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“We will have to take more notes later, Ava. I do apologize, but there is something I must tend to this afternoon.”

“Of course,” she said. “Don’t let me keep you.”

“Is there anything you need before I go? There is an English section in the library. Not large, but there are some books about local history that might interest you.”

Rhys said, “I’ll show her around, Evren.”

“Are you sure? I can find where Malachi—”

“I’m sure Rhys can keep me entertained.” Ava said, winking at the young scribe, then turning to Rhys who offered her a mischievous smile. Evren smiled knowingly as he and the young man turned to go.

When they were alone, Rhys said, “You know, scribe houses are almost as bad as sororities when it comes to gossip.”

“I’m counting on it.”

“Bad, tempting woman, you are.” He shook his head before he pulled on his shirt. “You’re going to get me stabbed. Malachi is not a man accustomed to sharing.”

“Well, then I guess he should be the one to keep me company. And you know about sororities, huh?”

“Sadly not through personal experience.” Rhys grinned. “But modern movies can be quite the education.”

“That was never my scene. Sorry. The popular girls don’t hang out with the crazy ones very often. Unless it’s to make fun of them.”

“Ava, Ava,” he muttered, throwing a casual arm around the back of her chair as they sat next to each other at the library table. “Don’t you know you’re not crazy? You’re special.” She felt him toying with an errant curl. “You’re magic, love. Someday you’ll understand how much.”

A beam of light came through a high window, flooding the room with sudden light and illuminating a mural on the other side of the library. One old man sat in the far corner, staring at the beautiful scene depicting a village bustling with life. In the six days she’d spent in the library, Ava had seen the old man do nothing else. He looked to be in his eighties or nineties, though like all the Irin, she knew he must be far older. Suddenly, she knew exactly what she wanted to do.

“Rhys?”

“Hmm?” He was staring at the mural, too.

“Will you tell me about the Rending?”

“There’s a human saying: You don’t know what you’ve got till it’s gone. We Irin should have that tattooed on our foreheads.”

Rhys led her past the mural, toward a long hall lit with candles. On the dark wall, more images flickered from a mosaic of intricate design, made with shards of glass and pieces of pottery. Bits of stone, both precious and common, interspersed with paint and cloth and plaster. It was a confusing mixture, but as Ava stepped back, the images became clearer. She said nothing, waiting for Rhys to speak.

“It happened in the early 1800s. Things had been turbulent in human years. Wars. Revolutions. Political and social uprising. But for the Irin…” He shrugged and took a step down the hallway. “It had been an oddly peaceful few decades. Time has always moved more slowly for us. We exist among humans, but separate. We had become isolated in our own communities, for the most part. The council decided it was necessary after the madness of the medieval period in Europe.”

“Why?”

Rhys pointed to a section of the mosaic where a long-haired woman was laying hands on someone in a bed. “The Irina have always been healers. Before humans developed modern medicine, the Irina used their magic and their knowledge to help humanity. Herb lore. Wives’ tales. Those little bits of knowledge that have passed down in human custom. Much of it came from the Irina. Sadly, many humans thought their magic was evil. Some Irina were captured and executed as witches. Their families were devastated, and their mates often took revenge, killing the ignorant who had murdered their wives. Inevitably, innocents were killed, too. The council finally made the decision to isolate families so the Irina and the children could be better protected.”

“The council?”

The two had stopped near a depiction of an ominous Gothic building.

“The Irin council is in Vienna.” Rhys smiled and nodded at the Gothic building. “Everyone has their politicians, don’t they? They are ours. Once it was made up of seven scribes and seven singers—”

“Singers?”

“Irina.” He smiled again. “Their magic is in their voice. The oldest and wisest Irina would sing—” His voice broke. “The most beautiful, powerful music you can imagine. Ethereal. Their voices are magic. The council was always even, but once they had decided that families needed to stay in the retreats… there was conflict. Many of the Irina felt as if they were being punished for their sisters’ deaths. Many didn’t want to be isolated in the retreats. Eventually, though, it settled down. The Irin and Irina who were mated—particularly those with children—would live in retreats. Irin without mates, or with mates who were in study and meditation, worked among the humans or manned the scribe houses that preserved ancient knowledge.” He gestured around them. “Like this one. The Irin worked here. The retreats—small villages, really—were for families. There were also other Irina compounds where they went to train and study, but Irin weren’t allowed there, so I know little of those. I was raised in a retreat in Cornwall.”

“And Malachi?”

“He was born near here, actually.” Rhys smiled. “Though I believe his parents moved when he was still a child and were living in Germany when the Rending happened.”

“The Rending.”

“Yes… the Rending.” Rhys nudged her farther down the hall as his inner voice took on a low, desperate tone. “One summer, there was a sudden rash of Grigori attacks in the cities. We learned later that it all happened within just a few weeks, but at the time, we had no idea. I was in London, about one hundred years old. I’d finished my training and was doing guardian work, as we all do. The Grigori, who had been relatively quiet for years, started attacking many human women. It was unexpected, and we couldn’t keep up. We’d let our guard down.” He let out a shaky breath. “My watcher followed protocol. When we needed help, we called for the mated men to come help us. They left the retreats to aid us in the city, because that was where the threat lay… we thought.”

They took another step down the hall, and Ava saw the edge of chaos.

She whispered, “But they left the Irina in the retreats alone.”

“Irina…” Rhys’s fingers came up to trace the image of a woman, arms stretched out as dark figures ran toward her. “…have frightening magic of their own. Powerful. Deadly. But they were outnumbered, and they had to protect the children.” Ava felt the tears wet her cheeks as she watched him trail his hands over the scenes of carnage the artist had rendered in frightening detail.

Bodies broken on the ground.

Homes burning.

Children’s toys, bloody and abandoned.

Rhys stopped in front of the depiction of another woman, this one with a fearful gash on her throat. Rhys’s finger traced down the woman’s face, lingering near her neck as if to cover the wound. “Grigori will go for the throat first. If an Irina cannot speak, most of her magic is rendered mute as well. Their voices are…” Ava saw him blink away tears. “The Grigori soldiers overran retreats all over the world. The Irina protected as many children as they could, but most didn’t survive. The girls, especially, were hunted.”

A rushing began to fill her mind. Ava could almost hear it. Hear the voices of the women, silenced forever. Their children, cries cut short by murder. A terrible pain began to throb in her chest.

“How many?” she whispered.

Rhys shook his head. “No one knows for certain. Thousands. It was a coordinated effort on the part of the Grigori to render us weak. They know we are most powerful when we are mated. And they have always feared the voices of the Irina. They fear magic they don’t understand. So, they killed them. As many as they could, along with most of the children and the men who had stayed behind.”