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It is remarkable, White reflected, as he turned over the abundant but confused notes upon this perplexing phase of Benham's development that lay in the third drawer devoted to the Second Limitation, how dependent human beings are upon statement. Man is the animal that states a case. He lives not in things but in expressed ideas, and what was troubling Benham inordinately that night, a night that should have been devoted to purely blissful and exalted expectations, was the sheer impossibility of stating what had happened in any terms that would be tolerable either to Mrs. Skelmersdale or Lady Marayne. The thing had happened with the suddenness of a revelation. Whatever had been going on in the less illuminated parts of his mind, his manifest resolution had been merely to bid South Harting good-bye— And in short they would never understand. They would accuse him of the meanest treachery. He could see his mother's face, he could hear her voice saying, "And so because of this sudden infatuation for a swindler's daughter, a girl who runs about the roads with a couple of retrievers hunting for a man, you must spoil all my plans, ruin my year, tell me a lot of pretentious stuffy lies...." And Mrs. Skelmersdale too would say, "Of course he just talked of the world and duty and all that rubbish to save my face...."

It wasn't so at all.

But it looked so frightfully like it!

Couldn't they realize that he had fled out of London before ever he had seen Amanda? They might be able to do it perhaps, but they never would. It just happened that in the very moment when the edifice of his noble resolutions had been ready, she had stepped into it—out of nothingness and nowhere. She wasn't an accident; that was just the point upon which they were bound to misjudge her; she was an embodiment. If only he could show her to them as she had first shown herself to him, swift, light, a little flushed from running but not in the least out of breath, quick as a leopard upon the dogs.... But even if the improbable opportunity arose, he perceived it might still be impossible to produce the Amanda he loved, the Amanda of the fluttering short skirt and the clear enthusiastic voice. Because, already he knew she was not the only Amanda. There was another, there might be others, there was this perplexing person who had flashed into being at the very moment of their mutual confession, who had produced the entirely disconcerting demand that nobody must be told. Then Betty had intervened. But that sub-Amanda and her carneying note had to be dealt with on the first occasion, because when aristocrats love they don't care a rap who is told and who is not told. They just step out into the light side by side....

"Don't tell any one," she had said, "not for a few days...."

This sub-Amanda was perceptible next morning again, flitting about in the background of a glad and loving adventuress, a pre-occupied Amanda who had put her head down while the real Amanda flung her chin up and contemplated things on the Asiatic scale, and who was apparently engaged in disentangling something obscure connected with Mr. Rathbone-Sanders that ought never to have been entangled....

"A human being," White read, "the simplest human being, is a clustering mass of aspects. No man will judge another justly who judges everything about him. And of love in particular is this true. We love not persons but revelations. The woman one loves is like a goddess hidden in a shrine; for her sake we live on hope and suffer the kindred priestesses that make up herself. The art of love is patience till the gleam returns...."

Sunday and Monday did much to develop this idea of the intricate complexity of humanity in Benham's mind. On Monday morning he went up from the Ship again to get Amanda alone and deliver his ultimatum against a further secrecy, so that he could own her openly and have no more of the interventions and separations that had barred him from any intimate talk with her throughout the whole of Sunday. The front door stood open, the passage hall was empty, but as he hesitated whether he should proclaim himself with the knocker or walk through, the door of the little drawing-room flew open and a black-clad cylindrical clerical person entirely unknown to Benham stumbled over the threshold, blundered blindly against him, made a sound like "MOO" and a pitiful gesture with his arm, and fled forth....

It was a curate and he was weeping bitterly....

Benham stood in the doorway and watched a clumsy broken-hearted flight down the village street.

He had been partly told and partly left to infer, and anyhow he was beginning to understand about Mr. Rathbone-Sanders. That he could dismiss. But—why was the curate in tears?

12

He found Amanda standing alone in the room from which this young man had fled. She had a handful of daffodils in her hand, and others were scattered over the table. She had been arranging the big bowl of flowers in the centre. He left the door open behind him and stopped short with the table between them. She looked up at him—intelligently and calmly. Her pose had a divine dignity.

"I want to tell them now," said Benham without a word of greeting.

"Yes," she said, "tell them now."

They heard steps in the passage outside. "Betty!" cried Amanda.

Her mother's voice answered, "Do you want Betty?"

"We want you all," answered Amanda. "We have something to tell you...."

"Carrie!" they heard Mrs. Morris call her sister after an interval, and her voice sounded faint and flat and unusual. There was the soft hissing of some whispered words outside and a muffled exclamation. Then Mrs. Wilder and Mrs. Morris and Betty came into the room. Mrs. Wilder came first, and Mrs. Morris with an alarmed face as if sheltering behind her. "We want to tell you something," said Amanda.

"Amanda and I are going to marry each other," said Benham, standing in front of her.

For an instant the others made no answer; they looked at each other.

"BUT DOES HE KNOW?" Mrs. Morris said in a low voice.

Amanda turned her eyes to her lover. She was about to speak, she seemed to gather herself for an effort, and then he knew that he did not want to hear her explanation. He checked her by a gesture.

"I KNOW," he said, and then, "I do not see that it matters to us in the least."

He went to her holding out both his hands to her.

She took them and stood shyly for a moment, and then the watchful gravity of her face broke into soft emotion. "Oh!" she cried and seized his face between her hands in a passion of triumphant love and kissed him.

And then he found himself being kissed by Mrs. Morris.

She kissed him thrice, with solemnity, with thankfulness, with relief, as if in the act of kissing she transferred to him precious and entirely incalculable treasures.

CHAPTER THE FOURTH

THE SPIRITED HONEYMOON 

1

It was a little after sunrise one bright morning in September that Benham came up on to the deck of the sturdy Austrian steamboat that was churning its way with a sedulous deliberation from Spalato to Cattaro, and lit himself a cigarette and seated himself upon a deck chair. Save for a yawning Greek sailor busy with a mop the first-class deck was empty.

Benham surveyed the haggard beauty of the Illyrian coast. The mountains rose gaunt and enormous and barren to a jagged fantastic silhouette against the sun; their almost vertical slopes still plunged in blue shadow, broke only into a little cold green and white edge of olive terraces and vegetation and houses before they touched the clear blue water. An occasional church or a house perched high upon some seemingly inaccessible ledge did but accentuate the vast barrenness of the land. It was a land desolated and destroyed. At Ragusa, at Salona, at Spalato and Zara and Pola Benham had seen only variations upon one persistent theme, a dwindled and uncreative human life living amidst the giant ruins of preceding times, as worms live in the sockets of a skull. Forward an unsavoury group of passengers still slumbered amidst fruit-peel and expectorations, a few soldiers, some squalid brigands armed with preposterous red umbrellas, a group of curled-up human lumps brooded over by an aquiline individual caparisoned with brass like a horse, his head wrapped picturesquely in a shawl. Benham surveyed these last products of the "life force" and resumed his pensive survey of the coast. The sea was deserted save for a couple of little lateen craft with suns painted on their gaudy sails, sea butterflies that hung motionless as if unawakened close inshore....