The Project Gutenberg EBook of The Reef, by Edith Wharton
This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org
Title: The Reef
Author: Edith Wharton
Posting Date: July 12, 2008 [EBook #283] Release Date: June, 1995
Language: English
Character set encoding: ASCII
*** START OF THIS PROJECT GUTENBERG EBOOK THE REEF ***
Produced by Gail Jahn, and John Hamm
THE REEF
by Edith Wharton
BOOK I
I
“Unexpected obstacle. Please don’t come till thirtieth. Anna.”
All the way from Charing Cross to Dover the train had hammered the words of the telegram into George Darrow’s ears, ringing every change of irony on its commonplace syllables: rattling them out like a discharge of musketry, letting them, one by one, drip slowly and coldly into his brain, or shaking, tossing, transposing them like the dice in some game of the gods of malice; and now, as he emerged from his compartment at the pier, and stood facing the wind-swept platform and the angry sea beyond, they leapt out at him as if from the crest of the waves, stung and blinded him with a fresh fury of derision.
“Unexpected obstacle. Please don’t come till thirtieth. Anna.”
She had put him off at the very last moment, and for the second time: put him off with all her sweet reasonableness, and for one of her usual “good” reasons—he was certain that this reason, like the other, (the visit of her husband’s uncle’s widow) would be “good”! But it was that very certainty which chilled him. The fact of her dealing so reasonably with their case shed an ironic light on the idea that there had been any exceptional warmth in the greeting she had given him after their twelve years apart.
They had found each other again, in London, some three months previously, at a dinner at the American Embassy, and when she had caught sight of him her smile had been like a red rose pinned on her widow’s mourning. He still felt the throb of surprise with which, among the stereotyped faces of the season’s diners, he had come upon her unexpected face, with the dark hair banded above grave eyes; eyes in which he had recognized every little curve and shadow as he would have recognized, after half a life-time, the details of a room he had played in as a child. And as, in the plumed starred crowd, she had stood out for him, slender, secluded and different, so he had felt, the instant their glances met, that he as sharply detached himself for her. All that and more her smile had said; had said not merely “I remember,” but “I remember just what you remember”; almost, indeed, as though her memory had aided his, her glance flung back on their recaptured moment its morning brightness. Certainly, when their distracted Ambassadress—with the cry: “Oh, you know Mrs. Leath? That’s perfect, for General Farnham has failed me”—had waved them together for the march to the dining-room, Darrow had felt a slight pressure of the arm on his, a pressure faintly but unmistakably emphasizing the exclamation: “Isn’t it wonderful?—In London—in the season—in a mob?”
Little enough, on the part of most women; but it was a sign of Mrs. Leath’s quality that every movement, every syllable, told with her. Even in the old days, as an intent grave-eyed girl, she had seldom misplaced her light strokes; and Darrow, on meeting her again, had immediately felt how much finer and surer an instrument of expression she had become.
Their evening together had been a long confirmation of this feeling. She had talked to him, shyly yet frankly, of what had happened to her during the years when they had so strangely failed to meet. She had told him of her marriage to Fraser Leath, and of her subsequent life in France, where her husband’s mother, left a widow in his youth, had been remarried to the Marquis de Chantelle, and where, partly in consequence of this second union, the son had permanently settled himself. She had spoken also, with an intense eagerness of affection, of her little girl Effie, who was now nine years old, and, in a strain hardly less tender, of Owen Leath, the charming clever young stepson whom her husband’s death had left to her care…
A porter, stumbling against Darrow’s bags, roused him to the fact that he still obstructed the platform, inert and encumbering as his luggage.
“Crossing, sir?”
Was he crossing? He really didn’t know; but for lack of any more compelling impulse he followed the porter to the luggage van, singled out his property, and turned to march behind it down the gang-way. As the fierce wind shouldered him, building up a crystal wall against his efforts, he felt anew the derision of his case.
“Nasty weather to cross, sir,” the porter threw back at him as they beat their way down the narrow walk to the pier. Nasty weather, indeed; but luckily, as it had turned out, there was no earthly reason why Darrow should cross.
While he pushed on in the wake of his luggage his thoughts slipped back into the old groove. He had once or twice run across the man whom Anna Summers had preferred to him, and since he had met her again he had been exercising his imagination on the picture of what her married life must have been. Her husband had struck him as a characteristic specimen of the kind of American as to whom one is not quite clear whether he lives in Europe in order to cultivate an art, or cultivates an art as a pretext for living in Europe. Mr. Leath’s art was water-colour painting, but he practised it furtively, almost clandestinely, with the disdain of a man of the world for anything bordering on the professional, while he devoted himself more openly, and with religious seriousness, to the collection of enamelled snuff-boxes. He was blond and well-dressed, with the physical distinction that comes from having a straight figure, a thin nose, and the habit of looking slightly disgusted—as who should not, in a world where authentic snuff-boxes were growing daily harder to find, and the market was flooded with flagrant forgeries?
Darrow had often wondered what possibilities of communion there could have been between Mr. Leath and his wife. Now he concluded that there had probably been none. Mrs. Leath’s words gave no hint of her husband’s having failed to justify her choice; but her very reticence betrayed her. She spoke of him with a kind of impersonal seriousness, as if he had been a character in a novel or a figure in history; and what she said sounded as though it had been learned by heart and slightly dulled by repetition. This fact immensely increased Darrow’s impression that his meeting with her had annihilated the intervening years. She, who was always so elusive and inaccessible, had grown suddenly communicative and kind: had opened the doors of her past, and tacitly left him to draw his own conclusions. As a result, he had taken leave of her with the sense that he was a being singled out and privileged, to whom she had entrusted something precious to keep. It was her happiness in their meeting that she had given him, had frankly left him to do with as he willed; and the frankness of the gesture doubled the beauty of the gift.
Their next meeting had prolonged and deepened the impression. They had found each other again, a few days later, in an old country house full of books and pictures, in the soft landscape of southern England. The presence of a large party, with all its aimless and agitated displacements, had served only to isolate the pair and give them (at least to the young man’s fancy) a deeper feeling of communion, and their days there had been like some musical prelude, where the instruments, breathing low, seem to hold back the waves of sound that press against them.
Mrs. Leath, on this occasion, was no less kind than before; but she contrived to make him understand that what was so inevitably coming was not to come too soon. It was not that she showed any hesitation as to the issue, but rather that she seemed to wish not to miss any stage in the gradual reflowering of their intimacy.