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Bonnie. «You`re so much more in touch, so much more

approachable. I`ll tell you the truth—the way you were

when you first started here...I mean I could never have

imagined me or anyone else consulting you as a counselor.»

«Unfortunately,” Philip responded, «being ‘in touch`

here means that I must share everyone`s unhappiness. That

simply compounds my misery. Tell me, how can this

‘being in touch` possibly be useful? When I was ‘in life` I

was miserable. For the past twelve years I have been a

visitor to life, an observer of the passing show, and»—

Philip spread his fingers and raised and lowered his hands

for emphasis—«I have lived in tranquillity. And now that

this group has compelled me to once again be ‘in life,` I am

once again in anguish. I mentioned to you my agitation

after that group meeting a few weeks ago. I have not

regained my former equanimity.»

«I think there`s a flaw in your reasoning, Philip,”

said Stuart, «and that has to do with your statement that you

were ‘in life.`”

Bonnie leaped in, «I was going to say the same thing.

I don`t believe you were ever in life, notreally in life.

You`ve never talked about having a real loving

relationship. I`ve heard nothing about male friends, and, as

for women, you say yourself that you were a predator.»

«That true, Philip?» asked Gill. «Have there never

been any real relationships?»

Philip shook his head. «Everyone with whom I`ve

interacted has caused me pain.»

«Your parents?» asked Stuart.

«My father was distant and, I think, chronically

depressed. He took his own life when I was thirteen. My

mother died a few years ago, but I had been estranged from

her for twenty years. I did not attend her funeral.»

«Brothers? Sisters?» asked Tony.

Philip shook his head. «An only child.»

«You know what comes to my mind?» Tony

interjected. «When I was a kid, I wouldn`t eat most things

my mother cooked. I`d always say ‘I don`t like it,` and

she`d always come back with ‘How do you know you don`t

like it if you`ve never tasted it?` Your take on life reminds

me of that.»

«Many things,” Philip replied, «can be known by

virtue of pure reason. All of geometry, for example. Or one

may have some partial exposure to a painful experience and

extrapolate the whole from that. And one may look about,

read, observe others.»

«But your main dude, Schopenhauer,” said Tony,

«didn`t you say he made a big deal about listening to your

own body, of relying on—what did you say?—your instant

experience?»

«Immediate experience.»

«Right,immediate experience. So wouldn`t you say

you`re making a major decision on second–rate,

secondhand info—I mean info that`s not your own

immediate experience?»

«Your point is well taken, Tony, but I had my fill of

direct experience after that ‘confession day` session.»

«Again you go back to that session, Philip. It seems

to have been a turning point,” said Julius. «Maybe it`s time

to describe what happened to you that day.»

As before, Philip paused, inhaled deeply, and then

proceeded to relate, in a methodical manner, his experience

after the end of that meeting. As he spoke of his agitation

and his inability to marshal his mind–quieting techniques,

he grew visibly agitated. Then, as he described how his

mental flotsam did not drift away but lodged in his mind,

drops of perspiration glistened on his forehead. And then,

as Philip spoke of the reemergence of his brutish, rapacious

self, a pool of wetness appeared in the armpits of his pale

red shirt and rivulets of sweat dripped from his chin and

nose and down his neck. The room was very still; everyone

was transfixed by Philip`s leakage of words and of water.

He paused, took another deep breath, and continued:

«My thoughts lost their coherence; images flooded pell–mell into my mind: memories I had long forgotten. I

remembered some things about my two sexual encounters

with Pam. And I saw her face, not her face now but her

face of fifteen years ago, with a preternatural vividness. It

was radiant; I wanted to hold it and...” Philip was prepared

to hold nothing back, not his raw jealousy, not the caveman

mentality of possessing Pam, not even the image of Tony

with the Popeye forearms, but he was now overcome by a

massive diaphoresis, which soaked him to the skin. He

stood and strode out of the room saying, «I`m drenched; I

have to leave.»

Tony bolted out after him. Three or four minutes

later the two of them reentered the room, Philip now

wearing Tony`s San Francisco Giants sweater, and Tony

stripped to his tight black T–shirt.

Philip looked at no one but simply collapsed into his

seat, obviously exhausted.

«Bring ‘em back alive,” said Tony.

«If I weren`t married,” said Rebecca, «I could fall in

love with both you guys for what you just did.»

«I`m available,” said Tony.

«No comment,” said Philip. «That`s it for me

today—I`m drained.»

«Drained? Your first joke here, Philip. I love it,” said

Rebecca.

39

Fame, at Last

_________________________

Some cannot

loosen

their own

chains yet

can

nonetheless liberate

their

friends.

Nietzsche

_________________________

There are few things that Schopenhauer vilified more than

the craving for fame. And, yet, oh how he craved it!

Fame plays an important role in his last

book,Parerga and Paralipomena, a two–volume

compilation of incidental observations, essays, and

aphorisms, completed in 1851, nine years before his death.

With a profound sense of accomplishment and relief, he

finished the book and said; «I will wipe my pen and say,

‘the rest is silence.`”

But finding a publisher was a challenge: none of his

previous publishers would touch it, having lost too much

money on his other unread works. Even his magnum

opus,The World as Will and Representation, had sold only

a few copies and received only a single, lack–luster review.

Finally, one of his loyal «evangelists» persuaded a Berlin

bookseller to publish a printing of 750 copies in 1853.

Schopenhauer was to receive ten free copies but no

royalties.

The first volume ofParerga and Paralipomena

contains a striking triplet of essays on how to gain and

maintain a sense of self–worth. The first essay, «What a

Man Is,” describes how creative thinking results in a sense

of inner wealth. Such a path provides self–esteem and

enables one to overcome the basic vacuity and boredom of

life, which results in a ceaseless pursuit of sexual

conquests, travel, and games of chance.

The second essay, «What a Man Has,” dissects one

of the major techniques used to compensate for inner

poverty: the endless accumulation of possessions, which

ultimately results in one becoming possessed by one`s

possessions.

It is the third essay, «What a Man Represents,” that

most clearly expresses his views on fame. A person`s self–worth or inner merit is the essential commodity, whereas

fame is something secondary, the mere shadow of merit. «It

is not fame but that whereby we merit it that is of true

value.... a man`s greatest happiness is not that posterity

will know something about him but he himself will develop

thoughts that deserve consideration and preservation for

centuries.» Self–esteem that is based on inner merit results