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Then, as he stood rolling his eyes round the dissolution of that queer transformation scene, they alit on a special object; he stiffened, pulled himself together, gave a short laugh and strode across to where Olive was standing beside the empty throne. He put his hands on her shoulders and said: “It seems dear we are reconciled after all.”

She looked at him without moving and with a slow smile. “It is dreadful,” she said, “to think I should be glad of the quarrel that makes the–the reconciliation.”

“You will forgive me for feeling only the gladness and not the dreadfulness,” he answered. “People must be on my side if they are on his side–I mean if they are really on his side, like you.”

“I shall not find it so very difficult to be on your side,” she said. “I found it very difficult not to be. Especially when it was the losing side.”

“We shall jolly well see now,” he said, “whether it won’t be the winning side. This has put heart into all my people, I can tell you. I feel as if I’d renewed my youth like the eagle’s; only it isn’t Mr. Herne that has done that.”

She looked slightly embarrassed and then said doubtfully, “I suppose somebody else will inherit the organisation.”

“Organisation be blowed,” said Braintree. “You don’t suppose we were beaten by an organisation, do you? We were beaten by a man and by men who were ready to follow him. Do you think I care anything about the men who were ready to desert him? I said I wasn’t afraid of fourteenth century bows and battle-axes; I wasn’t; and I’m certainly not afraid of a fourteenth century battle-axe brandished by old Seawood. Oh yes, I suppose they’ll go on with the theatricals. We shall have the pleasure of hearing all about Sir Julian Archer, the brilliant Lord High Arbiter and universally popular King-at-Arms. But don’t you give us credit for being able to go smash through all that sort of thing like coloured paper? The soul is gone out of it; the soul is riding down the road a mile away.”

“Yes, I think you are right,” she said after a pause, “and not only because Michael Herne has been something like a great man. It’s more than that. Their pride has gone out of them; their youth and their innocence have gone out of them. They have heard the truth and they know it is true. And there’s one of them about whom I am very unhappy.”

He looked at her earnestly and said, “Well, of course I’m sorry for a lot of them in a way; but do you mean–”

“I mean Rosamund,” she answered lowering her voice. “I think it’s the most grim and grand and dreadful thing that ever happened to anybody; much worse than anything that ever happened to us.”

“I’m not sure I understand,” he said.

“Of course you don’t,” she replied.

He looked at her in a puzzled way; and she broke out with a kind of passion.

“Of course you don’t understand! I know it has been hard for you; and it has been hard enough for me. But we haven’t gone through what they have gone through–what she is going through. We parted because each of us believed the other was attacking something good; but we didn’t, thank God, ever have to attack each other. You didn’t have to stand up and abuse my father; and I didn’t have to sit silent and hear it. It wasn’t you who were directly individually cursing me and mine; it wasn’t you, of all men, whom I had to hear saying hateful things about my own home. I don’t know what I should have done. I think I should have simply died. What do you suppose she is doing?”

“I’m awfully sorry,” he answered, “but I really do not know exactly what you are talking about. Who is she? Do you mean Rosamund Severne?”

“Of course I mean Rosamund Severne,” she cried angrily, “and he would not even leave her name. How do you suppose I should have liked that? What are you staring at? Do you really mean that you don’t know that Rosamund and Michael Herne are in love with each other?”

“I don’t seem to know much,” he said, “but if that’s true of course I see what you mean.”

“I must go to see her,” said Olive, “and yet I hardly know even how to do that.”

She crossed the now deserted garden towards the house; and as she did so, something made her stand and gaze for a moment at the monument that stood on the lawn; the broken image standing on the dragon. And as she looked at it strange and new things came into her soul and her eyes. In the clear exalted intensity of her happiness and unhappiness, she seemed to be seeing it for the first time.

Then she looked about her, as if almost scared of the stillness, the abrupt and utter stillness that had succeeded to all the hubbub of that horrible afternoon. The great lawn, enclosed on three sides by the front and two wings of the Abbey buildings, had been not an hour ago tossing with angry crowds and now it was as empty as the Courts of a city of the dead. Evening was wheeling towards darkness and the round moon rose and brightened steadily until the faint shadows of the new wan light began to change on the gargoyles and Gothic ornaments as they lost the last shadow of the sun. And as the face of all that ancient building flickered and changed under the changing light, it seemed to come more fully into the foreground of her mind and take on a meaning she had never understood before; though she should have been the first, she might have fancied, to understand it from the beginning. That pointed and tapering tracery, of which she had talked lightly to Monkey long ago, the dark glass of the windows, dense with colours that could only be discovered from within– suddenly told her something; a paradox. Inside there was light and outside there was only lead. But who was really inside? . . . Those three walls with all their hooded windows, seemed to be watching; seemed to have watched from the beginning of all their follies and to be still watching–and waiting.

Suddenly and silently, as with a sort of soft shock, she came upon Rosamund herself standing in the great gateway. She did not need to look at that perfect mask of tragedy; she avoided looking at it; but she caught her friend by the arm and said incoherently: “Oh I do not know what to say to you . . . and I have so much to say.”

There was no answer and she broke forth again, “It’s a shame that it should happen to you, who have never been anything but good to all the world. It’s a shame that anybody should tell such tales.”

Then Rosamund Severne said in a dreadful dead voice; “He always tells the truth.”

“I think you are the noblest woman in the world,” said Olive.

“Only the most unlucky,” said the other. “It is nobody’s fault. It’s as if there were a curse on this place.”

And in that instant of time Olive received a revelation like a blinding light; and understood her own trembling in the shadow of those watching walls.

“Rosamund, there is a curse on the place,” she said. “There’s a curse because there is a blessing. But it’s nothing to do with anything we have ever talked about. It has nothing to do with anything that man said. It’s not a curse on your name or anybody else’s name, whatever your name is or whether it’s old or new. The curse is in the name of this house.”

“The name of this house,” repeated the other in a dull voice.

“You’ve seen it at the top of your note-paper a thousand times and taken it for granted; and you have never seen that that is the falsehood. It doesn’t matter whether your father’s position is false or not: it doesn’t matter whether it’s old or new. This place doesn’t belong to the old families any more than the new families. It belongs to God.”