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"Right now," Nudger said, "I'd prefer to keep that confidential."

"But you want to know about Willy Hollister."

"Whatever you can tell me. I know you and he had a run-in at his apartment. Do you know why?"

Judman turned his hands palms-up in a perplexed gesture and then dropped them to his knees. "He was upset because I let myself in to wait for him. I don't know why he was so touchy; he'd left the door unlocked. And it's not as if I was going through the drawers or testing for dust. I was just sitting on the couch waiting for him to show up after work. I didn't figure the guy was paranoid."

"How long had you been there before Hollister arrived?"

"Not more than five minutes. Hell, I told him that, but it didn't seem to make any difference. He was in a freaked-out rage."

There was a noise from the kitchen. Nudger turned.

Marty Sievers walked in, carrying a tall glass of dark liquid with ice in it. When he got closer, Nudger realized it was iced coffee. Nudger stood and shook hands with Siev- ers, who didn't seem surprised to see him.

"I know who you are," Sievers said. "I saw you at the club last night, and I heard you introduce yourself to Sam."

Nudger was sure there was little that Sievers' bland brown eyes missed. Sievers sipped his iced coffee; he had about him the stillness and control of a man who had supreme confidence in his physical capabilities in any situation. Green Beret stuff.

"You handled that potential customer trouble very neatly last night at the club," Nudger said.

Sievers swirled the ice in his glass. "It's part of my job."

"You're wondering why Marty's here," Sam Judman said.

Nudger nodded, "My line of work, wondering."

"And finding answers," Sievers added. "I'll make it easy this time. I came here to tell Sam about some leads with other clubs around town."

"Leads?"

"Employment opportunities."

Nudger looked at Judman. "You're leaving the band at Fat Jack's?"

A passing anger momentarily darkened the drummer's pale features. "Not voluntarily. Fat Jack let me go, after my fight with Hollister."

"He had to," Sievers said, shrugging.

Judman nodded in reluctant understanding. "Yeah, Hol- lister saw to that, told Fat Jack it was me or him. Hollister's a bastard, but I have to admit I'm easier to replace than he is. This is a jazz town, full of top musicians looking to latch on someplace."

"It's a raw deal," Sievers said. "Fat Jack and I want to see that Sam lands on his feet." He carried his drink to a flowered sofa, sat down in a corner, and became as relaxed and motionless as a wax-museum display. He was like an actor doing an upstage freeze, turning the scene over to Nudger and Sam Judman.

"Why did you go to see Hollister the day you had the fight?" Nudger asked Judman.

"No reason out of the ordinary. I had a few suggestions on the arrangement of one of Hollister's numbers. I wanted to change the background beat."

"Does Hollister do his own arranging?"

"Yep," Judman said. "He does everything. And even though he cost me my job, I gotta say he does it well."

"So how come he got so excited when he came home and saw you in his apartment? Did he act as if he had something to hide?"

"What he acted like was mad. He didn't give me a chance to explain why I was there, just started in on me with his fists. And he didn't explain to me why he didn't want me there."

"Is he dealing in drugs?" Nudger asked.

"No," Sievers said definitely from the corner of the couch.

"A user?" Nudger asked.

"Sure," Judman said. "Nothing hard, though, a little coke, a little good grass now and then. Means nothing."

"Did he apologize or try to patch things up after the fight?"

Judman laughed. "Apologize? Not Hollister."

"And he didn't tell you or anyone else why he beat up on you?"

"When I asked him the next day," Judman said, "all he'd say was that he didn't like his privacy invaded."

"Maybe that's all there is to it," Sievers suggested.

"Maybe," Nudger agreed, not believing it. "What do you know about Hollister and Ineida Mann?" he asked Judman.

"Only that they're chummy. Ineida seems like a nice kid; she don't deserve Hollister."

"What do you think of her as a performer?"

"A nice kid."

Nudger looked over and saw that Sievers' bland face was as unreadable as a turnip. He wondered if Sievers knew that Ineida Mann was the daughter of David Collins. That was one he'd have to ask Fat Jack.

"If Fat Jack fired you," Nudger said to Judman, "then Hollister doesn't carry his own backup band."

"That's right," Judman said. "The club uses its own backup music; I've been playing there a couple of years."

"It won't be long before Hollister takes his own musicians wherever he plays," Sievers said. "They'll line up for the job. He's that good."

Nudger looked at Judman. "Do you think he's that good? A rising star?"

"Star? The son of a bitch is a meteor." He didn't like saying it, but he got the words out at a cost. Dean Martin, his arm flung around Judman's shoulders, smiled down approvingly from an eight-by-ten glossy.

"Meteors are bright," Nudger said, "but they travel in a downward direction and burn out fast."

Judman grinned at the thought, but said, "I'm no astronomer, Nudger. I bang the drums."

Nudger stood up and thanked Judman for taking the time to talk with him.

"No problem," the drummer said, getting up to show Nudger out. "I figure to have plenty of free time for a while."

"Not for long," Sievers said, also standing. "You're too good a musician not to catch on somewhere soon. I'll leave with you, Nudger." He gave Judman a reassuring smile. "Let me know about those auditions we set up over on Rampart."

"I will, Mr. Sievers. And thanks again."

At the door, Judman shook hands with Sievers, then Nudger. His eyes were weary and his hand felt cold and weak. Sievers fell in step beside Nudger as they walked along the crooked sidewalks of St. Philip. "I wanted to talk to you alone," he told Nudger. "Fat Jack hired you." He stated it as a fact, not a question.

"Did he tell you that?" Nudger asked.

"No. I saw the way you and he were talking last night at the club. And I know he's plenty worried."

"About what?"

"We both know what. Or rather who. Willy Hollister."

"Do you think he's got good reason to worry?"

Sievers walked silently for a while before answering, his heels striking a soft rhythm on the sidewalk. "I'm not sure. The more you see of Hollister, the less you like him. Fat Jack tells me there's something uneven about his music, but you couldn't prove it by me. I only judge him by the number of customers he draws, and that seems constant. I'm tone deaf. It all sounds like 'The Star-Spangled Banner' to me, even Hollister's music."

"What about Hollister and Ineida?"

"They're lovers," Sievers said. "That's no secret. What's their personal life got to do with anything?"

"I don't know," Nudger said. "I'm still trying to get a slant on things, find a toehold."

"Why specifically did Fat Jack hire you?" Sievers asked flatly.

"Maybe you better ask him."

"Sure, I will." Sievers didn't seem at all miffed by Nudger's refusal to answer. This was a man who never wasted anger.

"What exactly is your business relationship with Fat Jack?" Nudger asked. "I get the impression you're more than simply an employee." He smiled. "If you'd prefer, I'll ask Fat Jack."

Sievers laughed. "No, that's okay, I'll tell you. I'm a minority partner in the club-technically, we've got a limited partnership. But mainly I'm the floor manager. I keep the place running smoothly, do most of the hiring and firing, the procurement of supplies. Fat Jack hires the musical talent, does the paperwork, and reaps most of the profit. I get a salary and a percentage of the net."