At last Smith glanced across at me where I stood just within the doorway.
"What do you make of it, Petrie?" he said harshly. "Personally I take it to mean that our plans have leaked out." He sprang suddenly back from Aziz and I saw his glance traveling rapidly over the slight figure as if in quest of concealed arms. "I take it to be a trap!"
A moment he stood so, regarding him, and despite my well-grounded distrust of the Oriental character, I could have sworn that the expression of pained surprise upon the youth's face was not simulated but real. Even Smith, I think, began to share my view; for suddenly he threw himself into the white cane rest-chair, and, still fixedly regarding Aziz:
"Perhaps I have wronged you," he said. "If I have, you shall know the reason presently. Tell your own story!"
There was a pathetic humidity in the velvet eyes of Aziz—eyes so like those others that were ever looking into mine in dreams—as glancing from Smith to me he began, hands outstretched, characteristically, palms upward and fingers curling, to tell in broken English the story of his search for Karamaneh…
"It was Fu-Manchu, my kind gentlemen—it was the hakim who is really not a man at all, but an efreet. He found us again less than four days after you had left us, Smith Pasha!… He found us in Cairo, and to Karamaneh he made the forgetting of all things—even of me—even of me… "
Nayland Smith snapped his teeth together sharply; then:
"What do you mean by that?" he demanded.
For my own part I understood well enough, remembering how the brilliant Chinese doctor once had performed such an operation as this upon poor Inspector Weymouth; how, by means of an injection of some serum prepared (as Karamaneh afterwards told us) from the venom of a swamp adder or similar reptile, he had induced amnesia, or complete loss of memory. I felt every drop of blood recede from my cheeks.
"Smith!" I began…
"Let him speak for himself," interrupted my friend sharply.
"They tried to take us both," continued Aziz still speaking in that soft, melodious manner, but with deep seriousness. "I escaped, I, who am swift of foot, hoping to bring help."—He shook his head sadly—"But, except the All Powerful, who is so powerful as the Hakim Fu-Manchu? I hid, my gentlemen, and watched and waited, one—two—three weeks. At last I saw her again, my sister, Karamaneh; but ah! she did not know me, did not know me, Aziz her brother! She was in an arabeeyeh, and passed me quickly along the Sharia en-Nahhasin. I ran, and ran, and ran, crying her name, but although she looked back, she did not know me—she did not know me! I felt that I was dying, and presently I fell—upon the steps of the Mosque of Abu."
He dropped the expressive hands wearily to his sides and sank his chin upon his breast.
"And then?" I said, huskily—for my heart was fluttering like a captive bird.
"Alas! from that day to this I see her no more, my gentlemen. I travel, not only in Egypt, but near and far, and still I see her no more until in Rangoon I hear that which brings me to England again"—he extended his palms naively—"and here I am—Smith Pasha."
Smith sprang upright again and turned to me.
"Either I am growing over-credulous," he said, "or Aziz speaks the truth. But"—he held up his hand—"you can tell me all that at some other time, Petrie! We must take no chances. Sergeant Carter is downstairs with the cab; you might ask him to step up. He and Aziz can remain here until our return."
Chapter 28 THE SAMURAI'S SWORD
The muffled drumming of sleepless London seemed very remote from us, as side by side we crept up the narrow path to the studio. This was a starry but moonless night, and the little dingy white building with a solitary tree peeping, in silhouette, above the glazed roof, bore an odd resemblance to one of those tombs which form a city of the dead so near to the city of feverish life on the slopes of the Mokattam Hills. This line of reflection proved unpleasant, and I dismissed it sternly from my mind.
The shriek of a train-whistle reached me, a sound which breaks the stillness of the most silent London night, telling of the ceaseless, febrile life of the great world-capital whose activity ceases not with the coming of darkness. Around and about us a very great stillness reigned, however, and the velvet dusk which, with the star-jeweled sky, was strongly suggestive of an Eastern night—gave up no sign to show that it masked the presence of more than twenty men. Some distance away on our right was the Gables, that sinister and deserted mansion which we assumed, and with good reason, to be nothing less than the gateway to the subterranean abode of Dr. Fu-Manchu; before us was the studio, which, if Nayland Smith's deductions were accurate, concealed a second entrance to the same mysterious dwelling.
As my friend, glancing cautiously all about him, inserted the key in the lock, an owl hooted dismally almost immediately above our heads. I caught my breath sharply, for it might be a signal; but, looking upward, I saw a great black shape float slantingly from the tree beyond the studio into the coppice on the right which hemmed in the Gables. Silently the owl winged its uncanny flight into the greater darkness of the trees, and was gone. Smith opened the door and we stepped into the studio. Our plans had been well considered, and in accordance with these, I now moved up beside my friend, who was dimly perceptible to me in the starlight which found access through the glass roof, and pressed the catch of my electric pocket-lamp…
I suppose that by virtue of my self-imposed duty as chronicler of the deeds of Dr. Fu-Manchu—the greatest and most evil genius whom the later centuries have produced, the man who dreamt of an universal Yellow Empire—I should have acquired a certain facility in describing bizarre happenings. But I confess that it fails me now as I attempt in cold English to portray my emotions when the white beam from the little lamp cut through the darkness of the studio, and shone fully upon the beautiful face of Karamaneh!
Less than six feet away from me she stood, arrayed in the gauzy dress of the harem, her fingers and slim white arms laden with barbaric jewelry! The light wavered in my suddenly nerveless hand, gleaming momentarily upon bare ankles and golden anklets, upon little red leather shoes.
I spoke no word, and Smith was as silent as I; both of us, I think, were speechless rather from amazement than in obedience to the evident wishes of Fu-Manchu's slave-girl. Yet I have only to close my eyes at this moment to see her as she stood, one finger raised to her lips, enjoining us to silence. She looked ghastly pale in the light of the lamp, but so lovely that my rebellious heart threatened already, to make a fool of me.
So we stood in that untidy studio, with canvases and easels heaped against the wall and with all sorts of litter about us, a trio strangely met, and one to have amused the high gods watching through the windows of the stars.
"Go back!" came in a whisper from Karamaneh.
I saw the red lips moving and read a dreadful horror in the widely opened eyes, in those eyes like pools of mystery to taunt the thirsty soul. The world of realities was slipping past me; I seemed to be losing my hold on things actual; I had built up an Eastern palace about myself and Karamaneh wherein, the world shut out, I might pass the hours in reading the mystery of those dark eyes. Nayland Smith brought me sharply to my senses.
"Steady with the light, Petrie!" he hissed in my ear. "My skepticism has been shaken, to-night, but I am taking no chances."
He moved from my side and forward toward that lovely, unreal figure which stood immediately before the model's throne and its background of plush curtains. Karamaneh started forward to meet him, suppressing a little cry, whose real anguish could not have been simulated.