‘By that of redemption,’ said Calap. ‘It’s what you have offered, after all.’
‘Redemption comes in a thousand guises, and they are sweetest those that come unexpectedly. For now, she will trust me, but, as you say, Calap, at any time she can choose to abandon that trust. So be it.’
‘So you happily trust your life to her judgement?’
‘Happily? No, I would not use that word, Calap Roud. The point is, I will hold to my story, for it is mine and none other’s.’
Scowling and no doubt confused, Calap turned about and walked away.
Brash Phluster, however, remained. ‘I would tell you something, Avas Flicker. In confidence.’
‘You have it, sir.’
‘It’s this, you see.’ He licked his lips. ‘I keep beginning my songs, but I never get to finish them! Everyone just votes me dispensation! Why? And they laugh and nobody’s supposed to be laughing at all. No, say nothing just yet. Listen!’ His eyes were bright with something like horror. ‘I decided to hide my talent, you see? Hide it deep, save it for the Festival. But then, this happened, and suddenly I realized that I needed to use it, use it to its fullest! But what happened? I’ll tell you what happened, Flicker. Now I know why I was damned good at hiding my talent.’ He clawed at his straggly beard. ‘It’s because I don’t have any in the first place! And now I’m sunk! Once they stop laughing, I’m a dead man!’
Such are the nightmares of artists. The gibbering ghosts of dead geniuses (yes, they are all dead). The bald nakedness of some future legacy, chewed down illegible. The torture and flagellation of a soul in crisis. The secret truth is that every artist kneels, every artist sets head down upon the block of fickle opinion and the judgement of the incapable. To be a living artist is to be driven again and again to explain oneself, to justify every creative decision, yet to bite down hard on the bit is the only honourable recourse, to my mind at least. Explain nothing, justify even less. Grin at the gallows, dear friends! The artist that lives and the audience that lives while they live are without relevance! Only those still unborn shall post the script of legacy, whether it be forgotten or canonized! The artist and the audience are trapped together in the now, the instant of mood and taste and gnawing unease and all the blither of fugue that is opinion’s facile realm! Make brazen your defiance and make well nested your home in the alley and doorstep or, if the winds fare you well, in yon estate with Entourage in tow and the drool of adoration to soothe your path through the years!
‘Dear Brash,’ said I after this torrid outburst, ‘worry not. Sing your songs with all the earnestness you possess. What is talent but the tongue that never ceases its wag? Look upon us poets and see how we are as dogs in the sun, licking our own behinds with such tender love. Naught else afflicts us but the vapours of our own worries. Neither sun nor stone heeds human ambition. Kings hire poets to sell them lies of posterity. Be at fullest ease, is it not enough to try? Is desire not sufficient proof? Is conviction not the stoutest shield and helm before wretched judgement? If it is true that you possess the talent of the talentless, celebrate the singularity of your gift! And should you survive this trek, why, I predict your audience will indeed be vast.’
‘But I won’t!’
‘You shall. I am sure of it.’
Brash Phluster’s eyes darted. ‘But then … that means … Calap Roud? Nifty Gum?’
Solemn my nod.
‘But that won’t be enough!’
‘It shall suffice. We shall make good time today, better than our host adjudges.’
‘Do you truly believe so?’
‘I do, sir. Now, the others have begun and the carriage is moments from lurching forward. Unless you wish to breathe the dust of its passing, we had best be on, young poet.’
‘What if Purse hates your story?’
I could but shrug.
Now, it falls upon artists of all ilk to defend the indefensible, and in so doing reveal the utterly defenceless nature of all positions of argument, both yours and mine. Just as every ear bent to this tale is dubious, so too the voice spinning its way down the track of time. Where hides the truth? Why, nowhere and everywhere, of course. Where slinks the purposeful lie? Why, ’tis the lumps beneath truth’s charming coat. So, friends, assume the devious and you’ll not be wrong and almost half-right, as we shall see.
Not twenty paces along, Tiny Chanter pointed a simian forefinger at Calap Roud and said, ‘You, finish your story, and if it’s no good you’re dead.’
‘Dead,’ agreed Flea.
‘Dead,’ agreed Midge.
Calap gulped. ‘So soon?’ he asked in a squeak. ‘Wait! I must compose myself! The Imass woman, dying in the cold, a spin backward in time to the moment when the Fenn warrior, sorely wounded, arrives, sledge in tow. Yes, there I left it. There. So.’ He rubbed at his face, worked his jaw as might a singer or pugilist (wherein for both beatings abound, ah, the fates we thrust upon ourselves!), and then cleared his throat.
‘He stood silent before her,’ Calap began, ‘and she made a gesture of welcome. “Great Fenn,” said she—’
‘What’s her name?’ Sellup asked.
‘She has no name. She is Everywoman.’
‘She’s not me,’ Sellup retorted.
‘Just so,’ Calap replied, and then resumed. ‘“Great Fenn” said she, “you come to the camp of the Ifayle Imass, the clan of the White Ferret. We invite you to be our guest for the time of your stay, however long you wish it to be. You shall be our brother.” She did not, as you may note, speak of the dire state of her kin. She voiced no excuse or said one word to diminish his expectation. Suffering must wait in the mist, and vanish with the sun’s light, and the sun’s light is found in every stranger’s eyes—’
‘That was stupid,’ said Oggle Gush, her opinion rewarded with a nod from Sellup. ‘If she’d said “we’re all starving,” why, then he’d go away.’
‘If that happened,’ said Apto Canavalian, ‘there can be no story, can there?’
‘Sure there can! Tell us what she’s wearing! I want to know every detail and how she braids her hair and the paints she uses on her face and nipples. And I want to hear how she’s in charge of everything and secretly smarter than everyone else, because that’s what heroes are, smarter than everyone else. They see clearest of all! They wear Truth and Honour – isn’t that what you always say, Nifty?’
The man coughed and looked uncomfortable. ‘Well, not precisely. That is, I mean – what I meant is, well, complicated. That’s what I meant. Now, let Calap continue, I pray you, darling.’
‘What do they look like?’ Apto asked Oggle.
‘What does what look like?’
‘Truth and Honour. Is Truth, oh, fur-trimmed? Line stitched? Brocaded? And what about Honour? Do you wear Honour on your feet? Well tanned? Softened with worn teeth and the gums of old women?’
‘You do maybe,’ Oggle retorted, ‘wear them, I mean,’ and then she rolled her eyes and said, ‘Idiot.’
Calap continued, ‘To her words the Fenn warrior did bow, and together they walked to the circle of round-tents, where the chill winds rushed through the furs of the stretched hides. Three hunters were present, two men and another woman, and they came out to greet the stranger. They knew he would have words to speak, and they knew, as well, that he would only speak them before the fire of the chief’s hut. In good times, the arrival of a stranger leads to delight and excitement, and all, be they children or elders, yearn to hear tales of doings beyond their selves, and such tales are of course the currency a stranger pays for the hospitality of the camp.’
‘Just as a modern bard travels from place to place,’ commented Apto. ‘Poets, each of you can lay claim to an ancient tradition—’