Thus did the librarian who refused to change his clothes contrive to change his country. For out of this small and grotesque incident came all that famous revolution, or reaction, which transformed the face of English society, and checked and changed the course of its history. Like all revolutions effected by Englishmen, and especially revolutions effected by Conservatives, it was very careful to preserve those powers that were already powerless. Some Conservatives of a rather senile sort were even heard still talking about the Constitutional characters of the complete subversal of the Constitution. It was allowed to retain, indeed it was supposed to support, the old monarchical pattern of this country. But in practice the new power was divided between three or four subordinate monarchs ruling over large provinces of England, like magnified Lords-Lieutenant; and called according to the romance or affectation of the movement Kings-at-Arms. They held indeed a position with something of the sanctity and symbolic immunity of a herald; but they also possessed not a few of the powers of a king. They were in command of the bands of young men called Orders of Chivalry, which served as a sort of yeomanry or militia. They held courts and administered high and low justice in accordance with Mr. Herne’s researches into medieval law. It was something more than a pageant; yet there passed into it much of that popular passion which at one time filled half the towns and villages in England with pageants; the hunger of a populace which Puritanism and Industrialism had so long starved for the feast of the eyes and the fancy.
As it was more than a pageant, it was more than a fashion; but it had its stages and turning points like a fashion. Perhaps the chief turning point was the moment when Mr. Julian Archer (now Sir Julian Archer under the accolade of one of the new orders of knighthood) had seriously discovered that he must lead the fashion or be left behind it. All of us who have observed changes passing over a society know that indeterminate and yet determining instant. It applies to everything from women being allowed votes to women not being allowed hair. It was marked in the Suffragette movement, which many middle-class women had long supported, when great ladies began to take it up. It marks the transition from the time when it is the new fashion to the time when it is the fashion. Up to that moment examples may be numerous, but they are still notable; after that moment it is the neglect that is notable. That is the sort of moment, in every movement, at which Sir Julian Archer appears as he appeared now; a knight in shining armour, ready for every perilous emprise.
Yet Sir Julian Archer was too vain not to be in a sense simple, and too simple not to be in a sense sincere. Social changes of this sort are made possible among considerable masses of people, by two ironies of human nature. The first is that almost everyman’s life has been sufficiently patchy and full of possibilities for him to remember some movement of his own mind towards what has become the movement of the time. The second is that he almost always makes a false picture of his past, and fosters a fictitious memory, whereby that detail seems in retrospect to dominate his career.
Julian Archer (as has already been faithfully recorded) had written a long time ago a very boyish sort of a boy’s adventure story about the Battle of Agincourt. It was only one of the multifarious and highly modern activities of his successful career: and had not been even one of the most successful. But with the new talk all around him, Archer began to insist more and more on his initiative in the matter.
“They wouldn’t listen to me,” he said moodily shaking his head. “Doesn’t do to be a bit too early in the field. . . . Of course, Herne’s a well-read man; it’s his business. . . . I suppose he sees practically every book that comes out. Seems as if he had sense enough to take a hint, eh, what?”
“Oh, I see,” said Olive Ashley, raising her dark eyebrows in mild surprise. “I never thought of that.”
And she reflected at once ruefully and whimsically upon her own concentrated passion of medieval things, which everybody had first derided and then imitated and then forgotten.
The case was the same with Sir Aubrey Wister, that gallant though somewhat elderly knight; for thus also had been transformed the figure of the old aesthete who pottered about drawing-rooms and praised the great Victorians who had praised the great Primitives. He talked rather more about the great Primitives and less about the great Victorians. But as he had so often in the past patronised Cimabue and said an encouraging word to Giotto and Botticelli, it was not difficult for him to persuade himself that he had been a prophet lifting up his voice in vain, and predicting the coming of Mr. Herne as the Medieval Messiah.
“My dear, sir,” he would say confidentially, “the period was one of inconceivable vandalism and vulgarity. I really don’t know how I lived through it. But I pegged away; and, as you see, my work has not been altogether fruitless . . . ahem . . . not altogether fruitless. The very patterns of their costumes would have perished; hardly a single picture from which they are taking their designs would have survived–but for my little protest. It shows what a word in time will do.”
Lord Seawood himself was affected in much the same way. Insensibly, he shifted the centre of gravity between his two hobbies. He talked a little more about his private hobby of heraldry. He talked a little less about his public hobby of Parliament. He insisted less on the greatness of Lord Palmerston and more on the greatness of the Black Prince, from whom the Seawood family claimed descent. And in him also this touching belief grew silently in the shade; the sense that he had himself had a lot to do with the founding of the League of the Lion and the resurrection of Richard Coeur-de-Lion. He felt this all the more vividly because of the institution of the Shield of Honour, which was one of the latest and proudest additions to the scheme and had been inaugurated in his own park.
In all this change of climate, Herne was himself unchanged. Like many idealists, he was of a type that would have been content in complete obscurity, but could not measure or realise the scope of complete fame. If he could take one stride to the end of the park, he might as well take another stride to the end of the world. He did not see the world to scale. He had forced all his commonplace companions back into their masquerade clothes and compelled them to play the masque until they died. By hanging on himself to his Robin Hood bow and boar spear, he had come to find himself not left behind by the company but marching in front of it. The change from that loneliness to that leadership did seem to him a thrilling and triumphal thing. But the change from the leadership of that house-party to the leadership of all England hardly seemed to him a change at all. For indeed there was in that house-party one face that had fallen into the habit of watching for all changes, like the changes of sunset and dawn.
CHAPTER XIV
THE RETURN OF THE KNIGHT-ERRANT
In the great General Election, which had been produced by the big menace of Braintree and his new Syndicalism, and which had led up to the launching of the movement in opposition to it, it was reported that Mr. Michael Herne had gone into a polling-booth to record his vote; and had remained there for three-quarters of an hour, mysteriously occupied or possibly engaged in prayer. He had apparently never given a vote before; it not being a Palaeo-Hittite habit; but when it had been elaborately explained to him that he had only to make a cross on the piece of paper opposite the name of his favourite candidate, he seemed quite charmed and enchanted with the idea. By this time, of course, his Palaeo-Hittite period had long become prehistoric and stratified in the past; and his later medieval enthusiasm devoured his days and nights. Nevertheless he could apparently spare a somewhat abnormal time for the modern and rather mechanical process of voting; when he might have been engaged in drawing the long bow or tilting at a Saracen’s head. Archer and his other colleagues became a little impatient, and not a little mystified, by his mysterious immersion in the ballot box; they kicked their legs restlessly outside and eventually went inside, to see his tall and motionless back still immovable in its separate cell, as of a modern confessional. They were at last goaded to the gross indelicacy of disturbing the Citizen when alone with his Duty, by going up behind him and pulling his coat-tails. As this had no particular effect, they committed the anarchical and anti-democratic outrage of actually looking over his shoulder. They found that he had set out on the little shelf, as on a table, all the illumination paints (presumably borrowed from Miss Ashley), paints of gold and silver and all the colours of the rainbow. With these he was engaged in doing his democratic duty with almost a painful care and patience. He had been told to make a cross and he was making a cross. He was doing it as it would have been done by a monk in the Dark Ages; that is in very gay and glorified colours. The cross was of gold, in one corner of it were three blue birds, in another corner were three red fishes, in another plants, in another planets and so on; it seemed to be planned upon the scheme of the Canticle of the Creature of St. Francis of Assisi. He was very much surprised to be told that this was not required by the provisions of the Ballot Act; but he controlled himself and only gave a faint sigh, when informed by the officials of the polling station that his vote was cancelled, because he had “spoilt” a ballot paper.