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He was small of stature, and at every point in his development he had remained far behind a normal size; he was quite startlingly fine-limbed; yet even as a boy he had an extraordinarily large, indeed outsize, head on his shoulders, which sloped weakly away from his neck. That truly unusual head, which was made the more striking by his bushy, fiery-red shock of hair and his piercing watery-green eyes, made Swinburne, as one of his contemporaries noted, an object of amazement at Eton. On the day that he started school — it was the summer of 1849, and Swinburne had just turned twelve — his was the largest hat in all Eton. A certain Lindo Myers, together with whom Swinburne later crossed the Channel from Le Havre in the autumn of 1868, on which occasion a gust of wind blew the hat off Swinburne's head and swept it overboard, writes that after they docked in Southampton it was not until the third purveyor of hats that they found headgear to fit Swinburne, and even then, Myers adds, the leather band and the lining had to be removed. Despite his extremely ill-proportioned physique, Swinburne dreamt from early youth, and particularly after reading newspaper accounts of the charge at Balaclava, of joining a cavalry regiment and losing his life as a beau sabreur in some equally senseless battle. Even when he was a student at Oxford, this vision outshone any other conception he might have of his own future; and only when all hope of dying a hero's death was gone, thanks to his underdeveloped body, did he devote himself unreservedly to literature and thus, perhaps, to a no less radical form of self-destruction. Possibly Swinburne would not have survived the nervous crises which became more serious as time went on, had he not increasingly submitted to the regime of his lifetime companion, Watts-Dunton. Watts-Dunton was soon attending to the entire correspondence, dealing with all the little matters that were continuously putting Swinburne into the utmost panic, and thus made it possible for the poet to eke out almost three more decades of pallid afterlife. In 1879, more dead than alive following a nervous attack, Swinburne was taken in a four-wheeler to Putney Hill in south-west London, and there, at number 2, The Pines, a modest suburban town house, the two

bachelors lived henceforth, carefully avoiding the least excitement. Their days invariably followed a routine devised by Watts-Dunton. Swinburne, Watts-Dunton reportedly said with a certain pride in the tried and tested correctness of his system, always walks in the morning, writes in the afternoon and reads in the evening. And, what is more, at meal times he eats like a caterpillar and at night he sleeps like a dormouse. Now and then a guest who wished to see the prodigious poet in his suburban exile was invited to lunch. The three would then sit at the table in the gloomy dining room, Watts-Dunton, who was hard of hearing, making conversation in booming tones while Swinburne, like a well-brought-up child, kept his head bowed over his plate, devouring an enormous helping of beef in silence. One of the visitors to Putney at the turn of the century wrote that the two old gentlemen put him in mind of strange insects in a Leiden jar. Time and again, looking at Swinburne, this visitor continued, he was reminded of the ashy grey silkworm, Bombyx mori, be it because of how he munched his way through his food bit by bit or be it because, out of the snooze he had slipped into after lunch, he abruptly awoke to new life, convulsed with electric energy, and, flapping his hands flitted about his library, like a startled moth, clambering up and down the stands and ladders to fetch the one or other treasure from the shelves. The enthusiasm which seized him as he was thus engaged found expression in rhapsodic declamations about his favourite poets Marlowe, Landor and Hugo, but also in not infrequent reminiscences of his childhood on the Isle of Wight and in Northumberland. In one such moment, in utter rapture, he apparently recalled sitting at his old Aunt Ashburnham's feet as a boy, listening to her account of the first grand ball she went to as a girl, accompanied by her mother. After the ball they drove many miles homeward on a crisp, cold, snow-bright winter night, when suddenly the carriage stopped by a group of dark figures who, it transpired, were burying a suicide at a crossroads. In writing down this memory that goes back a century and a half into the past, noted the visitor, himself long since deceased, he beheld perfectly clearly the dreadful Hogarthian nocturne as Swinburne painted it, and the little boy too, with his big head and fiery hair standing on end, wringing his hands and beseeching: Tell me more, Aunt Ahshburnham, please tell me more.

7. Dunwich heath — Marsh Acres, Middleton — A Berlin childhood — Exile in England — Dreams, elective affinities, correspondences — Two strange stories — Through the rainforest

It had grown uncommonly sultry and dark when at midday, after resting on the beach, I climbed to Dunwich Heath, which lies forlorn above the sea. The history of how that melancholy region came to be is closely connected not only with the nature of the soil and the influence of a maritime climate but also, far more decisively, with the steady and advancing destruction, over a period of many centuries and indeed millennia, of the dense forests that extended over the entire British Isles after the last Ice Age. In Norfolk and Suffolk, it was chiefly oaks and elms that grew on the flatlands, spreading in unbroken waves across the gently undulating country right down to the coast. This phase of evolution was halted when the first settlers burnt off the forests along those drier stretches of the eastern coast where the light soil could be tilled. Just as the woods had once colonized the earth in irregular patterns, gradually growing together, so ever more extensive fields of ash and cinders now ate their way into that green-leafed world in a similarly haphazard fashion. If today one flies over the Amazon basin or over Borneo and sees the mountainous palls of smoking, hanging, seemingly motionless, over the forest canopy, which from above resembles a mere patch of moss, then perhaps one can imagine what those fires, which sometimes burned on for months, would leave in their wake. Whatever was spared by the flames in prehistoric Europe was later felled for construction and shipbuilding, and to make the charcoal which the smelting of iron required in vast quantities. By the seventeenth century, only a few insignificant remnants of the erstwhile forests survived in the islands, most of them untended and decaying. The great fires were now lit on the other side of the ocean. It is not for nothing that Brazil owes its name to the French word for charcoal. Our spread over the earth was fuelled by reducing the higher species of vegetation to charcoal, by incessantly burning whatever would burn. From the first smouldering taper to the elegant lanterns whose light reverberated around eighteenth-century courtyards and from the mild radiance of these lanterns to the unearthly glow of the sodium lamps that line the Belgian motorways, it has all been combustion. Combustion is the hidden principle behind every artefact we create. The making of a fish-hook, manufacture of a china cup, or production of a television programme, all depend on the same process of combustion. Like our bodies and like our desires, the machines we have devised are possessed of a heart which is slowly reduced to embers. From the earliest times, human civilization has been no more than a strange luminescence growing more intense by the hour, of which no one can say when it will begin to wane and when it will fade away. For the time being, our cities still shine through the night, and the fires still spread. In Italy, France and Spain, in Hungary, Poland and Lithuania, in Canada and California, summer fires consume whole forests, not to mention the great conflagration in the tropics that is never extinguished. A few years ago, on a Greek island that was wooded as recently as 1900, I observed the speed with which a blaze runs through dry vegetation. A short distance from the harbour town where I was staying, I stood by the roadside with a group of agitated men, the blackness behind us and before us, far below at the bottom of a gorge, the fire, whipped up by the wind, racing, leaping, and already climbing the steep slopes. And I shall never forget the junipers, dark against the glow, going up in flames one after the other as if they were tinder the moment the first tongues of fire licked at them, with a dull thudding sound like an explosion, and then promptly collapsing in a silent shower of sparks.