“We’ve now got two options on this end, Cathy,” said Markham, sliding into the Trailblazer. “Either I go back and tell Mrs. Manzera the real reason why I was there, see if I can find out anything else about her son, or we start poking around Manzera’s circle of acquaintances to see if they know anything-maybe start with his ex-wife, or at the country club, the one in East Greenwich where the newspaper articles said he worked.”
“But Sam, this all happened over ten years ago. Wouldn’t the police have done that already?”
“I assume so, yes. When we get the police records, we’ll be able to see who they questioned. I can only hope they missed something.” Markham closed his eyes, rested his head back, and sighed. “I don’t know what else to do, Cathy-starting to think this whole Manzera connection to the stolen Pietà was a bad idea. I’m starting to think I don’t know what the hell I’m doing anymore.”
“It’s in the book, Sam,” Cathy said, taking his hand. “You’re right about that. I know it. Everything we need to catch him is right there in Slumbering in the Stone. You’re just tired, is all. We both are. Why don’t we get some takeout Chinese or something-grab a bottle of wine and call it a day. Tomorrow’s Sunday. We can sleep in for a bit, maybe take a ride down to the coast-official business, of course. After a good night’s rest we’ll both be able to think more clearly. What do you say, Special Agent Markham? Is it a date?”
Markham smiled, kissed her deeply, and drove off.
Neither one of them noticed the blue Toyota Camry that had been parked diagonally across the street about a block away.
It pulled out again behind them.
The Camry followed the Trailblazer first to a Chinese restaurant in Cranston, then to a nearby liquor store, and finally back to downtown Providence, where the Trailblazer disappeared underneath an office building via a private driveway. And after about five minutes the blue Toyota Camry passed by-did not turn down the driveway like the Trailblazer. No, the driver of the blue Camry could not miss the two big PRIVATE ACCESS ONLY signs; he could clearly see the video cameras and the steel, card-access security gate-thought there might even be a guard or two prowling around as well.
“So that’s where they’re keeping her,” The Sculptor said out loud.
Despite her new hair color, despite her Jackie Onassis sunglasses, The Sculptor had recognized Dr. Hildy outside the library as soon as she stepped out from the Trailblazer. And while he had waited for her and the unknown FBI agent to finish their research inside-research he knew had to do with the tennis pro, Damon Manzera-The Sculptor concluded he needed to put his David on hold.
It was all right. He had done that before with his Pietà, when he finally understood the scope, the message of his work as something beyond himself, when he finally understood that, in order to really wake the world from its slumber, no material other than Tommy Campbell would be worthy of his Bacchus.
Yes, The Sculptor did not mind adapting; he did not resist changing his plans if he felt the hand of fate leading him someplace else.
But exactly where did fate want him to go next?
The Sculptor needed time to think and figure out how he would dispose of Dr. Hildy-perhaps this FBI agent, too. But unlike before, when he could take his time, when his work was still unknown to the world, The Sculptor knew now that the clock was ticking. Yes, he had to move quickly-had to get to Hildebrant and the FBI agent before they got to him. But how? It was much too risky under the present circumstances to try to take them at that fortress in downtown Providence-especially since The Sculptor had no idea what it looked like inside.
And so, as The Sculptor drove away from Providence, he resigned himself to wait for the right opportunity to take them on the outside.
The Sculptor smiled, for he knew deep down that fate would bring him and Dr. Hildy together very soon.
After all, fate had never let him down before.
Chapter 45
“I thought we agreed we were going to take a break today,” said Cathy.
She stood in the doorway to their bedroom-naked, save for the button-down shirt of Markham ’s which she wore drawn tightly around her. They had spent that Sunday together driving along the coast-had ended up in Newport and strolled along the cliff-walk before taking in a late lunch at a restaurant overlooking the harbor. Upon their return to the safe house, the fax from Rachel Sullivan had already arrived: the coroner’s report, as well as a list of names taken from the East Greenwich Police investigation on the death of Damon Manzera-both requested by Sam Markham the evening before. Cathy had made the FBI agent promise to let them wait-convinced him that nothing could be done with the information until the following morning. And after another evening of wine and lovemaking, the once shy art history professor could not help but feel a certain amount of pride that her feminine wiles had won out yet again.
“It’s 12:15,” said Markham. “Ante meridiem. Technically it’s now tomorrow-haven’t broken my promise to you, have I?”
“I guess not. But you woke me up.”
“Sorry.”
Dressed in only his underwear, the FBI agent lay on the sofa in the common area-which also consisted of two recliners and a television, two desks complete with computers and printers, a copier and a fax machine, as well as an entire wall dedicated to the twelve video monitors that continually displayed surveillance from the building’s exterior, its second and third floor corridors, as well as its parking garage.
Sullivan’s fax lay scattered about on the floor-cast aside by Markham in deference to his copy of Slumbering in the Stone. Cathy sat down beside him.
“What’s got your attention now?” she asked.
“Wasn’t able to learn much from the fax, so I started reading again about David.”
“And?”
“I guess the thing that keeps jumping out at me is how tall the statue is-seventeen feet, you say?”
“Yes. You can’t really grasp its size, its magnificence until you see it in person.”
“But the way it was sculpted-the head and the upper torso, the hands slightly out of proportion to the lower half of the body-you say in your book you think this was intentional on Michelangelo’s part?”
“Yes. There are a number of theories about this. As I’m sure you’ve read, the enormous block of Carrara marble from which David was originally sculpted had already been worked by a couple of other artists-one of them being a student of Donatello-and then ended up being neglected in a courtyard for almost thirty years before the twenty-six-year-old Michelangelo was commissioned to finish the project in 1501. Some scholars believe that Michelangelo had to work from a figure that had been blocked out earlier. However, I believe that the marble wasn’t nearly that far along when Michelangelo got to it. And as the guild that originally commissioned the statue had intended for it to sit atop the buttress of a cathedral-a plan that was later abandoned-when viewed from below, the proportions of David would be correct.”
“It took him a little over three years,” said Markham, reading. “And the statue ended up being installed outside the entrance to the Palazzo Vecchio.”
“Yes. A representation of the biblical David whose defeat of Goliath and the Philistines came to symbolize the triumph of the Florentine Republic over its rival city-states, Michelangelo’s David was initially placed outside the Palazzo Vecchio-a fortresslike palace that served as the old seat of civic government in Florence. It’s hard to believe, isn’t it? Hard to believe nowadays that the Florentines would have allowed what has become the most famous statue in the world to be subjected to wind and weather and pigeon poop before moving it indoors to the Galleria dell’ Accademia almost four hundred years later.”