“They say I am behind the times,” said Herne, “and living in the days that Don Quixote dreamed of. They seemed to forget that they themselves are at least three hundred years behind the times and living in the days when Cervantes dreamed of Don Quixote. They are still living in the Renaissance; in what Cervantes naturally regarded as the New Birth. But I say that a baby that is three hundred years old is already getting on in life. It is time he was born again.”
“Is he to be born again,” asked Murrel, “as a medieval knight-errant?”
“Why not?” asked the other, “if the Renaissance man was born again as an Ancient Greek? Cervantes thought that Romance was dying and that Reason might reasonably take its place. But I say that in our time Reason is dying, in that sense; and it is old age is really less respectable than the old romance. We want to recur to the more simple and direct attack. What we want now is somebody who does believe in tilting at giants.”
“And who succeeds in tilting at windmills,” answered Murrel.
“Have you ever reflected,” said his friend, “what a good thing it would have been if he had smashed the windmills? From what I know now of medieval history, I should say his only mistake was in tilting at the mills instead of the millers. The miller was the middleman of the middle ages. He was the beginning of all the middlemen of the modern ages. His mills were the beginning of all the mills and manufactures that have darkened and degraded modern life. So that even Cervantes, in a way, chose an example against himself. And it’s more so with the other examples. Don Quixote set free a lot of captives who were only convicts. Nowadays it’s mostly those who have been beggared who are jailed and those who have robbed them who are free. I’m not sure the mistake would be quite so mistaken.”
“Don’t you think,” asked Murrel, “that modern things are too complicated to be dealt with in such a simple way?”
“I think,” replied Herne, “that modern things are too complicated to be dealt with except in a simple way.”
He rose from his feet and strode to and fro on the road with all the dreamy energy of his prototype. He seemed trying to tear his real meaning out of himself.
“Don’t you see,” he cried, “that is the moral of the whole thing. All your machinery has become so inhuman that it has become natural. In becoming a second nature, it has become as remote and indifferent and cruel as nature. The Knight is once more riding in the forest. Only he is lost in the wheels instead of in the woods. You have made your dead system on so large a scale that you do not yourselves know how or where it will hit. That’s the paradox! Things have grown incalculable by being calculated. You have tied men to tools so gigantic that they do not know on whom the strokes descend. You have justified the nightmare of Don Quixote. The mills really are giants.”
“Is there any method in that case,” demanded the other.
“Yes; and you found it,” replied Herne. “You did not bother about systems, when you saw a mad doctor was madder than the madman. It is you who lead and I who follow. You are not Sancho Panza. You are the other.”
He stretched out his hand with something of the old gesture.
“What I said on the judgment-seat I say again by the roadside. You are the only one of them born again. You are the knight that has returned.”
Douglas Murrel was abruptly and horribly abashed.
That compliment was perhaps the only thing that could have stung him into speech upon certain matters; for under all this tomfoolery he had something more than the reticence of his breed. As it was, he looked uncomfortable and said: “Look here, you mustn’t give me credit like that. I’m not on as Galahad in this scene. I hope I’d have done my best for the old Honkey; but I did like that girl; I liked her rather a lot.”
“Did you tell her so?” asked Herne in his obvious manner.
“I couldn’t very well,” replied the other, “just when she was under sort of an obligation to me.”
“My dear Murrel,” cried Herne with impulsive simplicity, “this is quite quixotic!”
Murrel sprang to his feet and sent up a single shout of laughter.
“You have made the best joke in three hundred years,” he said.
“I don’t see it,” said Herne thoughtfully. “Is it generally considered possible to make a joke and not to see it? But in the matter of what you said, don’t you think there might be a statute of limitations allowing you a fresh start? Would you like to go down–down to the west again?”
Murrel’s brow seemed knotted with a new embarrassment. “The truth is I rather avoided the neighbourhood–and the subject. I thought that you–”
“I know what you mean,” said Herne. “For a long time I could hardly look out of a window facing that way. I wanted to turn my back on the west wind; and the sunsets burned me like red-hot irons. But a man gets calmer as the years go by, even if he doesn’t get more cheerful. I don’t think I could go to the house itself; but I would really be glad to hear the news about–anybody.”
“Oh if we go there,” said Murrel cheerfully, “I’ll undertake to go in and enquire.”
“Do you mean,” asked Herne almost timidly, “go into–Seawood Abbey?”
“Yes,” answered Murrel shortly. “I daresay we’re in the same boat. I might find the other house a little harder.”
They completed the rest of their programme by a tacit, not to say taciturn agreement; and so it fell out that, before they had exchanged many more words, they had actually come within sight of all that for so long they had not seen and had avoided seeing; the evening sun on the high lawns of Seawood and the steep Gothic roofs among the trees.
Certainly they needed no words of explanation when Michael Herne halted and looked across at his friend, as if bidding him go on. Murrel nodded and went quickly with his light and agile step up the steep woodland path and over the stile and dropped into the avenue leading up to the main gateway. The gardens seemed much as they were of old, but rather neater and in some nameless fashion quieter; but the great gate, that had always stood open, was shut.
Monkey was no mystic; but this fact affected him with a mournful thrill that had in it something of mysticism. That incongruous element increased upon him in some indescribable subconscious way as he approached the great doors and, for the first time in his life, knocked on them and rang a great iron bell. He felt rather as if he were in a dream; and yet as if he were near to some more strange awakening. But queer as were his unformed anticipations, they were not so queer as what he found.
About half an hour afterwards he came out of the great doorway, which was closed after him, climbed the stile and came quietly down the lane to his friend; but even while he was still approaching, his friend felt that there was something odd about his quietude. He sat down on the bank and ruminated for a moment; then he said: “An extraordinary thing has happened to Seawood Abbey. It has not been exactly burned to the ground, because somehow it seems to be still there, and looking rather more well-preserved than before. It has not been, in any material or meteorological sense struck by lightning from heaven. And yet I am not sure . . . anyhow a most stunning and crashing catastrophe has fallen on that Abbey.”
“What do you mean? What has happened to the Abbey?”
“It has become an Abbey,” said Murrel gravely.
“What do you mean?” cried the other, leaning forward with sudden eagerness.
“I mean what I say. It has become an Abbey. I have just been talking to the Abbot. He told me a good deal of the news, in spite of his monastic seclusion; for he knows a number of our old friends.”