‘Anyway, it’s not going to happen, is it, Laurence? We’re going to get it stopped.’
‘We?’ Lol said. ‘We?’
‘Either you’re for me or against me.’
‘Jane, I am one hundred per cent for you. It’s just that we’re not talking about protecting an ancient monument, are we?’
‘Of course we are … sort of.’
Jane sat down and drew a diagram on Lol’s lyric-pad. 
Cole Hill … Coleman’s Meadow track … tumulus … market place … Ledwardine Church … ancient crossroads … standing stone.
‘… Six, seven points if you include the market place. It’s beyond dispute. If I had a big enough map, I could probably trace it all the way to the Neolithic settlements in the Black Mountains. It’s a living ancient monument.’
‘Still be there in essence, though, won’t it, even if they build on it?’
‘It won’t be visible. This is a genuine, existing old straight track, probably an ancient ritual route, right? By the time they’ve finished, the way the land slopes, you probably won’t even be able to see Cole Hill from the church any more for all these identical luxury homes with their naff conservatories. It’s a crime against the ancient spirit. It’ll sour the energy!’
‘Energy,’ Lol said. ‘That’s not something you can easily see, is it?’
‘It’s something our remote ancestors were, like, instinctively aware of.’
Jane went into lecturer mode, telling him things he already kind of knew: how the old stones had been erected on blind springs and the leys had energized and sustained the land and the people who lived on the land. How the oldest churches had also been built on ancient pagan sites because even in medieval times the people still remembered. And, of course, the leys were also lines of contact with … the ancestors.
‘The dead. Burial mounds. Circular churchyards growing up on the sites of Neolithic stone circles. The spirits of the dead were believed to walk the alignments so, in the old days, a coffin would have to be carried to the church along a particular track to prepare the spirit for the afterlife. It was a crucial thing. We should get Mum to reinstate it.’
‘It’s a theory,’ Lol said, nervous.
‘Ties in with folklore the world over, Lol. What it means is that the path through the church to the holy hill is the village’s link with its ancestors … its origins. You obliterate the path, you sever the link, and Ledwardine loses its … its soul!’
Jane sprang up, as though the ancient energy was surging underneath the cottage floor.
‘Who do I complain to? Who do I lobby?’
‘The MP? Downing Street?’ Where it would go into the shredder marked fruitcakes. ‘Maybe best to start with the local councillor.’
‘Gavin Ashe?’
‘Gavin Ashe resigned, Jane. New guy is Lyndon Pierce. Lives at the end of Virgingate Lane.’
‘Which party?’
‘Non-party. He’s an independent.’
‘Well, that’s good, isn’t it? That means he doesn’t have to follow any party line on housing, right? It’s a start.’
Lol said nothing. ‘Independent’ also meant you were free to jump into anybody’s pocket.
‘Well,’ he said, ‘I suppose you could approach him on a preservation-of-heritage basis. If you show him the picture in The Old Straight Track.’
‘Erm … yeah,’ Jane said. ‘I could…’
‘Because I’d guess that area hasn’t changed at all since Watkins was around in the 1920s?’
‘No. Probably not.’ She looked uncertain, suddenly. ‘Right. So that’s Lyndon … ?’
‘Pierce. He’s a chartered accountant. Jane…’ Lol didn’t really want to ask this. ‘Coleman’s Meadow is shown in the book, isn’t it?’
‘Look, Lol, you couldn’t…’ Jane frowned. ‘Obviously Watkins couldn’t include every ley in the county.’
‘You mean, no picture?’
‘Well, no, but that doesn’t—’
‘The most perfect, visible ley and he didn’t take a picture of it?’
‘Maybe he just didn’t use it.’ Jane was backing awkwardly towards the door. ‘Maybe it didn’t come out, I don’t know. Don’t look at me in that sorrowful, pitying—’
‘So, basically, this is not an Alfred Watkins ley, this is … a Jane Watkins ley.’
Lol thought he saw a glitter of tears. This was about more than just a ley line and the soul of the village. It was also about being nearly eighteen and the realization that you were entering a world where changes were seldom for the better.
‘Jane, did … did Watkins even mention this line, or even Ledwardine?’
‘No.’ Jane looked down at her feet. ‘It’s the one thing I can’t understand.’
‘Oh.’
‘It’s the real thing, though, Lol.’ She looked up, defiant again. ‘I mean you thought it was. You weren’t just—?’ ‘Well, I suppose it doesn’t necessarily mean he didn’t find it.’
‘Now you’re humouring me. Don’t do that.’
‘No, really. He might have discovered it too late to get it into the book.’
‘You think?’
‘It’s possible. And I mean, I’m no kind of expert, but it does seem like a perfect ley.’
Jane looked him in the eyes. ‘So you think I’m doing the right thing.’
A weighty moment. For a second or two, Lol felt the presence in the room of the cottage’s last owner, Lucy Devenish, Jane’s friend and mentor. His, too. Dead for over two years now. But sometimes when he came in at night he could still believe he’d seen, in the fractured instant of snapping on the lights, the folds of Lucy’s trademark poncho hanging over the newel post at the bottom of the stairs.
‘I suppose that depends very much on what you’re planning to do,’ he said carefully.
When Jane had gone, Lol could still feel her agitation in the air, bobbing and flickering around like the rays from the crystals.
He picked up the Boswell guitar. Prof Levin had studio time available in the second half of September, which left less than three months to develop this horribly difficult second-album-after-the-comeback. The one which had to be appreciably better than the first or your career was in meltdown.
Again.
Lol sat down on the sofa with the Boswell and tried again with ‘Cloisters’, a mainly instrumental number which, no matter how he moved it around, and despite the experiments with Nick Drake tuning, continued to sound ordinary. As in flat. As in lifeless. More or less like every other song he’d half-finished in the past several weeks – a period in which, otherwise, he’d felt contented, balanced … normal. It was surely too much of a cliché that you had to be emotionally raw, broken, ragged, wretched or lovelorn to write a worthwhile song.
Maybe it just needed a string arrangement.
He lay back on the sofa with his arms around the guitar, an image coming to him of the dead of Ledwar-dine in some half-formed procession from the steeple to the holy hill, bisected by a stream of unheeding SUVs.
8
Dead to the World
Caractacus.
It was carved into a stone slab by a gate in a hedge enclosing a house and an empty carport. A flat, blank house built of the same squarish stones as the church. It was about a minute’s walk down the hill from the Rectory but very much on its own.