By Leslie Charteris
FICTION PUBLISHING COMPANY • NEW YORK
Copyright 1932, 1933 by Leslie Charteris. Published by arrangement
with Doubleday & Company, Inc. Printed in U.S.A.
AUTHOR'S FOREWORD
This story is virtually the third volume of a trilogy begun by The Saint Closes the Case and The Avenging Saint. Although it was written a few years after them—with, in fact, four or five other books in between—it was still first published as far back as 1933. I was a lot busier in those days.
In it, the Saint concludes his personal feud with Prince Rudolf, his most interesting opponent in the first two rounds. His other arch enemy, Rayt Marius, does not appear in this one, and actually is only heard of again, posthumously, in The Saint in London. As I have had to explain in other prefaces, these were villains out of a mythology which today seems almost as dated as the Ruritanias from which they came. But this book, although the title may seem less appropriate now than the first one, in retrospect, actually winds up a sequence as well as an era.
Some of the more dated notions which motivated the first two books, the themes of mercenary war-makers putting strings behind the international scene, to activate the puppet but ambitious rulers of minor countries such as Prince Rudolfs, play an almost casual part in this story, and do not need elaborate explanation here. This book can stand, better than the first two, purely on its merits as an adventure and a chase.
Needless to say, however, because of its period, it contains anomalies which may have to be pointed out to some readers who have met the Saint only in his latest environments.
The Austria in which it begins, and the Germany in which it ends, were not only pre-NATO but pre-Hitler. (Although Adolf was busily on his way at the time, he had still not attained any great power, and was largely written off as a minor crackpot who would never really amount to anything.) The kind of mythical principality ruled by Prince Rudolf was still loosely acceptable to the popular imagination, at least as a nostalgic tradition, even though in fact there were precious few left which anyone could actually name.
It is, perhaps, a timely consolation to the writers of high adventure who would try to survive the present trend towards sordid back-street "realism" that although those fascinating plot-fertile Balkans have long since disappeared behind the gray shadows of the Iron Curtain, the surge of anti-colonialism and indiscriminate independence elsewhere has led to a proliferation of even more pint-sized and retrograde republics and dictatorships, all over the globe, than anyone but the United Nations secretariat and the most studious amateur geographers can keep track of. Perhaps, after all, these themes may yet have a romantic renaissance, in some new-born African or Asian Graustark.
Meanwhile, this book is offered simply as an adventure. It never aspired to be anything more.
I. HOW SIMON TEMPLAR FELL FROM GRACE
AND STANISLAUS WAS UNFORTUNATE
IT all began to happen with a ruthlessly irresistible kind of suddenness that was as unanswerable as an avalanche. It was like the venomously accurate little explosion that wrecks a dyke and overwhelms a country. The Saint has sworn that he did his level best to get from under—that he communed with his soul and struggled manfully against temptation. But he never had a chance.
On the bridge, scarcely a dozen yards away, the four men swayed and fought; and the Saint stood still and stared at them. He stood with one hand on Monty Hayward's arm and the other on Patricia Holm's, exactly as he had been walking when the astonishing beginning of the fight had halted him in his tracks like the bursting of a bomb, and surveyed the scene in silence. And it was during this silence (if the Saint can be believed) that he held the aforesaid converse with his soul.
The change that had taken place so abruptly in the landscape and general atmosphere of that particular piece of Innsbruck was certainly a trifle startling. Just one split second ago, it seemed, the harmless-looking little man who was now the focal point of the excitement had been the only specimen of humanity in sight. The deserted calm of the Herzog Otto Strasse ahead had been equalled only by the vacuous repose of the Rennweg behind, or the void tranquillity of the Hofgarten on the port side; and the harmless-looking little man was paddling innocently across the bridge on their right front with his innocuous little attaché case in his hand. And then, all at once, without the slightest warning or interval for parley, the three other combatants had materialized out of the shadows and launched themselves in a flying wedge upon him. Largely, solidly, and purposefully, they jammed him up against the parapet and proceeded to slug the life out of him.
The Saint's weight shifted gently on his toes, and he whistled a vague, soft sort of tune between his teeth. And then Monty Hayward detached his arm from the Saint's light grip, and the eyes of the two men met.
"I don't know," said Monty tentatively, "whether we can stand for this."
And Simon Templar nodded.
"I also," he murmured, "had my doubts."
He hitched himself thoughtfully forward. Over on the bridge, the chaotic welter of men heaved and writhed convulsively to a syncopated accompaniment of laboured breathing and irregularly thudding blows, varied from time to time by a guttural gasp of effort or a muffled yelp of pain. . . . And the Saint became dimly conscious that Patricia was holding his arm.
"Boy, listen—weren't you going to be good?"
He paused in his stride and turned. He smiled dreamily upon her. In his ears the scuffling undertones of the battle were ringing like celestial music. He was lost.
"Why—yes, old dear," he answered vaguely. "Sure, I'm going to be good. I just want to sort of look things over. See they don't get too rough." The idea took firmer shape in his mind. "I—I might argue gently with them, or something like that."
Certainly he was being good. His mind was as barren of all evil as a new-born babe's. Gentle but firm remonstrance—that was the scheme. Appeal to the nobler instincts. The coal-black mammy touch.
He approached the battle thoughtfully and circumspectly, like an entomologist scraping acquaintance with a new species of scorpion. Monty Hayward seemed to have disappeared completely into the deeper intestines of the potpourri, into which his advent had enthused a new and even more violent tempo. In that murderous jumble it was practically impossible to distinguish one party from another; but Simon reached down a thoughtfully probing hand into the tangle, felt the scruff of a thick neck, and yanked forth a man. For one soul-shaking instant they glared at each other in the dim light; and it became regrettably obvious to the Saint that the face he was regarding must have been without exception the most depraved and villainous specimen of its kind south of Munich. And therefore, with what he would always hold to be the most profound and irrefragably philosophic justification in the world, he hit it, thoughtfully and experimentally, upon the nose.