughing in spite of his tears. The scratches bled and scabbed and for days he kept finding crumbly nuggets of dried blood in his hair.
♦
Benjy is trailing his hand in the water, watching the glitter and flex of the light, the silky fold in front of his fingers. He wonders if there’s anything down there that might bite his fingers, a pike perhaps, or a crayfish, but it is a small fear and he’s learning to be brave.
When he was six he had an imaginary friend, Timmy, who had shaggy blond hair and a Yorkshire accent and the sandals Benjy coveted in Clarks with green lights that lit up when you stamped. He was over-sensitive, which annoyed Benjy sometimes, though at others Benjy liked having someone he could take care of. Because adults forgot how porous that border was, the ease with which you could summon monsters, and find treasure in any basement. Besides, adults talked to themselves. Was that any more rational? And on the glacier, when the ends of your fingers are black and your companions are gone into the howling dark? You open your eyes and see to your surprise that there is a person sitting calmly at the other end of the tent. They seem familiar, but this is such a long way from anywhere. You know your brain is starved of sugar and oxygen. You know your hold on reality is slipping. But that green duffel coat. You thought they’d gone away, but you realise now that they have been waiting patiently through all these years for the moment when you needed them again.
XIX
i went out for a walk
under the canopy of high trees
and waited upon the firemakers
restlessness
uncertainty
ice dissolves in the ponds
that warm wind rising
it begins
the savannah bubbles and overflows
60 million stars babbling in unknown tongues
gooseberry wild plum peppermint
every cell on fire
hoops and carols and coloured eggshells
the raven stiff-legged dancing
and the hatcheries of the moon
blown open
How sad they must be, those only children. Growing up in a house of adults, outnumbered, outgunned, none of that unbridled silliness, no jokes that can be repeated a hundred times, no one to sing with, no one to fight with, no one to be the prince, to be the slave. But siblings can be cruel, and companionship refused is worse than loneliness, and you could cast your eye over any playground and not tell who comes from a brood of seven or one. But later, when parents fall from grace and become ordinary messed-up human beings and turn slowly from carers into people who must be cared for in their turn, who then will share those growing frustrations and pore over the million petty details of that long-shared soap opera that means nothing to others? And when they are finally gone, who will turn to you and say, Yes, I remember the red rocking horse…Yes, I remember the imaginary bed under the hawthorn tree.
♦
A torrent after winter rains but quiet now, central shallows and the banks hidden under chestnut, hazel and sycamore. Pontfaen. The salmon catch a fraction of what it once was (a fifty-one-pounder at Bigsweir in ’62 but less than a thousand every season now). Otters and pine martens. Pipistrelle and noctule bats sleeping in ancient beeches. Cabalva Stud (Cabalva Sorcerer, 1995, £ 3,000, honest, eager to please, big scopy jump). The ghosts of Bill Clinton and Queen Noor. Flat stones down the centre of the river so that if the level were just right you could skip across the water like Puck (Richard and Dominic run aground twice). The Black Mountains a smoky blue in the day’s haze. Rhydspence. A moss-greened hull upended against a tiny shed. The five arches of the toll bridge at Whitney-on-Wye. White railings at the top, twice washed away and rebuilt. 10p for motorbikes, 50p for cars. Inexplicably, the sound of a flute from somewhere nearby. The Church of Saints Peter and Paul. The Boat Inn. Scampi, shepherd’s pie…