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Tony’s father wasn’t yet back from work. There was nobody else in the house, nobody but Ethel, mopping the floor in the kitchen. Anthea asked her to stay late on the afternoons when she went out so someone would be there when Tony came home from school.

Ethel was a craggy big-boned woman with lines on her face like those on other people’s hands, and dry, wig-like hair. She had six children. Only four of them were still alive—diphtheria had killed the others—but if you asked her how many children she had, she would say six: Anthea used to tell this as if it were a joke, as if Ethel couldn’t count properly. Ethel had a habit of groaning as she worked, and talking to herself words that sounded like “Oh no, oh no,” and “Pisspisspiss.” As a rule Tony kept out of her way.

Tony went into her parents’ bedroom and opened her mother’s closet door. Aroma wafted out: there were little satin bags of lavender tied with mauve ribbons on every hanger. Most of Anthea’s suits and dresses were still in there, with the matching shoes in their shoe-trees ranged beneath them. They were like hostages, these clothes. Anthea would never just leave them behind, not forever. She would have to come back and retrieve them.

Ethel was coning up the stairs; Tony could hear her grunting and mumbling. Now she, had reached the bedroom door, dragging the vacuum cleaner by its hose. She stood still and looked at Tony.

“Your mother’s run away,” she said. She talked in regular language when anyone else was there.

Tony could hear the scorn in Ethel’s voice. Dogs ran away, cats, horses. Mothers did not.

Here Tony’s memory divides, into what she wanted to happen and what actually did happen. What she wanted was for Ethel to take her in her knobbly arms, and stroke her hair and rock her, and tell her that everything would be all right. Ethel, who had bulgy blue veins on her legs, who smelled of sweat and javex, whom she didn’t even like! But who might have been capable of providing comfort, of a sort.

What actually did happen was nothing. Ethel turned back to the vacuuming, and Tony went into her own room and shut the door and took off the baggy sailor dress and folded it, and put it back into its box.

After a while Tony’s father came home and spoke with Ethel in the front hall, and then Ethel went away and Tony and her father had supper. The supper was a tin of tomato soup; her father warmed it up in a saucepan, and Tony put some crackers and cheddar cheese on a plate. Both of them felt at a loss, as if there were gaps in this meal that could not be filled in because they could not be identified. What had happened was so momentous, and so unheard of, that it could not yet be mentioned.

Tony’s father ate in silence. The little slurping noises he made scratched against Tony’s skin. He was looking at Tony slyly, in a speculative way; Tony had seen the same expression on door-to-door salesmen, and on street beggars, and on other children who were about to tell outrageous and transparent lies. The two of them were in a conspiracy now, his look implied: they were going to gang up, have secrets together. Secrets about Anthea, of course. Who else? Although Anthea was gone, she was still there, sitting at the table with them. She was there more than ever.

After a while Tony’s father put down his spoon; it clanked against the plate.

“We’ll make out fine,” he said. “Won’t we?”

Tony was not convinced of this, but she felt under pressure to reassure him. “Yes,” she said.

Tomato, she whispered to herself. Otamot. One of the Great Lakes. A stone war hammer used by an ancient tribe. If you said a word backwards, the meaning emptied out and then the word was vacant. Ready for a new meaning to flow in. Anthea. Aehtna. Like dead, it was almost the same thing, backwards or forwards.

And then what, and then what? Zenia wants to know. But Tony is at a loss: how can she describe emptiness? Acres of vacancy, which Tony filled up with whatever she could, with knowledge, with dates and facts, more and more of them, pouring them into her head to silence the echoes. Because whatever had been lacking when Anthea was there, it was much worse now that she wasn’t.

Anthea was her own absence. She hovered just out of reach, a tantalizing wraith, an almost, endowed with a sort of gauzy flesh by Tony’s longing for her. If only she loved Tony more, she would be here. Or Tony would be elsewhere, with her, wherever she was.

Anthea wrote, of course. She sent a postcard with a picture of palm trees and surf, and said that she wished Tony was there. She sent packages for Tony with clothes in them that never fit: sun suits, shorts, hot-weather dresses, too big or sometimes—after a while—too small. She sent birthday cards, late. She sent snapshots taken always, it seemed, in full sunlight; snapshots of herself wearing white, in which she looked fatter than Tony remembered, her face tanned and shining as if oiled, with a little moustache of shadow cast by her nose. In some of these, runaway, culpable Perry stood beside her with his arm around her waist: a flabby man with wrinkled knees and bags under his eyes and a lopsided, rueful smile. Then after a while Perry was no longer in the pictures, and another man was; and after a while, yet another. The shoulders on Tony’s mother’s dresses shrank, the skirts grew longer and fuller, the necklines scooped themselves out; Spanish-dancer ruffles appeared on the sleeves. There was talk of Tony visiting, during Easter holidays, duringsummer holidays, but nothing ever came of it.

(As for Anthea’s other clothes, the ones she’d left behind in her closet, Tony’s father had Ethel pack them into boxes and give them away to the Salvation Army. He did not warn Tony in advance. She was in the habit of checking the closet every few days, when she came back from school, and one day it was empty. Tony said nothing about it, but she knew. Anthea would not be coming back.)

Meanwhile the years became other years. At school, Tony was diagnosed as near-sighted and was supplied with glasses, which she did not particularly mind. They were a sort of barrier, and also she could now see the blackboard. For dinner she ate casseroles prepared in advance by Ethel and left on the kitchen counter to be warmed up. She made her own school lunches as usual; also she made caramel puddings out of a package and cakes from cake mixes, to impress her father, though they failed to have this result.

Her father gave her twenty-dollar bills for Christmas and told her to buy her own presents. She made him cups of tea, which he did not drink, any more than her mother had. He was frequently not there. During one of these years there was a girlfriend, a secretary from his company, who wore jangly bracelets and smelled of violets and warm rubber, who gushed over Tony and said she was cute as a button, and wanted to take her shopping or else to movies. Girl stuff, she called it. We won’t take big old Griff! I want us to be chums. Tony despised her.

After the girlfriend was finished with, Griff began drinking more than ever. He would come into Tony’s room and sit there watching her while she did her homework, as if he wanted her to say something to him. But by this time she was older and more hardened, and she expected nothing much from him. She had ceased to consider him her responsibility; she found him simply an irritating interruption. He was much less interesting than the siege techniques of Julius Caesar, which she was study’= ing in Latin. Her father’s suffering wore her out: it was too flat, it was too wordless, it was too powerless, it was too much like her own.

Once or twice, when he was drunker than usual, he chased her through the house, stumbling and shouting, overturning furniture. At other times he would become affectionate: he wanted to tousle her hair, to hug her as if she were still a child, though he had never behaved like that when she really was one. She would crawl underneath the dining-room table to escape from him: she was a lot smaller than he was, but she was also a lot more agile. The worst thing about these episodes was that he seemed to remember nothing about them the next day. Tony took to avoiding him when possible. During the course of the evening she would monitor his level of drunkenness—she could tell by the smell partly, of sugary varnish—and plan her exit routes: into the bathroom, out the kitchen door, into her bedroom. The main thing was not to be cornered. Her bedroom had a lock, but she would also push her bureau in front of the door, taking all the drawers out first and then putting them back when the bureau was in place; otherwise it would have been too heavy for her. Then she would sit with her back against the bureau and her book open on her knees, trying to block out the sound of the knob turning, and of the muffled, broken voice, snuffling at her door: I just want to talk to you! That’s all! I just want ...