CHARLES. No mistake, Daniel! (DANIEL is about to throw himself on his knees before him.) Rise! Tell me, how does my Amelia?
DANIEL. Heaven reward you! Heaven reward you! O gracious me! Your Amelia will never survive it, she will die for joy?
CHARLES (eagerly). She has not forgotten me then?
DANIEL. Forgotten you? How can you talk thus? Forgotten you, indeed! You should have been there, you should have seen how she took on, when the news came of your death, which his honor caused to be spread abroad-
CHARLES. What do you say? my brother-
DANIEL. Yes, your brother; his honor, your brother-another day I will tell you more about it, when we have time-and how cleverly she sent him about his business when he came a wooing every blessed day, and offered to make her his countess. Oh, I must go; I must go and tell her; carry her the news (is about to run of).
CHARLES. Stay! stay! she must not know-nobody must know, not even my brother!
DANIEL. Your brother? No, on no account; he must not know it! Certainly not! If he know not already more than he ought to know. Oh, I can tell you, there are wicked men, wicked brothers, wicked masters; but I would not for all my master's gold be a wicked servant. His honor thought you were dead.
CHARLES. Humph! What are you muttering about?
DANIEL (in a half-suppressed voice). And to be sure when a man rises from the dead thus uninvited-your brother was the sole heir of our late master!
CHARLES. Old man! what is it you are muttering between your teeth, as if some dreadful secret were hovering on your tongue which you fear to utter, and yet ought? Out with it!
DANIEL. But I would rather gnaw my old bones with hunger, and suck my own blood for thirst, than gain a life of luxury by murder.
[Exit hastily.]
CHARLES (starting up, after a terrible pause). Betrayed! Betrayed! It flashes upon my soul like lightning! A, fiendish trick! A murderer and a robber through fiend-like machinations! Calumniated by him! My letters falsified, suppressed! his heart full of love! Oh, what a monstrous fool was I! His fatherly heart full of love! oh, villainy, villainy! It would have cost me but once kneeling at his feet-a tear would have done it-oh blind, blind fool that I was! (running up against the wall). I might have been happy-oh villainy, villainy!
Knavishly, yes, knavishly cheated out of all happiness in this life! (He runs up and down in a rage.) A murderer, a robber, all through a knavish trick! He was not even angry! Not a thought of cursing ever entered his heart. Oh, miscreant! inconceivable, hypocritical, abominable miscreant!
Enter KOSINSKY.
KOSINSKY. Well, captain, where are you loitering? What is the matter? You are for staying here some time longer, I perceive?
CHARLES. Up! Saddle the horses! Before sunset we must be over the frontier!
KOSINSKY. You are joking.
CHARLES (in a commanding tone). Quick! quick! delay not! leave every thing behind! and let no eye see you!
(Exit KOSINSKY.)
I fly from these walls. The least delay might drive me raving road; and he my father's son! Brother! brother! thou hast made me the most miserable wretch on earth; I never injured thee; this was not brotherly. Reap the fruits of thy crime in quiet, my presence shall no longer embitter thy enjoyment-but, surely, this was not acting like a brother. May oblivion shroud thy misdeed forever, and death not bring it back to light.
Enter KOSINSKY.
KOSINSKY. The horses are ready saddled, you can mount as soon as you please.
CHARLES. Why in such haste? Why so urgent? Shall I see her no more?
KOSINSKY. I will take off the bridles again, if you wish it; you bade me hasten head over heels.
CHARLES. One more farewell! one more! I must drain this poisoned cup of happiness to the dregs, and then-Stay, Kosinsky! Ten minutes more- behind, in the castle yard-and we gallop off.
Scene IV.-In the Garden.
AMELIA. "You are in tears, Amelia!" These were his very words-and spoken with such expressionsuch a voice!-oh, it summoned up a thousand dear remembrances!-scenes of past delight, as in my youthful days of happiness, my golden spring-tide of love. The nightingale sung with the same sweetness, the flowers breathed the same delicious fragrance, as when I used to hang enraptured on his neck.*
*[Here, in the acting edition, is added, 'Assuredly, if the spirits
of the departed wander among the living, then must this stranger be
Charles's angel!']
Ha! false, perfidious heart! And dost thou seek thus artfully to veil thy perjury? No, no! begone forever from my soul, thou sinful image! I have not broken my oath, thou only one! Avaunt, from my soul, ye treacherous impious wishes! In the heart where Charles reigns no son of earth may dwell. But why, my soul, dost thou thus constantly, thus obstinately turn towards this stranger? Does he not cling to my heart in the very image of my only one! Is he not his inseparable companion in my thoughts? "You are in tears, Amelia?" Ha! let me fly from him!- -fly!-never more shall my eyes behold this stranger!
[CHARLES opens the garden gate.]
AMELIA (starting). Hark! hark! did I not hear the gate creak? (She perceives CHARLES and starts up.) He?-whither?-what? I am rooted to the spot,-I can not fly! Forsake me not, good Heaven! No! thou shalt not tear me from my Charles! My soul has no room for two deities, I am but a mortal maid! (She draws the picture of CHARLES from her bosom.) Thou, my Charles! be thou my guardian angel against this stranger, this invader of our loves! At thee will I look, at thee, nor turn away my eyes-nor cast one sinful look towards him! (She sits silent, her eyes fixed upon the picture.)
CHARLES. You here, Lady Amelia?-and so sad? and a tear upon that picture? (AMELIA gives him no answer.) And who is the happy man for whom these silver drops fall from an angel's eyes? May I be permitted to look at-(He endeavors to look at the picture.)
AMELIA. No-yes-no!
CHARLES (starting back). Ha-and does he deserve to be so idolized? Does he deserve it?
AMELIA. Had you but known him!
CHARLES. I should have envied him.
AMELIA. Adored, you mean.
CHARLES. Ha!
AMELIA. Oh, you would so have loved him?--there was so much, so much in his face-in his eyes-in the tone of his voice,-which was so like yours-that I love so dearly! (CHARLES casts his eyes down to the ground.) Here, where you are standing, he has stood a thousand times- and by his side, one who, by his side, forgot heaven and earth. Here his eyes feasted on nature's most glorious panorama,-which, as if conscious of his approving glance, seemed to increase in beauty under the approbation of her masterpiece. Here he held the audience of the air captive with his heavenly music. Here, from this bush, he plucked roses, and plucked those roses for me. Here, here, he lay on my neck; here he imprinted burning kisses on my lips, and the flowers hung their heads with pleasure beneath the foot-tread of the lovers.*
*[In the acting edition the scene changes materially at this point,
and the most sentimental part of the whole drama is transformed
into the most voluptuous. The stage direction here is,-(They give
way to their transports without control, and mingle their kisses.
MOOR hangs in ecstacy on her lips, while she sinks half delirious
on the couch.) O Charles! now avenge thyself; my vow is broken.
MOOR (tearing himself away from her, as if in frenzy). Can this be
hell that still pursues me! (Gazing on her.) I felt so happy!