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The 'draw a line' philosophy offers a substantial political advan­tage to people with hidden agendas. The method for getting what you want is first to draw the line somewhere that nobody would object to, and then gradually move it to where you really want it, arguing continuity all the way. For example, having agreed that killing a child is murder, the line labelled 'murder' is then slid back to the instant of conception; having agreed that people should be allowed to read whichever newspaper they like, you end up sup­porting the right to put the recipe for nerve gas on the Internet.

If we were less obsessed with labels and discontinuity, it would be much easier to recognize that the problem here is not where to draw the line: it is that the image of drawing a line is inappropriate. There is no sharp line, only shades of grey that merge unnoticed into one another, despite which, one end is manifestly white and the other is equally clearly black. An embryo is not a person, but as it develops it gradually becomes one. There is no magic moment at which it switches from non-person to person, instead, it merges continuously from one into the other. Unfortunately our legal sys­tem operates in rigid black-and-white terms, legal or illegal, no shades of grey, and this causes a mismatch, reinforced by our use of words as labels. A kind of triage might be better: this end of the spectrum is legal, that end of the spectrum is illegal, and in between is a grey area which we do our best to avoid if we possibly can. If we can't avoid it, we can at least adjust the degree of criminality and the appropriate penalty according to whereabouts in the spectrum the activity seems to lie.

Even such obviously black-and-white distinctions as alive/dead or male/female turn out, on close examination, to be more like a continuous merging than a sharp discontinuity. Pork sausages from the butcher's contain many live pig cells. With today's techniques you might even clone an adult pig from one. A person's brain can have ceased to function but their body, with medical assistance, can keep going. There are at least a dozen different combinations of sex chromosomes in humans, of which only XX represents the tradi­tional female and XY the traditional male.

Although the Big Bang is a scientific story about a beginning, it also raises important questions about becomings. The Big Bang theory is a beautiful bit of science, very nearly consistent with the picture we now have of the atomic and the subatomic world, with its diverse kinds of atom, their protons and neutrons, their clouds of electrons, and the more exotic particles that we see when cosmic rays hit our atmosphere or when we insult the more familiar parti­cles by slamming them together very hard. Now that physicists have 'found', or perhaps invented, the allegedly 'ultimate' constituents of these familiar particles (more exotic things known as quarks, gluons ... at least the names are familiar) they're starting to wonder whether there are more layers further down, more 'ultimate' still.

Turtles all the way down?

Does physics go all the way down, or does it stop at some level? If it stops, is that the Ultimate Secret, or just a point beyond which the physicists' way of thinking fails?

The conceptual problem here is difficult because the universe is a becoming, a process, and we want to think of it as a thing. We don't only find it puzzling that the universe was so different back then, that particles behaved differently, that the universe then became the universe now, and will perhaps eventually cease expand­ing and collapse back to a point in a Big Crunch. We are familiar with babies becoming children becoming adults, but these processes always surprise us, we like things to keep the same char­acter, so 'becoming' is difficult for our minds to handle.

There is another element of the first moments of our universe that is even more difficult to think about. Where did the Laws come from? Why are there such things as protons and electrons, quarks and gluons? We usually separate processes into two conceptually distinct causal chunks: the initial conditions, and the rules by which they are transformed as time passes. For the solar system, for instance, the initial conditions are the positions and speeds of the planets at some chosen instant of time; the rules are the laws of gravitation and motion, which tell us how those positions and speeds will change thereafter. But for the beginning of the universe, the initial conditions seem not to be there at all. Even there isn't there! So it seems that it's all done by rules. Where did the rules come from? Did they have to be invented? Or were they just sitting in some unimaginable timeless pseudo-existence, waiting to be called up? Or did they uncurl in the early moments of the universe, as Something appeared, so that the universe invented its own rules along with space and time?

During the becoming of its first moments, our universe kept changing its state, changing the rules it accessed. In this respect it was rather like a flame, which changes its composition according to its own dynamics and the things that it is burning. Flames are all more or less the same shape, but they don't inherit that shape from a 'parent'. When you set light to a piece of paper, the flame builds itself from scratch using the rules of the outside universe.

In the opening instants of the universe, it wasn't just substances, temperatures and sizes that changed. The rules by which they changed also changed. We don't like to think this way: we want immutable laws, the same always. So we look for 'deeper' laws to govern how the rules changed. Possibly the universe is 'really' gov­erned by these deeper laws. But perhaps it just makes up its own rules as it goes along.

7. BEYOND THE FIFTH ELEMENT

IN THE QUIET OF THE NIGHT, HEX COMPUTED. Along its myriad glass tubes, the ants scurried. Crude magic sparkled along cobwebs of fine bronze wire, changing colour as it changed logic states[15]. In the special room next door the beehives, long-term storage, buzzed. The thing that went 'parp' did so occasionally. Huge wheels turned, stopped, turned back. And still it wasn't enough.

The light of the Project fell across HEX's keyboard. Things were happening in there, and HEX did not understand them. And that was taxing, because there was something there to understand.

HEX was largely self-designed, which was why it worked better than most things in the University. It generally tried to develop a responsive way of coming to grips with any new task; the bees had been a particularly good idea, because although the memory retrieval was slow, the total memory increased with time and good apiary practice.

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15

Of which there were quite a number, given HEX's unusual construction. In addition to AND, OR and their, combinations and variants, HEX could call up MAYBE, PERHAPS, SUPPOSE and WHY. HEX could think the unthinkable quite easily.