Nudger guessed that right now this block of Magazine Street was peopled by the mix of old, poorer residents afraid of change, and the new, young professional types, marking the area as trendy but not yet prohibitively overpriced. The longtime residents might still outnumber the newcomers. The rest of the Indians had to be run out before the homesteaders would move here in large numbers.
He unfolded from the subcompact, stood on the sidewalk, and stretched the kinks from his spine. He hated little cars. Well, maybe not his comfortably well-worn Volkswagen Beetle back in St. Louis, which at least had head room. He had bumped his head twice crossing railroad tracks in this little torture device on wheels.
From the sagging balcony above, a gray, tiger-striped cat observed him with calm disdain. Nudger clucked his tongue at the cat, which caused the animal to blink twice slowly. Nudger wished he had the cat's composure and handle on life.
He decided to leave his sportjacket in the car, and walked down the sidewalk while rolling up the sleeves of his white shirt. It was more muggy than hot this morning, but he figured that by noon the heat would catch up with the humidity and turn the city into the sauna of the South.
He stopped beneath a tall yellow sign that proclaimed the shop beneath it to be GOLDEN OLDENS. Nudger had gathered from the New Orleans phone directory that this shop was the flagship of the four Golden Oldens antique shops, and the logical place to find Max Reckoner. As with Judman, he'd decided against phoning for an appointment; it was seldom enlightening to interview people who'd had a chance to prepare for the conversation.
Nudger pushed open a grained oak door that boasted a leaded glass window and entered the shop.
He was in a large, pleasantly cool room with a glossy bare wood floor. An air conditioner was humming steadily somewhere nearby, and from the high, white ceiling hung four fans with wide, slowly rotating wicker blades, surely moving too lazily to stir the air. The antiques in the place ran heavily to burled walnut, inlaid marble, cut glass, and gleaming Victorian furniture that looked as if just yesterday it had sprung from the gnarled hands of loving craftsmen. Not the kind of antique shop you'd duck into on impulse with ten dollars to shore up your beer-can collection.
Nudger stood enjoying the scent of lemon oil and old wood, while a huge porcelain Chinese dragon with its tongue lolling out leered at him.
A small man with dainty, effeminate features and immaculately styled short blond hair walked around a ten- foot-tall secretary-desk and smiled at Nudger. Apparently the door touched off some sort of signal when a customer entered the shop.
"Yes, sir?" the clerk said. He was wearing a well-cut beige suit with a vest, and incredibly fancy yellow moccasins with white rawhide tassels. There were moccasins and then there were moccasins. If these were made by real Indians, they were rich Indians. This is an expensive place, said his clothes and his bearing.
"Is Max Reckoner in?" Nudger asked, absently resting a hand on the glistening green head of the Chinese dragon. The clerk's large blue eyes flicked reproachfully to the offending hand and Nudger removed it and stuffed it into his pocket as if to punish it.
"I believe he's in his office," the clerk said. His delicate face was stiff and appeared oddly waxy. He wasn't a man who smiled more than a few times a year. "Who shall I say wants him? And what's your business with Mr. Reckoner?"
"My name is Nudger. I'm a private detective. So naturally I'd like to talk to Mr. Reckoner about a private matter."
"Naturally," the clerk said equably, too quick on his tas- seled moccasins to be thrown. "Please wait here." He pivoted like a dancer on his left toe and sashayed down a row of looming, curvaceous furniture, then rounded a corner and was gone. Right back into the nineteenth century. Nudger heard a door open and close down the corridor of time. Or maybe it was the door to Reckoner's office, right here in this century.
He stood quietly waiting, studying a collection of Civil War swords mounted on a wall. The South would never rise again if it had to rearm at these prices. The seconds passed, maybe four score and seven. He got tired of swords and watched the rich and poor and blacks and whites and tourists and young urban pioneers walk back and forth on the street beyond the hanging plants in the Golden Oldens' narrow, yellow-tinted shop windows. There sure were a lot of plants in this neighborhood.
"This way, Mr. Nudger," the clerk said behind him.
Nudger jumped, his attention yanked back inside the shop.
He followed the young clerk down the aisle he'd seen him go down previously, flanked by dark old desks, bookcases, wardrobes, and fancy breakfronts. Everything in the shop other than Nudger and the clerk seemed to have claw feet, and Nudger couldn't be sure about the clerk.
The clerk opened a red-lacquered door and ushered Nudger into a spacious, red-carpeted office dominated by a massive Queen Anne desk. Three of the walls were paneled in rich dark walnut; on a fourth wall were a bank of black file cabinets and a table supporting an IBM personal computer. Max Reasoner sat behind the desk, almost dwarfed by it, though he was a rangy six-footer. His beard looked as if it had just been trimmed, and it matched perfectly the gray of his elegant sport jacket. The curve-stemmed pipe lay propped in an antique glass-and-iron ashtray on the desk. Reckoner stood up smoothly, a middleaged guy in good shape, maybe a jogger, and extended his hand toward Nudger.
As they shook hands, Reckoner said off to the side, "Thank you, Norman," and the clerk left the office on little cat feet and closed the door behind him.
"I believe I saw you at Fat Jack's," Reckoner said amiably. He motioned for Nudger to sit down in one of the deep, leather-upholstered chairs before the desk.
Nudger sat, watching Reckoner lower himself easily into his big desk chair. It was modern, yet somehow looked as if it belonged behind the antique desk. "I guess we're both jazz fans," Nudger said.
Reckoner picked up the curve-stemmed pipe, toyed with it, then placed it back in the ashtray. There was self-assurance even in that gesture. He was quite the sophisticate, but he wore it well; it seemed as natural to him as if he'd been born and raised in a big manor house in antebellum Louisiana. His accent, strangely enough, sounded more British than Southern.
"To the point, Mr. Nudger. I understand you've been asking questions about Ineida Mann."
To the point it would be. "True," Nudger said.
"Why?"
"Do you mean why isn't it any of your concern?"
Reckoner smiled. It was a nice smile, his handsome face seamed with deep laugh lines. A man like this could enhance his reputation as a nice guy even as he was pulling a knife from your back. All in the smile. "It is my concern," he said. "I'm interested in Ineida's career. She's a very sweet, very talented young woman."
He seemed to mean it about the talent, so Nudger decided to leave it alone.
Reckoner leaned slightly forward over the wide expanse of old desk. "You told Norman you're a private detective. I assume someone hired you in regard to Ineida. Would it be contrary to your professional code to reveal the name of your employer?"
"It would without my client's permission," Nudger said.
"Is Ineida in some sort of trouble? She isn't getting rich singing at Fat Jack's; I'm prepared to help her out financially if that has anything to do with her problem."
"She doesn't need financial assistance," Nudger assured Reckoner. "Actually I came here to ask you just what your relationship with her is, and what you think of her relationship with Willy Hollister."
Reckoner shrugged inside the elegant gray jacket. In the way of quality tailoring, it seemed to shrug with him, as if adopting the mood of whoever wore it were part of the bargain. "I just described my relationship with Ineida; she's a fine young person I'd like to help. I have the means to assist her in her singing career, so why shouldn't I do just that?"