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But how do we get from here to there? It’s sure to be turbulent, perhaps even terrifying, and likely filled with conflict. In short, it’s the perfect subject for science fiction authors to sink their teeth into. The essence of drama is, after all, conflict. Our future may indeed be roses, or it may be extinction, but only one thing is certain: the journey there is going to be unpredictable and far more remarkable than anything even I or the authors of The Robot Chronicles can imagine.

So read this collection, and let what Bradbury called the most important literature in the history of the world (sci-fi) in what is the most powerful medium in the history of the world (the book) do what only it can do. Let it betray you, let it put out the stars and extinguish the sun. Let it leave you lost in the moor, in a great welter of nouns and verbs and adjectives. Let it do all the things that Captain Beaty knew it had the power to do. And above all, let it make you see.

Savor it. Science fiction has never been more important, and there’ll never be an era like this one again. The Robot Chronicles has arrived at just the right time.

GLITCH

by Hugh Howey

The hotel coffee maker is giving me a hard time in a friendly voice. Keeps telling me the filter door isn’t shut, but damned if it isn’t. I tell the machine to shut up as I pull the plastic basket back out. Down on my knees, I peer into the housing and see splashed grounds crusting over a sensor. I curse the engineer who thought this was a problem in need of a solution. I’m using one of the paper filters to clean the sensor when there’s an angry slap on the hotel room door.

If Peter and I have a secret knock, this would be it. A steady, loud pounding on barred doors amid muffled shouting. I check the clock by the bed. It’s six in the morning. He’s lucky I’m already up, or I’d have to murder him.

I tell him to cool his jets while I search for a robe. Peter has seen me naked countless times, but that was years ago. If he still has thoughts about me, I’d like for them to be flab-free thoughts. Mostly to heighten his regrets and private frustrations. It’s not that we stand a chance of ever getting back together; we know each other too well for that. Building champion Gladiators is what we’re good at. Raising a flesh and blood family was a goddamn mess.

I get the robe knotted and open the door. Peter gives it a shove, and the security latch catches like a gunshot. “Jesus,” I tell him. “Chill out.”

“We’ve got a glitch,” he tells me through the cracked door. He’s out of breath like he’s been running. I unlatch the lock and get the door open, and Peter shakes his head at me for having used the lock—like I should be as secure sleeping alone in a Detroit hotel as he is. I flash back to those deep sighs he used to give me when I’d call him on my way out of the lab at night so I didn’t have to walk to the car alone. Back before I had Max to escort me.

“What glitch?” I ask. I go back to the argument I was having with the coffee maker before the banging on the door interrupted me. Peter paces. His shirt is stained with sweat, and he smells of strawberry vape and oil. He obviously hasn’t slept. Max had a brutal bout yesterday—we knew it would be a challenge—but the finals aren’t for another two days. We could build a new Max from spares in that amount of time. I’m more worried about all the repressed shit I could hit Peter with if I don’t get caffeine in me, pronto. The coffee maker finally starts hissing and sputtering while Peter urges me to get dressed, tells me we can get coffee on the way.

“I just woke up,” I tell him. He paces while the coffee drips. He doesn’t normally get this agitated except right before a bout. I wonder what kind of glitch could have him so worked up. “Software or hardware?” I ask. I pray he’ll say hardware. I’m more in the mood to bust my knuckles, not my brain.

“Software,” Peter says. “We think. We’re pretty sure. We need you to look at it.”

The cup is filling, and the smell of coffee masks the smell of my ex-husband. “You think? Jesus, Pete, why don’t you go get a few hours’ sleep? I’ll get some breakfast and head over to the trailer. Is Hinson there?”

“Hell no. We told the professor everything was fine and sent him home. Me and Greenie have been up all night trying to sort this out. We were going to come get you hours ago—”

I shoot Peter a look.

“Exactly. I told Greenie about The Wrath and said we had to wait at least until the sun came up.” He smiles at me. “But seriously, Sam, this is some wild shit.”

I pull the half-full styrofoam cup out from under the basket. Coffee continues to drip to the hotplate, where it hisses like a snake. The Wrath is what Peter named my mood before eight in the morning. Our marriage might’ve survived if we’d only had to do afternoons.

“Wait outside, and I’ll get dressed,” I tell him. A sip of shitty coffee. The little coffee maker warns me about pulling the cup out before the light turns green. I give the machine the finger while Peter closes the door behind him. The smell of his sweat lingers in the air around me for a moment, and then it’s gone. An image of our old garage barges into my brain, unannounced. Peter and I are celebrating Max’s first untethered bipedal walk. I swear to God, it’s as joyous a day as when our Sarah stumbled across the carpet for the first time. Must be the smell of sweat and solder bringing that memory back. Just a glitch. We get them too.

* * *

The Gladiator Nationals are being held in Detroit for the first time in their nine-year history—a nod to the revitalization of the local industry. Ironic, really. A town that fought the hell out of automation has become one of the largest builders of robots in the world. Robots building robots. But the factory floors still need trainers, designers, and programmers. High-tech jobs coming to rescue a low-wage and idle workforce. They say downtown is booming again, but the place looks like absolute squalor to me. I guess you had to be here for the really bad times to appreciate this.

Our trailer is parked on the stadium infield. A security bot on tank treads—built by one of our competitors—scans Peter’s ID and waves us through. We head for the two semis with Max’s gold-and-blue-jowled image painted across the sides. It looks like the robot is smiling—a bit of artistic license. It gets the parents honking at us on the freeway and the kids pumping their fists out the windows.

Reaching the finals two years ago secured the DARPA contract that paid for the second trailer. We build war machines that entertain the masses, and then the tech flows down to factories like those here in Detroit—where servants are assembled for the wealthy, healthcare bots for the infirmed, and mail-order sex bots that go mostly to Russia. A lust for violence, in some roundabout way, funds other lusts. All I know is that with one more trip to the finals, the debt Peter saddled me with is history. I concentrate on this as we cross the oil-splattered arena. The infield is deathly quiet, the stands empty. Assholes everywhere getting decent sleep.