You coward.
Something broken in his father’s eyes. He lets go. There are things he meant to say, promises he meant to extract, but something else is demanding his attention. Crouch End. The fear has gone and will never come back, he knows this with absolute certainty, but he had not realised the price he would have to pay. His father is lazy and weak and selfish but he stands between Alex and something that is cold and vast and dark and utterly inhuman. He realises that when he dies his parents will no longer be there to hold him. He is genuinely alone for the first time in his life. He turns away. He cannot bear to look at his father’s face. He steps out of his unlaced shoes, places them neatly by the door and walks into the house.
♦
Benjy always loved packing a rucksack, the gathering and celebration of possessions, pearls running through the king’s fingers. The gladius with its handguard of plaited rope, the pen that wrote in eight colours, Mr Seal and Mr Crocodile, the metal thing, the Natural History Museum notebook, a piece of sheep poo in a Ziploc freezer bag, a dog he had moulded out of candlewax last night during supper. He was eager to get going. No one made you do homework or tidy your room or be constructive on a journey because the journey was the constructive thing and it looked after itself so you could do what you wanted while it was happening. But they weren’t setting off for two hours so he put their names in the guest book, adding ages for himself and Alex and Daisy. I liked walking up the hill and the rain strom and the sheepherd’s pie at the grannery. He then spent twenty minutes filling a double page spread with an intricate drawing of the house and garden. The horse’s skull, the frogspawn pond, the letters G and F interlaced in the rusted ornamental cast iron of the downhill gate. Everyone said what a wonderful drawing it was, better than a proper grown-up drawing somehow, the wonky lines, the weird scale, the eccentric detail, for this is how they will all remember the place, nothing quite as it was, elements added, elements removed. The stove will loom large for Angela, the shed for Alex. Everyone will forget the fox weathervane. And whenever Louisa thinks about the valley she will remember looking up from the garden to see a plane trailing smoke and flames from a burning engine, though this is something they will see when passing an airfield on their way home.
♦
Angela fills a bowl with Shreddies and full-fat milk and sprinkles three spoons of soft brown sugar over the top before carrying it through to the dining room. That weak washed-out feeling you get when recovering from flu. She sits down. Alex?
There are five pieces of toast on his plate. He is shaking. What?
Are you all right?
Yeh. He wants to tell her why he is upset. He reaches out across the table to take his mother’s hand. Then he stops and picks up the marmalade instead because he remembers Daisy saying she’d had a weird turn in the middle of the night. She’s the one who needs protecting now.
Richard hobbles into the dining room and unplugs his iPhone from its little white charger in the socket by the window. Packed and ready?
Ten minutes, says Alex, and Angela thinks how her brother is returning to a life which is so much more solid and purposeful than the lives which await them. The hospital, the apartment on Moray Place.
Richard pours himself a coffee and stands sipping. He had expected something to be resolved or mended or rediscovered over the last few days. He wants to say to Angela that she and Dominic should visit Edinburgh sometime but he finds it hard to sound enthusiastic, so he says it to Alex instead. Good hills for running and biking. It won’t happen, of course. This makes him sadder than he expected.
Dominic walks upstairs to strip the bed and check the drawers and perform a rudimentary clean of the bathroom. When Alex grabbed hold of him he thought something would change. Revelation, turning point, but it doesn’t happen, it never happens. He pictures his life as a clumsy cartwheel down a long long hill, hitting this rock and that tree, a little more bruised and scratched with each successive impact till…what? till the ground levels out? till he finds himself airborne over some great ravine? He takes his phone out of his pocket. It is still turned off. God knows how many messages waiting. None maybe. He is not sure which is worse.
He squirts Cif into the sink and scrubs it with the little yellow and green sponge, paying close attention to the taps, rinsing everything with clean water and drying it with a hand towel. He has no idea what Alex will do, no way of finding out and no way of stopping it. Guests are kindly requested to leave the house in the condition they found it. He squirts Domestos round the toilet bowl and scrubs it with the long-handled plastic brush. He lifts the thin white liner out of the flip-top bin. Tissues, disposable razor, waxy Q-tips.
Melissa swings into the dining room. Alex smiles at her, he actually fucking smiles. She pours herself a cup of coffee, stands drinking, makes herself look like Richard who is doing the same thing on the other side of the table, glances at her watch. Twenty minutes left. She tries to make it sound funny but no one laughs, because it’s not A Midsummer Night’s Dream, is it? More like Doctor Faustus. A deal with the devil. She could make people do anything she wanted, but she had no idea what she wanted. I need some fresh air.
Alex thinks about last night all over again and it helps compensate for the Dad thing a little. He puts butter and jam on another two slices of toast.
Louisa and Daisy sit on the bench talking about Ian, the wayward years, the civil ceremony on Skye, the Staffordshire Bull Terrier. There is a bumpy mattress of grey cloud to the east but above the valley the sky is a flawless blue, a valedictory blessing, or maybe it’s just Daisy’s buoyant mood. Melissa comes out of the front door with a coffee, glances their way and bodyswerves left.
I hope she’s OK.
Louisa spins the last of her orange juice around the base of her glass. She’s like her father. She’ll be hugely successful and make vast amounts of money and never stop being angry.
Alex showers and packs, stuffing everything haphazardly into his one sports bag. Dry, damp, clean, dirty.
Angela finds Richard trying to lug a suitcase downstairs and forces him to sit down while she wheels it outside and hoists it into the boot.
Dominic walks into the shed. Spark plugs, the horse’s skull. In the corner a tub of old paint, four litres, Dulux magnolia. He finds a big screwdriver, jams it under the lip and heaves. The lid squeaks and bends and finally pops open, spraying tiny orange flakes of rust in his face. The paint separated but still liquid, dishwater grey with snotty lumps. Hard to believe it would turn white if you mixed it. He takes his phone out of his pocket, touches the surface of the liquid and lets go. He expects it to clunk faintly against the bottom of the tin but it simply vanishes. He imagines it falling slowly down a tube that carries on till it reaches the centre of the earth.
Dominic? Angela is calling.
Louisa puts her hand on the bumpy wall and listens. Paint over plaster over stone. Nothing. Complete silence.
Benjy comes out of the house carrying his rucksack and the taxi pulls into the drive simultaneously, as if this whole holiday has been his own personal arrangement and everyone else is merely tagging along.
One last photo, says Richard. So Dominic balances the camera on the wall, a wedge of flint under the lens to get the elevation right. He presses the timer release then scoots across the grass and slots himself in beside Melissa. Just before the shutter clicks Daisy catches sight of something moving up there on the hill and turns to look, so that when Alex plugs it into Photoshop later that same evening she will be a blur, unreadable, but more alive than all her frozen family. They will look at this photograph many years later and realise that the camera saw something more clearly than any of them.