Last Chance to See started as a magazine article for the World Wildlife Fund. The group sent Adams to Madagascar, where he met Carwardine. Adams wrote about the aye-aye, an endangered species of nocturnal lemur that looks like a cross between a bat, a monkey, and a very surprised infant.
“At the time, it was thought that there were only about fifteen. They’ve found a few more so it’s not quite so endangered, just very, very, very endangered,” Adams said. “The whole thing was completely magical.”
So magical that Adams and Carwardine spent the next year traveling the world and seeing endangered animals, like flightless kakapo parrots in New Zealand and baiji river dolphins in China. The last twenty dolphins will become extinct when the Chinese government completes the Three Gorges Dam and destroys the dolphins’ habitat.
“It’s a desperate thing, not only because another species is lost and the tragedy of that, but because I don’t know why we keep building these fucking dams,” Adams said in a surprisingly forceful British whisper. “Not only do they cause environmental and social disasters, they, with very few exceptions, all fail to do what they were supposed to do in the first place. Look at the Amazon, where they’ve all silted up. What is the reaction to that? They’re going to build another eighty of them. It’s just balmy. We must have beaver genes or something... . There’s just this kind of sensational desire to build dams, and maybe that should be looked at and excised from human nature. Maybe the Human Genome Project can locate the beaver/dam-building gene and cut that out.”
In The Hitchhiker’s Guide to the Galaxy, intergalactic bulldozers destroyed the Earth and humanity. A very different sort of bulldozer destroyed the most successful species the planet had ever known. Sixty-five million years ago, a six-mile-wide asteroid slammed into the Yucatán peninsula, created a one-hundred-mile crater, and sent a cloud of searing vapor and dust into the air. That was pretty much it for the dinosaurs.
“I’m rather obsessed with the idea of that comet coming down and it being the single event to which we owe our very existence,” Adams said. “It is arguably the single most dramatic thing to have ever occurred in the world and certainly the one that was the most dramatic event in our lives, in that it paved the way for our existence, and no one was there to see it.”
Dinosaur-killing rocks are classic physics. The newer physics is a little too outlandish for Adams, a man who wrote that the answer to Life, the Universe and Everything is 42. A computer came up with that answer, and Adams said computers will change everything.
“Now that we’ve built computers, first we made them room-size, then desk-size and in briefcases and in pockets, soon they’ll be as plentiful as dust—you can sprinkle computers all over the place. Gradually, the whole environment will become something far more responsive and smart, and we’ll be living in a way that’s very hard for people living on the planet just now to understand,” Adams said. “I guess my six-year-old daughter will get a much better handle on it.”
Adams has done a bit of everything, from radio to television to designing computer games. Not all of them worked out.
“These are life’s little learning experiences,” he said. “You know what a learning experience is? A learning experience is one of those things that says, ‘You know that thing you just did? Don’t do that.’
“At the end of all this being-determined-to-be-a-jack-of-all-trades, I think I’m better off just sitting down and putting a hundred thousand words in a cunning order.”
Adams writes “slowly and painfully.”
“People assume you sit in a room, looking pensive and writing great thoughts,” he said. “But you mostly sit in a room looking panic-stricken and hoping they haven’t put a guard on the door yet.”
Adams will probably be writing for the next few years, before his daughter grows up.
“I think what I’ll do, because there has been talk about me doing a big TV documentary series, is that I’ll wait until her hormones kick in, and then I shall go off like a shot,” he said. “I think when she’s about thirteen I’ll go off and do a big documentary series and come back when she’s become civilized.”
The interview ended when Adams’s cell phone rang from inside his pocket. In the other pocket there was a little bit of padded cotton, red trimmed with a giraffe on it. It looked like it belonged to his daughter. His wife and daughter were supposed to have flown to London that night, but his daughter came down with an ear infection. “A serious one, actually.”
It was time for Adams to climb into his black Mercedes to go home and see her.
And so he did.
Epilogue
A lament for Douglas Adams, best known as author of The Hitchhiker’s Guide to the Galaxy, who died on Saturday, aged forty-nine, from a heart attack.
This is not an obituary; there’ll be time enough for them. It is not a tribute, not a considered assessment of a brilliant life, not a eulogy. It is a keening lament, written too soon to be balanced, too soon to be carefully thought through. Douglas, you cannot be dead.
A sunny Friday morning in May, ten past seven, shuffle out of bed, log in to e-mail as usual. The usual blue bold headings drop into place, mostly junk, some expected, and my gaze absently follows them down the page. The name Douglas Adams catches my eye and I smile. That one, at least, will be good for a laugh. Then I do the classic double-take, back up the screen.
What did that heading actually say? Douglas Adams died of a heart attack a few hours ago. Then that other cliché, the words swelling before my eyes.
It must be part of the joke. It must be some other Douglas Adams. This is too ridiculous to be true. I must still be asleep. I open the message, from a well-known German software designer. It is no joke, I am fully awake. And it is the right—or rather the wrong—Douglas Adams. A sudden heart attack, in the gym in Santa Barbara. “Man, man, man, man oh man,” the message concludes. Man indeed, what a man. A giant of a man, surely nearer seven foot than six, broad-shouldered, and he did not stoop like some very tall men who feel uncomfortable with their height. But nor did he swagger with the macho assertiveness that can be intimidating in a big man. He neither apologised for his height, nor flaunted it. It was part of the joke against himself.
One of the great wits of our age, his sophisticated humour was founded in a deep, amalgamated knowledge of literature and science, two of my great loves. And he introduced me to my wife—at his fortieth birthday party.
He was exactly her age, they had worked together on Dr. Who. Should I tell her now, or let her sleep a bit longer before shattering her day? He initiated our togetherness and was a recurrently important part of it. I must tell her now.
Douglas and I met because I sent him an unsolicited fan letter—I think it is the only time I have ever written one. I had adored The Hitchhiker’s Guide to the Galaxy. Then I read Dirk Gently’s Holistic Detective Agency.
As soon as I finished it, I turned back to page one and read it straight through again—the only time I have ever done that, and I wrote to tell him so. He replied that he was a fan of my books, and he invited me to his house in London. I have seldom met a more congenial spirit. Obviously I knew he would be funny. What I didn’t know was how deeply read he was in science. I should have guessed, for you can’t understand many of the jokes in Hitchhiker if you don’t know a lot of advanced science. And in modern electronic technology he was a real expert. We talked science a lot, in private, and even in public at literary festivals and on the wireless or television. And he became my guru on all technical problems. Rather than struggle with some ill-written and incomprehensible manual in Pacific Rim English, I would fire off an e-mail to Douglas. He would reply, often within minutes, whether in London or Santa Barbara, or some hotel room anywhere in the world. Unlike most staff of professional helplines, Douglas understood exactly my problem, knew exactly why it was troubling me, and always had the solution ready, lucidly and amusingly explained. Our frequent e-mail exchanges brimmed with literary and scientific jokes and affectionately sardonic little asides. His technophilia shone through, but so did his rich sense of the absurd. The whole world was one big Monty Python sketch, and the follies of humanity were as comic in the world’s silicon valleys as anywhere else.