The presence of the photograph on Zoe's telephone provoked a fierce debate among Gabriel's team, which they conducted in a terse form of colloquial Hebrew no MI5 listener would ever be able to translate. Yaakov, a man with a complicated personal life of his own, moved for immediate termination of the entire operation. "There's just one reason why a woman would keep a picture like that. She's still in love with him. And if you send her into his apartment tomorrow night, she'll sink us all." But it was Dina—Dina of the much-broken heart—who talked Yaakov down from his ledge. "Sometimes a woman likes to stare at a man she hates just as much as one she loves. Zoe Reed hates Martin more than she's ever hated anyone in her life. And she wants to bring him down just as much as we do."
Oddly enough, it was Zoe herself who settled the dispute an hour later, when Martin phoned from Geneva to say how much he was looking forward to seeing her in Paris. The call was brief; Zoe's performance, exemplary. After severing the connection, she immediately dialed Highgate to report the call, then settled into bed for a few hours of sleep. As she switched off her bedside lamp, they overheard a single word that left little doubt about her true feelings for Martin Landesmann.
"Bastard..."
The following morning when Gabriel arrived at Thames House, it seemed the whole of Whitehall was waiting in the ninth-floor conference room. After enduring an hour of rigorous questioning, he was made to swear a blood oath that, if caught on French soil, he would say nothing of British or American involvement in the affair. Seeing no papers to sign, Gabriel raised his right hand, then slipped quickly out the door. Much to his surprise, Graham Seymour insisted on driving him to St. Pancras Station.
"To what do I owe the honor?" Gabriel asked as the car pulled into Horseferry Road.
"I wanted a word in private."
"About?"
"Zoe's mobile phone." Seymour looked at Gabriel and frowned. "You signed an agreement to let us handle her surveillance and you violated it the moment our backs were turned."
"Did you really think I was going to send her into Martin's apartment without audio coverage?"
"Just make sure you shut down the feed once she's safely back on British soil. So far, we've managed to avoid shooting ourselves in the foot. I'd prefer to keep it that way."
"The best way to shoot ourselves in the foot would be to lose Zoe in Paris tomorrow night."
"But that's not going to happen, is it, Gabriel?"
"Not if we run the operation my way."
Seymour gazed out the window at the Thames. "I don't have to remind you that a good many careers are in your hands, mine included. Do whatever you need to do to get Martin's phone and computer. But make sure you bring our girl home in one piece."
"That's the plan, Graham."
"Yes," Seymour said distantly. "But you know what they say about the best laid schemes of mice and men. They sometimes go astray with disastrous results. And if there's one thing Whitehall doesn't like, it's a disaster. Especially one that occurs in France."
"Would you like to come and personally supervise?"
"As you well know, Gabriel, I'm forbidden by law from operating on foreign soil."
"How do you manage to gather any intelligence with all these rules?"
"We're not like you, Gabriel. We're British. Rules make us happy."
50
MAYFAIR, LONDON
As with nearly every other aspect of Masterpiece, choosing the location of an operational command post was the source of tense negotiation. For reasons of both design and statute, the ops center at MI5 was deemed unsuitable for a foreign venture, even one as close as Paris. MI6 made a predictable play to stage the event at Vauxhall Cross—an offer summarily rejected by Graham Seymour, who was already fighting a losing battle to keep his glamorous rival out of what he regarded as his operation. Since the Israelis had no London operations center—at least not a declared one—that left only the Americans. Running the show from the CIA's shop made sense for both political and technical reasons since American capabilities on British soil far exceeded those of the British themselves. Indeed, after Seymour's last visit to the Agency's colossal underground facility he had concluded that the Americans could run a world war from beneath Grosvenor Square with Whitehall none the wiser. "Who allowed them to build it?" the prime minister had asked. "You did, sir," Seymour had replied.
Having settled on the venue, there was the small matter of the invitees. As Seymour feared, the list of those wishing to attend quickly grew atrociously long—so long, in fact, he felt compelled to remind his brethren it was an intelligence operation they were staging, not a West End premiere. Moreover, since the operation was likely to produce material inappropriate for broad dissemination, it had to be conducted with more than the usual sensitivity. Other agencies would eventually be briefed on the haul, Seymour declared, but under no circumstances could they be present when it was obtained. The guest list would be limited to the three principals—the three members of a secret brotherhood who did the unpleasant chores no one else was willing to do and worried about the consequences later.
Though the precise location of the CIA's London ops center was a carefully guarded secret, Graham Seymour knew with considerable certainty that it was located some forty feet beneath the southwest corner of Grosvenor Square. He had always been somewhat amused by this, since on any given day several hundred anxious visa applicants were queued overhead, including the occasional jihadi bent on attacking the American homeland. Because the facility did not officially exist, it had no official name. Those in the know, however, referred to it as the annex and nothing else. Its centerpiece was an amphitheater-like control room dominated by several large video screens capable of projecting images securely from almost anywhere on the planet. Directly adjacent was a glass-enclosed soundproof meeting room known affectionately as the fishbowl, along with a dozen gray cubicles reserved for the alphabet soup of American agencies involved in counterterrorism and intelligence collection. Even Graham Seymour, whose primary task remained counterespionage, could scarcely remember them all. The American security establishment, he thought, was much like American automobiles—large and flashy but ultimately inefficient.
It was a few minutes after six p.m. by the time Seymour finally gained admittance to the annex. Adrian Carter was seated in his usual chair on the back deck of the control room with Ari Shamron perched at his right, looking as though he were already in the throes of a full-blown nicotine fit. Seymour settled into his usual spot at Carter's left and fixed his gaze on the video screens. In the center of the display was a static CCTV image of the exterior of the Financial Journal, workplace of their soon-to-be agent in place, Zoe Reed.
Unlike her colleagues at the Journal, Zoe's day had been the subject of close scrutiny by the intelligence services of three nations. They knew that it had begun badly with a twenty-minute delay on the dreaded Northern Line tube. They knew she arrived for work at 9:45 looking deeply annoyed, that she lunched with a source at a quaint bistro near St. Paul's, and that she ducked into a Boots pharmacy on the way back to work to pick up a few personal items, which they were never able to identify. They also knew she had been forced to endure several unpleasant hours with a Journal lawyer because of a threatened libel suit stemming from her Empire Aerospace expose. And that she was then dragooned into Jason Turnbury's office for yet another lecture about her expenses, which were even higher than the previous month.