Ellen goes on ignoring him, although her cheeks are starting to get a little red. As she hands over the two dollars she says, “I haven’t seen you before, have I?” “Probably not-I just started in here last Wednesday. They wanted somebody who’d work eleven-to-seven and stay over a few hours if the night guy turns up late.”
“Well, it’s very nice to meet you. I’m Ellie Carver. And this is my little brother, Ralph.”
Ralph Carver sticks out his tongue and makes a sound like a wasp caught in a mayonnaise jar. What a polite little animal it is, the young woman with the tu-tone hair thinks.
“I’m Cynthia Smith,” she says, extending her hand over the counter to the girl. “Always a Cynthia and never a Cindy. Can you remember that?”
The girl nods, smiling. “And I’m always an Ellie, never a Margaret.”
“Margrit the Maggot!” Ralph cries in crazed six-year-old triumph. He raises his hands in the air and bumps his hips from side to side in the pure poison joy of living. “Margrit the Maggot loves Eeeeethan Hawwwwwke!”
Ellen gives Cynthia a look much older than her years, an expression of world-weary resignation that says You see what I have to put up with. Cynthia, who had a little brother herself and knows exactly what pretty Ellie has to put up with, wants to crack up but manages to keep a straight face. And that’s good. This girl’s a prisoner of her time and her age, the same as anyone else, which means that all of this is perfectly serious to her. Ellie hands her brother a can of Pepsi. “We’ll split the candybar outside,” she says.
“You’re gonna pull me in Buster,” Ralph says as they start toward the door, walking into the brilliant oblong of sun that falls through the window like fire. “Gonna pull me in Buster all the way back home.”
“Like hell I am,” Ellie says, but as she opens the door, Brother Boogersnot turns and gives Cynthia a smug look which says Wait and see who wins this one. You just wait and see. Then they go out.
Summer yes, but not just summer; we are talking July 15th, the very rooftree of summer, in an Ohio town where most kids go to Vacation Bible School and participate in the Summer Reading Program at the Public Library, and where one kid has just got to have a little red wagon which he has named (for reasons only he will ever know) Buster. Eleven houses and one convenience store simmering in that bright bald midwestern July glare, ninety degrees in the shade, ninety-six in the sun, hot enough that the air shimmers above the pavement as if over an open incinerator.
The block runs north-south, odd-numbered houses on the Los Angeles side of the street, even-numbered ones on the New York side. At the top, on the western corner of Poplar and Bear Street, is 251 Poplar. Brad Josephson is out front, using the hose to water the flowerbeds beside the front path. He is forty-six, with gorgeous chocolate skin and a long, sloping gut. Ellie Carver thinks he looks like Bill Cosby… a little bit, anyway. Brad and Belinda Josephson are the only black people on the block, and the block is damned proud to have them. They look just the way people in suburban Ohio like their black people to look, and it makes things just right to see them out and about. They’re nice folks. Everyone likes the Josephsons.
Gary Ripton, who delivers the Wentworth Shopper on Monday afternoons, comes pedaling around the corner and tosses Brad a rolled-up paper. Brad catches it deftly with the hand that isn’t holding the hose. Never even moves. Just up with the hand and whoomp, there it is.
“Good one, Mr Josephson!” Gary calls, and pedals on down the hill with his canvas sack of papers bouncing on his hip. He is wearing an oversized Orlando Magic jersey with Shaq’s number, 32, on it.
“Yep, I ain’t lost it yet,” Brad says, and tucks the nozzle of the hose under his arm so he can open the weekly handout and see what’s on the front page. It’ll be the same old crap, of course-yard sales and community puffery-but he wants to get a look, anyway. Just human nature, he supposes. Across the street, at 250, Johnny Marinville is sitting on his front step, playing his guitar and singing along. One of the world’s dumber folk-songs, but Marinville plays well, and although no one will ever mistake him for Marvin Gaye (or Perry Como, for that matter), he can carry a tune and stay in key. Brad has always found this slightly offensive; a man who’s good at one thing should be content with that and let the rest of it go, Brad feels.
Gary Ripton, fourteen, crewcut, plays backup shortstop for the Wentworth American Legion team (the Hawks, currently 14-4 with two games left to play), tosses the next Shopper on to the porch of 249, the Soderson place. The Josephsons are the Poplar Street Black Couple; the Sodersons, Gary and Marielle, are the Poplar Street Bohemians. On the scales of public opinion, the Sodersons pretty much balance each other. Gary is, by and large, a helpout kind of guy, and liked by his neighbours in spite of the fact that he’s at least half-lit nearly all of the time. Marielle, however… well, as Pie Carver has been known to say, “There’s a word for women like Marielle; it rhymes with the one for how you kick a football.”
Gary’s throw is a perfect bank shot, bouncing the Shopper off the Soderson front door and landing it spang on the Soderson welcome mat, but no one comes out to get it; Marielle is inside taking a shower (her second of the day; she hates it when the weather gets sticky like this), and Gary is out back, absent-mindedly fueling the backyard barbecue, eventually loading it with enough briquets to flash-fry a water buffalo. He is wearing an apron with the words YOU MAY KISS THE COOK on the front. It’s too early to start the steaks, but it’s never too early to get ready. There is an umbrella-shaded picnic table in the middle of the Soderson backyard, and standing on it is Gary’s portable bar: a bottle of olives, a bottle of gin, and a bottle of vermouth. The bottle of vermouth has not been opened. A double martini stands in front of it. Gary finishes overloading the barbecue, goes to the table, and swallows what’s left in the glass. He is very partial to martinis, and tends to be in the bag by four o’clock or so on most days when he doesn’t have to teach. Today is no exception.
“All right,” Gary says, “next case.” He then proceeds to make another Soderson Martini. He does this by a) filling his martini glass to the three-quarters point with Bombay gin; b) popping in an Amati olive; c) tipping the rim of the glass against the unopened bottle of vermouth for good luck.
He tastes; closes his eyes; tastes again. His eyes, already quite red, open. He smiles. “Yes, ladies and gentlemen!” he tells his simmering backyard. “We have a winner!”
Faintly, over all the other sounds of summer-kids, mowers, muscle-cars, sprinklers, singing bugs in the baked grass of his back yard-Gary can hear the writer’s guitar, a sweet and easy sound. He picks out the tune almost at once and dances around the circle of shade thrown by the umbrella with his glass in his hand, singing along: “So kiss me and smile for me… Tell me that you’ll wait for me… Hold me like you’ll never let me go…”
A good tune, one he remembers from before the Reed twins two houses down were even thought of, let alone born. For just a moment he is struck by the reality of time’s passage, how stark it is, and unappealable. It passes the ear with a sound like iron. He takes another big sip of his martini and wonders what to do now that the barbecue is ready for liftoff. Along with the other sounds he can hear the shower upstairs, and he thinks of Marielle naked in there-the bitch of the western world, but she’s kept her body in good shape. He thinks of her soaping her breasts, maybe caressing her nipples with the tips of her fingers in a circular motion, making them hard. Of course she’s doing nothing of the damned kind, but it’s the sort of image that just won’t go away unless you do something to pop it. He decides to be a twentieth-century version of St George; he will fuck the dragon instead of slaying it. He puts his martini glass down on the picnic table and starts for the house.